The Four Days of Naples
(1962)
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The Four Days of Naples
(1962)
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| Cast overview, first billed only: | |||
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Regina Bianchi | ... |
Concetta Capuozzo
(as Régina Bianchi)
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Aldo Giuffrè | ... |
Pitrella
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| Lea Massari | ... |
Maria
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Jean Sorel | ... |
Livornese
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Franco Sportelli | ... |
Prof. Rosati
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Charles Belmont | ... |
Sailor
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| Gian Maria Volonté | ... |
Stimolo
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Frank Wolff | ... |
Salvatore
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Luigi De Filippo | ... |
Cicillo
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Pupella Maggio | ... |
Arturo's Mother
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Georges Wilson | ... |
Reformatory Director
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Raffaele Barbato | ... |
Ajello
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Dominico Formato | ... |
Gennaro Capuozzo
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Curt Lowens | ... |
Sakau
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Enzo Turco | ... |
Valente
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The film shows the history of the Neapolitan popular revolt against the invading Germans, during the second world war. During the four days in Naples the revolt turns over in just few hours. Neapolitans slinged on rifles and guns, and they armed themselves with stones, house-objects, gasoline-bottles and everything, anonymous and silent. Gennarino Capuozzo, a ten year old child killed on a barricade while he was fighting against the invasors, is remembered by people as a hero. Written by Adalberto Fornario
This film was brought to my attention by a friend who suggested that, since I enjoyed Roberto Rosselini's Open City, I would enjoy this film, which he considered to be even better than Rosselini's. I was impressed, to say the least, and inclined to agree. The story seemed infinitely more real and affecting.
Small stories of individual lives and relationships splintered apart by the actions of Germany in Naples after the Allies have declared victory in Europe in WWII isn't a subject many people will jump at the chance to see, but they should think again. We may never have the experience of being under occupation here in America, but that doesn't mean we can't appreciate and feel the bravery of a city that fights back against the tyranny of the weary German army. And if you have an aversion to war films, subtitled ones in particular, don't worry; the performances from the actors involved are strong enough to feed the emotions onto the screen without need of a translator.
This is a gem not many people know about. It's a shame. This is a film that needs a revolution in the minds of cineastes everywhere.