IMDb > Premature Burial (1962)
Premature Burial
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Premature Burial (1962) More at IMDbPro »

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Overview

User Rating:
6.6/10   1,884 votes »
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Director:
Writers:
Charles Beaumont (screenplay) and
Ray Russell (screenplay) ...
(more)
Contact:
View company contact information for Premature Burial on IMDbPro.
Release Date:
7 March 1962 (USA) See more »
Genre:
Tagline:
Within the Coffin I Lie...ALIVE!
Plot:
An artist grows distant from his new wife as an irrational horror of premature burial consumes him. Full summary » | Add synopsis »
Awards:
1 win See more »
User Reviews:
A very interesting movie. See more (33 total) »

Cast

  (in credits order) (complete, awaiting verification)

Ray Milland ... Guy Carrell

Hazel Court ... Emily Gault

Richard Ney ... Miles Archer
Heather Angel ... Kate Carrell

Alan Napier ... Dr. Gideon Gault
John Dierkes ... Sweeney

Dick Miller ... Mole
Clive Halliday ... Judson
Brendan Dillon ... Minister
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Directed by
Roger Corman 
 
Writing credits
Charles Beaumont (screenplay) and
Ray Russell (screenplay)

Edgar Allan Poe (story)

Produced by
Samuel Z. Arkoff .... producer
Gene Corman .... executive producer
Roger Corman .... producer
 
Original Music by
Ronald Stein 
 
Cinematography by
Floyd Crosby 
 
Film Editing by
Ronald Sinclair 
 
Art Direction by
Daniel Haller 
 
Costume Design by
Marjorie Corso 
 
Makeup Department
Lou LaCava .... makeup artist
 
Production Management
Jack Bohrer .... production manager
 
Second Unit Director or Assistant Director
Francis Ford Coppola .... assistant director
 
Art Department
Richard M. Rubin .... props
Burt Shonberg .... paintings
 
Sound Department
John Bury Jr. .... sound
 
Camera and Electrical Department
Lloyd Garnell .... lighting technician
Charles Hannawalt .... key grip
 
Music Department
Les Baxter .... composer: stock music (uncredited)
 
Other crew
David Blangsted .... film assistant
Betty Crosby .... script supervisor
Jonathan Haze .... assistant to producer
 

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Additional Details

Also Known As:
"The Premature Burial" - USA (DVD title)
See more »
Runtime:
81 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Roger Corman was having a minor dispute with American International. He decided to do this "Poe" picture elsewhere. He was able to get financing from Pathe Labs (which wanted to go into distribution). When Samuel Z. Arkoff learned of this, he traveled to New York to talk with the owner of Pathe Labs. Arkoff felt that Pathe was stepping into American International's business. Pathe's was not moved until Arkoff pointed out that American International was one of Pathe Labs' largest customers and that if it was going into competition with AIP, all of AIP's lab work would be pulled. Pathe sold the production to American International before principal photography began.See more »
Goofs:
Continuity: When Kate tells Guy that it's time for his medicine, she's holding the tray in her hands. In the next shot it's gone, and it is nowhere to be seen when the three of them leave the crypt.See more »
Quotes:
Guy Carrell:Can you possibly conceive it. The unendurable oppression of the lungs, the stifling fumes of the earth, the rigid embrace of the coffin, the blackness of absolute night and the silence, like an overwhelming sea.See more »
Movie Connections:
Soundtrack:
Molly MaloneSee more »

FAQ

This FAQ is empty. Add the first question.
5 out of 5 people found the following review useful.
A very interesting movie., 12 July 2001
Author: montresor (montresor@mixmail.com) from Barcelona, Spain

This is the only film in Corman's Poe cycle without Vincent Price. He chose instead Ray Milland as the man haunted by fear of being buried alive. In fact Milland portrays the protagonist more "seriously" than Price would have, or more "realisticaly". This is a good film for those who like the subject. Some critics have talked about films filled with fascination with death, quoting some times "Obsession" by Brian de Palma, for example. But if there is a "necrophiliac" film ever, this is "Premature Burial". Loosely based in Edgar Allan Poe's unfilmable tale, it has a magnificent plot and many hints and blinks. It is a disturbing film, too. Its atmosphere is perfectly gloomy. Milland seems genuinely tormented by his fears, and he delivers some modified Poe lines with intensity. I think that this picture is in the better half of the Poe cycle, and has a particular quality of its own.

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