While Old England is being ransacked by roving Danes in the 9th century, Alfred is planning to join the priesthood. But observing the rape of his land, he puts away his religious vows to ... See full summary »
Athos Magnani, a young researcher, returns to Tara, where his father was killed before his birth, at the request of Draifa. The father, also named Athos Magnani and looking exactly like the... See full summary »
J.S. Bach, orphaned at 10, widowed at 35, 20 children, regarded as the world's greatest composer, challenged the conventions of church, state and society by expressing personal tragedy and hardship with passion, joy and conviction.
Annabella marries Soranzo, when she is pregnant by her brother Giovanni. Destiny, and jealousies will expose her past, and Soranzo broods revenge. But he is not alone in that - and death will unite all.
Giuseppe Patroni Griffi
On the coast of North America in AD 1007, two Norsemen are stranded when their expedition is attacked and they are left for dead. As they struggle to survive in the vast forests of the New ... See full summary »
Flying from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno (1548-1600) has found some protection in Venice. But the Roman Inquisition, ... See full summary »
Gian Maria Volontè,
Hans Christian Blech,
Though not officially a Mario Bava film, as it turned out, a good deal of the battle sequences included in this one comprise of footage he had shot for the previous year’s peplum, ERIK THE CONQUEROR (1961) – I rewatched that film the very next day, and it was quite amusing to experience those intermittently duplicated moments!
Anyway, the movie under review itself is a typically modest offering – frankly not much worse than Bava’s own efforts in the genre (admittedly, not the horror maestro’s forte) and, in fact, rather livelier, too! It was, however, interesting to see Cameron Mitchell (the star of ERIK THE CONQUEROR and another Bava peplum I’ve just re-acquainted myself with, KNIVES OF THE AVENGER ) tackling the role of the villain this time around!
The hero is played by peplum stalwart Ettore Manni and Mitchell is flanked in the dastardly stakes by two other Bava alumni – Paul Muller from I VAMPIRI (1957) and Piero Lulli from KILL, BABY…KILL! (1966) – to say nothing of the fact that the film was composed by Roberto Nicolosi and produced by Galatea (both of whom were also behind ERIK THE CONQUEROR and other Bava pictures)…and, if I’m not mistaken the score for ATTACK OF THE NORMANS pilfered a few themes from the earlier film as well!
The movie follows the typical peplum/Viking formula of sea battles, court intrigues (including usurped thrones), treason, torture, romantic jealousy, etc. and while certainly no classic, it emerges as a quite pleasant diversion nonetheless, especially for hardened fans of the genre like myself – not to mention the fact that Malta (the island I hail from) was, all those years ago, itself under Norman rule!
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