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The Phantom of the Opera (1962)

 -  Drama | Horror | Music  -  15 August 1962 (USA)
6.4
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Ratings: 6.4/10 from 1,649 users  
Reviews: 48 user | 38 critic

The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »

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Title: The Phantom of the Opera (1962)

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Cast

Cast overview, first billed only:
...
Heather Sears ...
Edward de Souza ...
Thorley Walters ...
Lattimer
...
Lord Ambrose d'Arcy
Harold Goodwin ...
Bill
Martin Miller ...
Rossi
Liane Aukin ...
Maria
Sonya Cordeau ...
Yvonne
Marne Maitland ...
Xavier
Miriam Karlin ...
Charwoman
...
Renee Houston ...
Mrs. Tucker
Keith Pyott ...
Weaver
John Harvey ...
Sgt. Vickers
Edit

Storyline

The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's name on it, Petrie breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petrie returns to terrorize a London opera house that is about to perform one of his stolen operas. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Taglines:

Driven by HATE to live behind a mask of horror. Driven by LOVE to steal the beauty the world denied him! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 August 1962 (USA)  »

Also Known As:

Das Phantom der Oper  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

At one point, Christopher Lee was seriously considered for the Phantom part. See more »

Goofs

During the flashback sequence, Ambrose D'Arcy writes his own name on the title page of one of Professor Petrie's manuscripts, which is called Symphony No. 1. The word 'symphony,' however, is clearly and incorrectly spelled 'symphany.' The spelling is corrected on the printed copies of the music seen later. See more »

Quotes

The Phantom: I am going to teach you to sing, Christine. I am going to give you a new voice! A voice so wonderful that theatres all over the world will be filled with your admirers. You will be the greatest star the opera has ever known. Greater than the greatest! And when you sing, Christine, you will be singing only... for me.
See more »

Connections

Version of Phantom of the Opera (1943) See more »

Soundtracks

Joan of Arc
by Edwin Astley
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Off with the mask again
7 October 2012 | by (Buffalo, New York) – See all my reviews

In this version of The Phantom Of The Opera, the hideous phantom lurks in the sewers and catacombs of London instead of Paris. And in this third version bits of a real opera by British composer Edwin Astley highlight the musical portion of the film. That's important because in this telling of the tale, the phantom has a singular interest in this particular work.

Stepping into the shoes of Lon Chaney and Claude Rains is Herbert Lom. Because this film is done in flashback Lom is given less of a chance to create his character in the way his predecessors did. Still Lom as he did in Night And The City manages to get across both the poignancy and the evil that he's sunk to. I would also compare his characterization of Professor Petri here with what he did in Flame Over India where he got across sympathy for a character who was a terrorist.

The truly evil one here is Michael Gough who is a classic Victorian rakehell whom if he were slightly of better character and given to a bit of introspection, we could hear some Oscar Wilde aphorisms coming out of his mouth. But his Lord D'Arcy hasn't got any redeeming features whatsover. Kind of like Liberty Valance which also came out in 1962.

The young lovers here are producer Edward DeSouza and Heather Sears the singer that Lom takes an interest in. I looked to see who might have dubbed Sears for the opera sequences and found no credit. If she did it herself, truly remarkable and why didn't that part of her talent be better known.

I saw an edited version of this on YouTube and I'm convinced they involved the end of some characters in a ghastly fashion. I'd like to see a director's cut if possible.


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