7.2/10
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Pressure Point (1962)

A black prison psychiatrist is assigned the distasteful task of helping a paranoid American Nazi charged with sedition.

Directors:

, (uncredited)

Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Golden Globe. See more awards »

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Cast

Complete credited cast:
...
...
Patient
...
Young Psychiatrist
...
Chief Medical Officer
Mary Munday ...
Bar Hostess
...
Tavern Owner
Gilbert Green ...
Jewish Father
...
Boy Patient
...
Jimmy
...
Jewish Girl
Anne Barton ...
Mother
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Storyline

An African-American prison psychiatrist (Sidney Poitier) finds the boundaries of his professionalism sorely tested when he must counsel a disturbed inmate (Bobby Darin) with bigoted Nazi tendencies. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

FILMED IN BLACK, IN WHITE, IN RAGE!... a motion picture without a safety valve!

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

11 July 1963 (Mexico)  »

Also Known As:

Point Blank  »

Filming Locations:


Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Producer Stanley Kramer directed the framing story. See more »

Quotes

Doctor: [angrily to the Patient] This is my country! This is where I've done what I've done, and if there were a million cruds like you, all sick like you are sick, all shouting, 'Down, destroy, degrade,' and if there were 20 million more sick enough to listen to them, you are still gonna lose! You're gonna lose, Mister, because there is something in this country, something so big, so strong that you don't even know... something big enough to take it from people like you and come back and nail you into ...
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Soundtracks

Here Comes the Bride
("The Bridal Chorus") (uncredited)
Composed by Richard Wagner (1850)
Sung at bund meeting
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User Reviews

 
Pushes His Buttons
9 March 2009 | by (Buffalo, New York) – See all my reviews

Reflecting back on another case during the days of World War II, psychiatrist Sidney Poitier is telling colleague Peter Falk not to give up on a case he has with racial differences between him and the patient in Pressure Point. Science and the doctor's obligation to render assistance cancel all things out.

Twenty years back from the Civil Rights era, at its height when Pressure Point was made, back to World War II Poitier is a prison psychiatrist who gets one bad patient. It's Bobby Darin who had never been seen like this on film, as a racist punk who belongs to the German American Bund. Although Darin and his band of thugs have done some really violent crimes, some of which we see in flashback, it's for sedition that he's been arrested.

Still a recurring nightmare brings him to the couch in Poitier's office and the two of them develop a curious relationship. Darin pushes all of Poitier's buttons, in fact he's a pretty loathsome type. Curing his nightmares will not necessarily make him one that will socially adjust back in society.

Film Historians have called Poitier things like Saint Sidney for the heroic good roles he played back in the day as the first black leading man in mainstream films. He might just have qualified for it here, even more than in his film debut No Way Out dealing with another racist criminal Richard Widmark, that time as a medical doctor.

It was Darin who showed the acting chops here that were never displayed before. He was nominated for his performance as a Best Supporting Actor in Captain Newman, MD., personally I think this is his best screen work.

Pressure Point is a two person work, the rest of the cast merely serves as background figures. I'm wondering though why someone like Peter Falk consented to a role that's confined to two scenes at the beginning and the end with no real opportunity for him to display his talents. Still for fans of Poitier or Darin or both this is a chance to see them both at their best.


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