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Pale Flower (1964)
"Kawaita hana" (original title)

7.8
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Ratings: 7.8/10 from 1,315 users  
Reviews: 9 user | 37 critic

Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young ... See full summary »

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(based on the novel by), (screenplay), 1 more credit »
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Title: Pale Flower (1964)

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Edit

Cast

Cast overview, first billed only:
Ryô Ikebe ...
Muraki
Mariko Kaga ...
Saeko
Takashi Fujiki ...
Yoh
Naoki Sugiura ...
Aikawa
Shin'ichirô Mikami ...
Reiji
Isao Sasaki ...
Jiro
Koji Nakahara ...
Tamaki
Chisako Hara ...
Yakuza's Lover
Seiji Miyaguchi ...
Gang leader
Eijirô Tôno ...
Gang Leader
Mikizo Hirata ...
Mizuguchi
Reizaburô Yamamoto
Kyû Sazanka ...
Imai
Hideo Kidokoro
Akio Tanaka ...
Patron
Edit

Storyline

Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young upper-class woman who is out seeking thrills, and whose presence adds spice to the staid masculine underworld rituals. Muraki becomes her mentor while simultaneously coping with the shifts of power that have affected the gangs while he was interred. When he notices a rogue, drug-addicted young punk hanging around the gambling dens, he realizes that Saeko's insatiable lust for intense pleasures may be leading her to self-destruction. Written by goblinhairedguy

Plot Summary | Add Synopsis

Plot Keywords:

murder | yakuza | revenge | rain | church | See All (17) »

Genres:

Crime | Thriller

Certificate:

Not Rated

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

1 March 1964 (Japan)  »

Also Known As:

Fiore secco  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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User Reviews

 
The king of super-cool
9 May 2009 | by (Miami) – See all my reviews

Ryo Ikebe is perfect as the super-cool, sharply dressed ex-con who willingly seals his own fate despite his obvious intelligence and powers of perception. His body language is crisp and economical and his life experience is etched into his face. He is the Japanese doppleganger of the under-appreciated (except by Tarrantino) American actor Robert Forster. This is actually worthy of a remake starring Forster but I heavily doubt if any filmmaker can recreate the style and panache that Mr. Shinoda injected into every shot of the astonishing cinematography. In an interview on the DVD extra, he says that nihilism was his main theme but it's a quiet, shadow-covered nihilism, not explosive and bombastic. There are very few scenes of violence; action is not the show here. The heart of the film is the undefinable relationship between the adrenaline-loving rich girl and the yakuza hit man. Shinoda likens his position in life as the embodiment of post-war Japan caught between the Soviet Union and the USA. The climactic hit is brilliantly choreographed, shot and scored. Certain elements of Pale Flower evoked memories of The Face of Another, a totally different type of film that also explored the existential subjects of solitude, isolation and alienation.


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