A skeptical college professor discovers that his wife has been practicing magic for years. Like the learned, rational fellow he is, he forces her to destroy all her magical charms and ... See full summary »
A skeptical college professor discovers that his wife has been practicing magic for years. Like the learned, rational fellow he is, he forces her to destroy all her magical charms and protective devices, and stop that foolishness. He isn't put off by her insistence that his professional rivals are working magic against him, and her protections are necessary to his career and life. Written by
Ken Yousten <email@example.com>
When Norman hides in the classroom "I Do Not Believe" is written on the chalk board with other key words related to witchcraft. Something off screen appears to him and he backs up to the chalkboard in fear. After the PA system is silenced, he walks back to the door. The blackboard has been smudged, creatively revealing the phrase "I Do...Believe" See more »
At 1:21:48, you can see the guide wire controlling the eagle. See more »
A small university town in England is the setting of this well-crafted tale of witchcraft, voodoo, and mystery concerning the rise of a young professor in his department in Sociology. The film begins with the professor giving a lecture on the ridiculous nature of the supernatural. He says that the supernatural only exists when believers exist; otherwise without believers, there would be no supernatural. I thought this was a great way to start a film. You know that before long this young professor will be eating those words. And, indeed, he does. The film's basic premise concerns this man's wife, Tansy, helping him rise - or at least believing to help him rise - in his department amidst other forces that wish to see his downfall. There is certainly a lot going for this British, low-budget film. Great performances are delivered by the entire cast, particularly Peter Wyngarde as the man trapped between what he sees as logical and reasonable and what his wife believes is responsible for his success. Janet Blair plays his wife with great conviction and an intensity that makes what she does seem plausible. One other acting notable belongs to Margaret Johnston as a rather scary, limping colleague who has a crushing blow delivered to her when she doesn't get the department chair. She makes one scary woman! The direction is in the hands of the ever-capable Sidney Hayers, responsible for many of my favourite episodes of The Avengers(including "The Superlative Seven"). Hayers is excellent at pacing the film with tension. But the most credit for the film's success must be given to Richard Matheson who adapted the film from the celebrated novel Conjure Wife by Fritz Leiber. Matheson has just enough logic mixed in with mysterious red herrings, superstitious practices, and quaint, British manners to make for a most enjoyable film. There is no doubt that for this film: the eagle has landed!
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