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The Phantom of the Opera (1962)

Unrated | | Drama, Horror, Music | 15 August 1962 (USA)
Terror strikes the London Opera House as a new opera is disrupted by the actions of a deformed specter of the show's past who has an obsession with one of the production's chorus girl.

Director:

Writers:

(screenplay) (as John Elder), (composition)
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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Heather Sears ...
Edward de Souza ...
Thorley Walters ...
Lattimer
...
Lord Ambrose d'Arcy
Harold Goodwin ...
Bill
Martin Miller ...
Rossi
Liane Aukin ...
Maria
Sonya Cordeau ...
Yvonne
Marne Maitland ...
Xavier
Miriam Karlin ...
Charwoman
...
Renee Houston ...
Mrs. Tucker
Keith Pyott ...
Weaver
John Harvey ...
Sgt. Vickers
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Storyline

The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's name on it, Petrie breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petrie returns to terrorize a London opera house that is about to perform one of his stolen operas. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Taglines:

Driven by HATE to live behind a mask of horror. Driven by LOVE to steal the beauty the world denied him! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 August 1962 (USA)  »

Also Known As:

Das Phantom der Oper  »

Box Office

Budget:

£180,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Extended Version)

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The film takes place in 1890 and December 1900. See more »

Goofs

Although there is great attention to the music of the opera - it almost sounds like a real Bernard Herrmann 20th century opera - when the conductor turns the page and it is torn, it is only page two of the score. Act I has been going on for a few minutes, probably roughly 20 pages of a standard score, but the conductor is still on page one which is about six bars, or 10 seconds of music. See more »

Quotes

Harry Hunter: [Harry is asking Christine to go out to lunch with him after she has been dismissed from the opera] I insist that you come and celebrate.
Mrs. Tucker: Celebrate, Mr. Hunter?
Harry Hunter: Yes, Mrs. Tucker. Today we both got the sack.
Christine Charles: Oh no, Harry.
Harry Hunter: Oh yes, Harry.
See more »

Connections

Version of The Phantom of the Opera (1990) See more »

Soundtracks

Joan of Arc
by Edwin Astley
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Off with the mask again
7 October 2012 | by (Buffalo, New York) – See all my reviews

In this version of The Phantom Of The Opera, the hideous phantom lurks in the sewers and catacombs of London instead of Paris. And in this third version bits of a real opera by British composer Edwin Astley highlight the musical portion of the film. That's important because in this telling of the tale, the phantom has a singular interest in this particular work.

Stepping into the shoes of Lon Chaney and Claude Rains is Herbert Lom. Because this film is done in flashback Lom is given less of a chance to create his character in the way his predecessors did. Still Lom as he did in Night And The City manages to get across both the poignancy and the evil that he's sunk to. I would also compare his characterization of Professor Petri here with what he did in Flame Over India where he got across sympathy for a character who was a terrorist.

The truly evil one here is Michael Gough who is a classic Victorian rakehell whom if he were slightly of better character and given to a bit of introspection, we could hear some Oscar Wilde aphorisms coming out of his mouth. But his Lord D'Arcy hasn't got any redeeming features whatsover. Kind of like Liberty Valance which also came out in 1962.

The young lovers here are producer Edward DeSouza and Heather Sears the singer that Lom takes an interest in. I looked to see who might have dubbed Sears for the opera sequences and found no credit. If she did it herself, truly remarkable and why didn't that part of her talent be better known.

I saw an edited version of this on YouTube and I'm convinced they involved the end of some characters in a ghastly fashion. I'd like to see a director's cut if possible.


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