Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Confidence man Harold Hill arrives at staid River City intending to cheat the community with his standard scam of offering to equip and train a boy's marching band, then skip town with the money since he has no music skill anyway. Things go awry when he falls for a librarian he tries to divert from exposing him while he inadvertently enriches the town with a love of music. Written by
Kenneth Chisholm <firstname.lastname@example.org>
When Eulalie Mackechnie Shinn (Hermione Gingold) is performing in the "spectacle" with her schoolchildren, she says "Now count to twenty in the Indian tongue..." and proceeds to count in what seem to be nonsense words ("Een! Teen! Tether mether fip!..."). It's actually a variant of traditional British sheep-counting. See more »
Twice when Harold Hill first arrives in River City, mountains are seen in the background. There are no mountains like that in Iowa just across from Illinois where River City is supposed to be. See more »
I rant and I rave for the virtue I'm too late to save / I smile, I grin when the gal with a touch of sin walks in / I hope and I pray for Hester to win just one more "A" / The sadder but wiser girl's the girl for me / The sadder but wiser girl for me.
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The closing credits appear in the style of a Broadway show's curtain call. First the minor characters are shown with the performers' names. The credits then progress through the cast ending with the lead. See more »
I first saw "The Music Man" on its first run in 1962. I just saw it again last night on cable. If anything, I enjoyed it more last night. I think that your belief in "fairy tales" such as this only grows with the passing of the years. Preston's performance is so near-perfect that the viewer starts to believe his line of corn-fed BS. The knowledge of what Ron Howard has become enhances the enjoyment of his fine work here. It's funny, magical and a musical treat to the ears!!
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