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The Horrible Dr. Hichcock (1962)

L'orribile segreto del Dr. Hichcock (original title)
The year is 1885, and necrophiliac Dr. Hitchcock likes to drug his wife for sexual funeral games. One day he accidentally administers an overdose and kills her. He leaves his home shattered... See full summary »

Director:

(as Robert Hampton)

Writer:

(story and screenplay) (as Julyan Perry)
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Cast

Credited cast:
...
Cynthia Hichcock
Robert Flemyng ...
Prof. Bernard Hichcock
Silvano Tranquilli ...
Dr. Kurt Lowe (as Montgomery Glenn)
Maria Teresa Vianello ...
Margherita Hichcock (as Teresa Fitzgerald)
Harriet Medin ...
Martha, the maid (as Harriet White)
Al Christianson
Evar Simpson
Nat Harley
Rest of cast listed alphabetically:
Neil Robinson ...
Hospital Assistant
Howard Nelson Rubien ...
Laboratory Specialist
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Storyline

The year is 1885, and necrophiliac Dr. Hitchcock likes to drug his wife for sexual funeral games. One day he accidentally administers an overdose and kills her. He leaves his home shattered. Several years later he remarries and returns. Discovering that his still beloved first wife is alive but insane and prematurely aged, he plans to use the blood of his new bride to rejuvenate and heal her. Written by Dean Harris <hepcat@inch.com>

Plot Summary | Plot Synopsis

Taglines:

The candle of his lust burnt brightest in the shadow of the grave! See more »

Genres:

Horror

Certificate:

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Details

Country:

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Release Date:

2 December 1964 (USA)  »

Also Known As:

The Horrible Dr. Hichcock  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Featured in Horror Europa with Mark Gatiss (2012) See more »

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User Reviews

 
The best movie about a coffin named desire ever
8 November 2000 | by See all my reviews

Gorgeously filmed, totally insane Gothic pastiche from Riccardo Freda holds its marvelously overwrought tone through to the fiery climax. At the center of it is Barbara Steele's Cynthia, the neurotic second wife of the eponymous Dr. Hichcock, who, from the second she arrives in her husband's creaky and apparently haunted mansion, is picturesquely threatened by the hostile maid, by a mysterious figure in white, purported to be the maid's sister, and by her own increasingly mad husband, who was already predisposed to pseudo-necrophilia, but who really starts to tip over the brink as he begins to believe his first wife has come back from the grave. It's all both lavish and ludicrous, and profits from Steele's incredible screen presence and the weight of its own images. Spectacular use of color, as well. Essential viewing.


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