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The Phantom of the Opera (1962)

Unrated  |   |  Drama, Horror, Music  |  15 August 1962 (USA)
6.4
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Ratings: 6.4/10 from 1,709 users  
Reviews: 48 user | 37 critic

The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »

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(screenplay) (as John Elder) , (composition)
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Title: The Phantom of the Opera (1962)

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Cast

Cast overview, first billed only:
...
Heather Sears ...
Edward de Souza ...
Thorley Walters ...
Lattimer
...
Lord Ambrose d'Arcy
Harold Goodwin ...
Bill
Martin Miller ...
Rossi
Liane Aukin ...
Maria
Sonya Cordeau ...
Yvonne
Marne Maitland ...
Xavier
Miriam Karlin ...
Charwoman
...
Renee Houston ...
Mrs. Tucker
Keith Pyott ...
Weaver
John Harvey ...
Sgt. Vickers
Edit

Storyline

The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's name on it, Petrie breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petrie returns to terrorize a London opera house that is about to perform one of his stolen operas. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Taglines:

The most unusual tale of terror - and love - ever told! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 August 1962 (USA)  »

Also Known As:

Das Phantom der Oper  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Extended Version)

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to producer Anthony Hinds(in Wayne Kinsey's book "Hammer: The Bray Studio Years"), Cary Grant was originally slated not for the role of the Phantom, as is commonly assumed, but for the romantic lead, eventually played by Edward de Souza. See more »

Goofs

The film, set in the Edwardian period (around 1900), features an opera called "Saint Joan". But Joan of Arc was not canonized until 1920. See more »

Quotes

Harry Hunter: [Harry is asking Christine to go out to lunch with him after she has been dismissed from the opera] I insist that you come and celebrate.
Mrs. Tucker: Celebrate, Mr. Hunter?
Harry Hunter: Yes, Mrs. Tucker. Today we both got the sack.
Christine Charles: Oh no, Harry.
Harry Hunter: Oh yes, Harry.
See more »

Connections

Version of The Phantom of the Opera (1925) See more »

Soundtracks

Joan of Arc
by Edwin Astley
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmospheric Opera Fun

The novel The Phantom of the Opera has been filmed at least ten times plus now. This entry by Hammer Studios is one of the better ones, bringing a liberal change in storytelling as well as some very atmospheric settings and camera work. Directed by Terence Fisher, this film, like Fisher's The Gorgon, is highly poetic. The phantom is a former music professor who has been pushed into his life of seclusion and physical deformity. He is a figure of sympathetic pity rather than horror. It is this point of view which makes this film very interesting as the phantom is not the monster but rather just a man who has been mistreated trying to cope and resurrect his life. Yep, he still lives in the sewers of Paris. The Hammer sets are wonderful all around, particularly the opera house and the winding underground sewers. Hammer also puts their stamp of luxuriant looking cinematography on. Herbert Lom plays the man behind the mask. Lom does a nice job in the film as do all the leads. Heather Sears is a striking heroine, and Edward Da Souza makes an affable leading man. The real star, apart from Fisher's direction, is Michael Gough. Boy, can this man play a mean individual. Gough's screen time is magic as he malevolently belittles everyone around him, steals things that are not his, and lewdly leers at anything in a skirt! The film also boasts some fine staged opera numbers and a beautiful soundtrack. Many scenes show Fisher's competence and ability to create lush moods whilst being able to provide good storytelling.

A fine Phantom edition.


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