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Directed by | |||
| Lewis Milestone | |||
| Carol Reed | (uncredited) (some scenes) | ||
Writing credits | ||
| Charles Lederer | (screenplay) | |
| Charles Nordhoff | (novel) and | |
| James Norman Hall | (novel) | |
| Eric Ambler | uncredited | |
| Borden Chase | uncredited | |
| William L. Driscoll | uncredited | |
| John Gay | uncredited | |
| Ben Hecht | uncredited | |
Produced by | |||
| Aaron Rosenberg | .... | producer (uncredited) | |
Original Music by | |||
| Bronislau Kaper | |||
Cinematography by | |||
| Robert Surtees | (director of photography) (as Robert L. Surtees) | ||
Film Editing by | |||
| John McSweeney Jr. | |||
Casting by | |||
| Irene Howard | (uncredited) | ||
Art Direction by | |||
| George W. Davis | |||
| J. McMillan Johnson | |||
Set Decoration by | |||
| Henry Grace | |||
| Hugh Hunt | |||
Costume Design by | |||
| Moss Mabry | |||
Makeup Department | |||
| Mary Keats | .... | hair stylist | |
| William Tuttle | .... | makeup creator | |
Second Unit Director or Assistant Director | |||
| Ridgeway Callow | .... | assistant director | |
| James Curtis Havens | .... | second unit director (as James C. Havens) | |
| Lynn Guthrie | .... | second assistant director (uncredited) | |
| Robert H. Justman | .... | additional assistant director (uncredited) | |
| Paul Rapp | .... | assistant director (uncredited) | |
| Carl 'Major' Roup | .... | second assistant director (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Van Allen James | .... | sound editor (uncredited) | |
| Milo B. Lory | .... | special sound effects (uncredited) | |
Visual Effects by | |||
| A. Arnold Gillespie | .... | special visual effects | |
| Robert R. Hoag | .... | special visual effects | |
| Lee LeBlanc | .... | special visual effects | |
| Cliff Shirpser | .... | matte camera operator (uncredited) | |
| Matthew Yuricich | .... | visual effects artist (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt coordinator (uncredited) | |
| Paul Baxley | .... | stunt double: Marlon Brando (uncredited) | |
| Paul Baxley | .... | stunts (uncredited) | |
| Morton C. Thompson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Harold E. Wellman | .... | additional photography | |
| Conrad L. Hall | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Fuca | .... | assistant set costumer (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| Robert Armbruster | .... | conductor | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Michael Goldsen | .... | music producer: native music (uncredited) | |
Other crew | |||
| Bengt Danielsson | .... | technical advisor | |
| Leo Langomazino | .... | technical advisor | |
| Donald MacIntyre | .... | technical advisor (as Captain Donald Macintyre R.N.) | |
| Aurora Natua | .... | technical advisor | |
| Hamil Petroff | .... | choreographer | |
| William Smith | .... | french-language translator (uncredited) | |
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| Mutiny on the Bounty | The Bounty | Master and Commander: The Far Side of the World | Der Untergang der Pamir | The New World |
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| Full cast and crew | Company credits | External reviews |
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I have screened again tonight, in his memory, MUTINY ON THE BOUNTY (USA 1962) directed by Lewis Milestone. It is not a such commonly quoted movie in his filmography but it could be, all balanced in my memories of movie critic, his most wonderful performance of all : a deep and sharp "témoignage" - as we say in French - for humanity against inhumanity. I have screened that movie many times and each time I screen it, emotion and beauty are rising. Not only because of him : all the movie in all its aspects is reaching dramatic and aesthetic perfection. But mainly, if I should say so, because Brando manages, under the fine direction of this last Milestone directing work, during the first 157' of the movie, to bear on his shoulder the burden of humanity in front of a sadistic and inhuman being and to bear it in a rising tension till the breaking point - the mutiny itself. Rarely such part has been incarnated with such a talent and he overpasses the already memorable Gable's performance. Such a part was more difficult to play - according to me - than many of his acclaimed (and rightly acclaimed, of course)other previous and next performances.
Of course anyone who wants to know what is acting has to screen ON THE WATERFRONT, JULIUS CAESAR, his directing masterpiece western ONE-EYED JACK [I want to remind or let know its French beautiful exploitation title : LA VENGEANCE AUX DEUX VISAGES], THE GODFATHER, APOCALYPSE NOW and so many others.
Nevertheless, Brando will be forever ("à tout jamais") in my memory, the noble and human Lieutenant Fletcher rising for human value, alone and finally dying for preserving an idea of justice