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Directed by | |||
| Lewis Milestone | |||
| Carol Reed | (uncredited) (some scenes) | ||
Writing credits | ||
| Charles Lederer | (screenplay) | |
| Charles Nordhoff | (novel) and | |
| James Norman Hall | (novel) | |
| Eric Ambler | uncredited | |
| Borden Chase | uncredited | |
| William L. Driscoll | uncredited | |
| John Gay | uncredited | |
| Ben Hecht | uncredited | |
Produced by | |||
| Aaron Rosenberg | .... | producer (uncredited) | |
Original Music by | |||
| Bronislau Kaper | |||
Cinematography by | |||
| Robert Surtees | (director of photography) (as Robert L. Surtees) | ||
Film Editing by | |||
| John McSweeney Jr. | |||
Casting by | |||
| Irene Howard | (uncredited) | ||
Art Direction by | |||
| George W. Davis | |||
| J. McMillan Johnson | |||
Set Decoration by | |||
| Henry Grace | |||
| Hugh Hunt | |||
Costume Design by | |||
| Moss Mabry | |||
Makeup Department | |||
| Mary Keats | .... | hair stylist | |
| William Tuttle | .... | makeup creator | |
Second Unit Director or Assistant Director | |||
| Ridgeway Callow | .... | assistant director | |
| James Curtis Havens | .... | second unit director (as James C. Havens) | |
| Lynn Guthrie | .... | second assistant director (uncredited) | |
| Robert H. Justman | .... | additional assistant director (uncredited) | |
| Paul Rapp | .... | assistant director (uncredited) | |
| Carl 'Major' Roup | .... | second assistant director (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Van Allen James | .... | sound editor (uncredited) | |
| Milo B. Lory | .... | special sound effects (uncredited) | |
Visual Effects by | |||
| A. Arnold Gillespie | .... | special visual effects | |
| Robert R. Hoag | .... | special visual effects | |
| Lee LeBlanc | .... | special visual effects | |
| Cliff Shirpser | .... | matte camera operator (uncredited) | |
| Matthew Yuricich | .... | visual effects artist (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt coordinator (uncredited) | |
| Paul Baxley | .... | stunt double: Marlon Brando (uncredited) | |
| Paul Baxley | .... | stunts (uncredited) | |
| Morton C. Thompson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Harold E. Wellman | .... | additional photography | |
| Conrad L. Hall | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Fuca | .... | assistant set costumer (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| Robert Armbruster | .... | conductor | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Michael Goldsen | .... | music producer: native music (uncredited) | |
Other crew | |||
| Bengt Danielsson | .... | technical advisor | |
| Leo Langomazino | .... | technical advisor | |
| Donald MacIntyre | .... | technical advisor (as Captain Donald Macintyre R.N.) | |
| Aurora Natua | .... | technical advisor | |
| Hamil Petroff | .... | choreographer | |
| William Smith | .... | french-language translator (uncredited) | |
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| Mutiny on the Bounty | The Bounty | Master and Commander: The Far Side of the World | Der Untergang der Pamir | The New World |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
This movie, nominated for Best Picture, was under-rated, probably because of Brando's supposed behavioral problems on the set. They changed directors and I'm amazed this film is as good as it is. Brando is great as a foppish Fletcher Christian until Mutiny time when he becomes manly and wrestles power from Trevor Howard. Great production values, beautiful cinematography and able support from Richard Harris (who wanted to choose off Brando), Trevor Howard, and others.
A 7 out of 10. Best performance = Marlon Brando. To see this on a big screen back then was very impressive. Don't avoid this one because of the bad press. A worthwhile film.