| Photos (See all 14 | slideshow) |
| Leon Niemczyk | ... | Andrzej | |
| Jolanta Umecka | ... | Krystyna | |
| Zygmunt Malanowicz | ... | Young Boy | |
| rest of cast listed alphabetically: | |||
| Anna Ciepielewska | ... | Krystyna (voice) (uncredited) | |
| Roman Polanski | ... | Young Boy (voice) (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits(in alphabetical order) | ||
| Jakub Goldberg | ||
| Roman Polanski | ||
| Jerzy Skolimowski | dialogue | |
| Jerzy Skolimowski | screenplay | |
Produced by | |||
| Stanislaw Zylewicz | .... | producer | |
Original Music by | |||
| Krzysztof Komeda | (as Krzysztof T. Komeda) | ||
Cinematography by | |||
| Jerzy Lipman | |||
Film Editing by | |||
| Halina Prugar-Ketling | (as Halina Prugar) | ||
Production Design by | |||
| Boleslaw Kamykowski | |||
Makeup Department | |||
| Zdzislaw Papierz | .... | makeup artist | |
Production Management | |||
| Josef Krakowski | .... | production manager | |
| Jerzy Laskowski | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Jakub Goldberg | .... | assistant director | |
| Andrzej Kostenko | .... | assistant director | |
| Maria Pietrzak | .... | assistant director | |
Art Department | |||
| Jerzy Bossak | .... | artistic director | |
Sound Department | |||
| Halina Paszkowska | .... | sound | |
| Jerzy Szawlowski | .... | sound assistant | |
Camera and Electrical Department | |||
| Andrzej Gronau | .... | camera operator | |
| Julian Magda | .... | assistant camera | |
| Józef Nasiadka | .... | assistant camera | |
| Jerzy Szurowski | .... | assistant camera | |
Editorial Department | |||
| Maria Karpowicz | .... | assistant editor | |
Music Department | |||
| Bernt Rosengren | .... | musician: saxophone | |
Other crew | |||
| Jerzy Stefan Stawinski | .... | literary director (as Jerzy Stawinski) | |
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| My Own Private Idaho | Joy Ride | Bitter Moon | In a Better World | Dead Calm |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Poland section |
In Polanski's feature debut, "Knife in the Water," strange power games were again to the fore, with ridiculous macho rivalries arising when a young looking man hitches a lift with a sportswriter and his attractive wife Though the plot itself is slim, the film is distinguished by Polanski's precise visuals, which point the shifts in allegiance between the three characters through subtle groupings; impressively, although almost the whole film is situated on a small yacht, the effect is always cinematic rather than theatrical
Polanski's film is implicit, ingenious, mesmerizing, and has artistic integrity It is filled with a very different sort of suspense There is no violence The suspense is hinted at, suggested, refined tautly, glimpsed, did-he-mean-what-I-think-he-meant?
The rich man's confidence was in his possessions, among which was numbered his attractive wife, lying in bikini, teasing by arousing expectations between them on the deck The student's confidence, casual, almost unaware, was in his very being... The husband resented the youth, the strength, the "cool," the easy virility of the student and worked out a compulsion to keep challenging them, to try to show his superiority
Polanski was fair each had his own strengths and skills; but the one obsessively resented the others