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Premature Burial (1962)

Unrated  |   |  Drama, Horror, Mystery  |  7 March 1962 (USA)
6.6
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Ratings: 6.6/10 from 2,130 users  
Reviews: 36 user | 43 critic

An artist grows distant from his new wife as an irrational horror of premature burial consumes him.

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Title: Premature Burial (1962)

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Cast

Complete credited cast:
...
Guy Carrell
...
Emily Gault
...
Miles Archer
Heather Angel ...
Kate Carrell
...
Dr. Gideon Gault
John Dierkes ...
Sweeney
...
Mole
Clive Halliday ...
Judson
Brendan Dillon ...
Minister
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Storyline

Emily Gault arrives at the Carrell mansion determined to rekindle an old relationship with Guy Carrell, despite the disapproval of his sister, Kate. Guy overcomes his all-consuming fear of being buried alive long enough to marry Emily but soon becomes obsessed again, building a crypt designed to guarantee that he will not fall prey to his most dreaded nightmare. Trying to prove that he has been cured of his phobia, he opens his father's tomb and is shocked into a catatonic state. His worst fears are realized as he is lowered into a grave and covered over, apparently never to learn that the treachery of someone very dear to him was directly responsible for his predicament. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Plot Keywords:

fear | nightmare | crypt | tomb | burial | See All (89) »

Taglines:

Within the Coffin I Lie...ALIVE!


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 March 1962 (USA)  »

Also Known As:

The Premature Burial  »

Box Office

Gross:

$1,250,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Roger Corman was having a minor dispute with American International. He decided to do this "Poe" picture elsewhere. He was able to get financing from Pathe Labs (which wanted to go into distribution). When Samuel Z. Arkoff learned of this, he traveled to New York to talk with the owner of Pathe Labs. Arkoff felt that Pathe was stepping into American International's business. Pathe's was not moved until Arkoff pointed out that American International was one of Pathe Labs' largest customers and that if it was going into competition with AIP, all of AIP's lab work would be pulled. Pathe sold the production to American International before principal photography began. See more »

Goofs

In the cemetery Emily picks up a bunch of blue flowers twice. See more »

Quotes

Guy Carrell: Can you possibly conceive it. The unendurable oppression of the lungs, the stifling fumes of the earth, the rigid embrace of the coffin, the blackness of absolute night and the silence, like an overwhelming sea.
See more »

Connections

References Mr. Sardonicus (1961) See more »

Soundtracks

Molly Malone
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User Reviews

Good horror with a great lead performance.
20 November 2011 | by (Canada) – See all my reviews

Solid, well crafted entry in producer / director Roger Corman's cycle of Edgar Allan Poe adaptations that's an effective exercise in psychological horror as well as more traditional kinds of horror (such as we see in the nightmare sequence, for example). It shows just how badly one's life can be affected by an unhealthy obsession. Corman initially tried to get Vincent Price for the lead, needing to switch to Ray Milland instead. While the casting of Milland may have seemed odd at the time, the esteemed, Oscar winning actor would go on to make appearances in other genre and schlock movies in the future. Milland offers a mostly understated performance as the tormented Guy Carrell, medical student and painter who can't get his supposed legacy and phobia of being entombed alive out of his mind. Meanwhile, good friend Miles (Richard Ney), new wife Emily (beautiful genre vixen Hazel Court), and sister Kate (Heather Angel) grow increasingly concerned over his behaviour. Working with his consistently reliable production design / cinematography team of Daniel Haller and Floyd Crosby, Corman is able to create very effective atmosphere for the production, and the 2.35:1 aspect ratio allows him to pack the frame with detail, and he also continues the practise of creating depth to the images. The music by the great Ronald Stein would be enjoyable enough on its own, but it's supplemented by the repeated refrain of the "Molly Malone" melody, whether it's whistled or played on the piano. Milland does some delicious work here, particularly in the sequence where Guy is showing Emily and Miles all the safeguards he's put in place in case of his being "buried alive". The excellent cast also includes Alan Napier as Emily's doctor father (who utters one of the best lines, "I never enjoy myself, I only experience greater and lesser amounts of tedium."), and John Dierkes & Corman regular Dick Miller as the unsavoury grave diggers. The script by Charles Beaumont and Ray Russell has a very literate quality, and Milland gives his dialogue all of the gravitas that he can muster. While this wouldn't rank among the best of Corman's series (that honour would have to go to "House of Usher" and "The Masque of the Red Death"), it's still very respectable and fun viewing for classic horror fans. Seven out of 10.


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