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Dick Van Dyke,
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An African-American prison psychiatrist (Sidney Poitier) finds the boundaries of his professionalism sorely tested when he must counsel a disturbed inmate (Bobby Darin) with bigoted Nazi tendencies. Written by
The hill where the scene with the imaginary friend was shot would later become the site of the universal theme park. See more »
[furiously to the patient]
You crud! You vicious, slimy. rotten little crud!
[He slams the door]
Let me tell you something. Do you know what I wanted most? Despite what you are and despite what you were, I wanted to help you. I wanted to kill you. I would enjoy to kill you right now with my bare hands. But more than I wanted to kill you, I wanted to help you. Know what that makes me? More than a good man that makes me a doctor!
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Here Comes the Bride
("The Bridal Chorus") (uncredited)
Composed by Richard Wagner (1850)
Sung at bund meeting See more »
Reflecting back on another case during the days of World War II, psychiatrist Sidney Poitier is telling colleague Peter Falk not to give up on a case he has with racial differences between him and the patient in Pressure Point. Science and the doctor's obligation to render assistance cancel all things out.
Twenty years back from the Civil Rights era, at its height when Pressure Point was made, back to World War II Poitier is a prison psychiatrist who gets one bad patient. It's Bobby Darin who had never been seen like this on film, as a racist punk who belongs to the German American Bund. Although Darin and his band of thugs have done some really violent crimes, some of which we see in flashback, it's for sedition that he's been arrested.
Still a recurring nightmare brings him to the couch in Poitier's office and the two of them develop a curious relationship. Darin pushes all of Poitier's buttons, in fact he's a pretty loathsome type. Curing his nightmares will not necessarily make him one that will socially adjust back in society.
Film Historians have called Poitier things like Saint Sidney for the heroic good roles he played back in the day as the first black leading man in mainstream films. He might just have qualified for it here, even more than in his film debut No Way Out dealing with another racist criminal Richard Widmark, that time as a medical doctor.
It was Darin who showed the acting chops here that were never displayed before. He was nominated for his performance as a Best Supporting Actor in Captain Newman, MD., personally I think this is his best screen work.
Pressure Point is a two person work, the rest of the cast merely serves as background figures. I'm wondering though why someone like Peter Falk consented to a role that's confined to two scenes at the beginning and the end with no real opportunity for him to display his talents. Still for fans of Poitier or Darin or both this is a chance to see them both at their best.
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