In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
In Spain, Leon is born on Christmas day to a mute servant girl who was raped by a beggar. His mother dies giving birth and he is looked after by Don Alfredo. As a child Leon becomes a ... See full summary »
Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives ... See full summary »
Janet is a young student at a private school; her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in an insane asylum, haunting her. Expelled ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida. Young Christine Daae were on the beach when she heard her father speaking ... See full summary »
Darin De Paul,
The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's name on it, Petrie breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petrie returns to terrorize a London opera house that is about to perform one of his stolen operas. Written by
Jeremy Lunt <email@example.com>
A subplot involving a pair of Scotland Yard police inspectors on the trail of the Phantom was shot especially for the American TV version (by the TV companies, not by Hammer). This was a regular occurrence in this era, most notably with Hammer's films The Kiss of the Vampire (1963) and The Evil of Frankenstein (1964). See more »
Although there is great attention to the music of the opera - it almost sounds like a real Bernard Herrmann 20th century opera - when the conductor turns the page and it is torn, it is only page two of the score. Act I has been going on for a few minutes, probably roughly 20 pages of a standard score, but the conductor is still on page one which is about six bars, or 10 seconds of music. See more »
This version of "The Phantom of the Opera" is very different from the original and others. But fantastic nevertheless.
The movie is approached differently compared to other versions, not only the story is different but also the characters. Especially The Phantom has become a bit of a different person. Personally I like this approach, it's up to you which approach you personally like the best.
The typical Terence Fisher directing is very notable and he gives the movie a typical atmosphere. This movie is definitely one of Fisher's and the Hammer studio's best, even though the movie is now days a bit outdated of course. A surprising thing was the amount of humor used in this movie. It fitted the movie surprisingly well and worked out just great.
The most fantastic thing is the cast. Herbert Lom plays as The Phantom a more of a tragic villain. Michael Gough as Lord Ambrose d'Arcy plays the real main villain of the movie and he is simply brilliant in his role! He really steals the show in this one. The rest of the cast also pulls of quite well.
Alas there are some flaws and the movie is simply too much outdated to can be considered a masterpiece. But the movie serves its purpose and looks visually great with excellent performances from the cast and a nice finale.
4 of 5 people found this review helpful.
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