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The Music Man (1962)

Approved  |   |  Comedy, Musical, Romance  |  19 June 1962 (USA)
7.7
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Ratings: 7.7/10 from 12,276 users  
Reviews: 121 user | 30 critic

A con man comes to a Midwestern town with a scam using a boy's marching band program, but things don't go according to plan.

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(based on: "The Music Man"), (written in collaboration with), 1 more credit »
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Title: The Music Man (1962)

The Music Man (1962) on IMDb 7.7/10

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Won 1 Oscar. Another 6 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Buffalo Bills ...
Town Council
Timmy Everett ...
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Winthrop Paroo (as Ronny Howard)
Harry Hickox ...
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Sara Seegar ...
Adnia Rice ...
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Storyline

Confidence man Harold Hill arrives at staid River City intending to cheat the community with his standard scam of offering to equip and train a boy's marching band, then skip town with the money since he has no music skill anyway. Things go awry when he falls for a librarian he tries to divert from exposing him while he inadvertently enriches the town with a love of music. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Plot Synopsis

Taglines:

The story of that man and his 76 trombones, and the wonderful, wonderful tune he played on every heart in town!


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 June 1962 (USA)  »

Also Known As:

Meredith Willson's The Music Man  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

During the "Lida Rose"/"Will I Ever Tell You" duet both Mrs. Paroo (Pert Kelton) and the lead singer of The Buffalo Bills (Vern Reed) are in rocking chairs. They are synchronized throughout much of the song, starting, stopping and rocking together. This is only visible in the wide screen version. See more »

Goofs

In the candy shop when Hill and Marion are sipping on their strawberry sodas, Hill releases his straw and the straw floats to the top. The camera angle changes with Hill holding the straw and it's at the bottom of the glass. See more »

Quotes

Amaryllis: I'm having a party on Saturday. I'd like it if you could come.
Mrs. Paroo: Well, Amaryllis asked you to her party. Are you going or not?
Winthrop Paroo: No
Mrs. Paroo: No what?
Winthrop Paroo: No, thank you.
Mrs. Paroo: No thank you, who? You know the little girl's name.
Amaryllis: I bet he won't say it.
Mrs. Paroo: No, "thank you, WHO," Winthrop?
Winthrop Paroo: No, thank you, AMARYLLITH!
Amaryllis: Amaryllith! Amaryllith!
See more »

Crazy Credits

The letters in the film's title, in producer-director Morton da Costa's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »

Connections

Referenced in Girls on Top: Skankin' (1985) See more »

Soundtracks

Rustle of Spring
(1896) (uncredited)
Music by Christian Sinding
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The BEST adaptation of a Broadway musical to film.

I will go on record to say that THE MUSIC MAN is the BEST film adaptation of a Broadway musical. Unlike MY FAIR LADY (another fine acievement) which was translated almost verbatim from the stage libretto to film, THE MUSIC MAN is NOT that great a musical comedy on stage. In fact, it's pretty mediocre. Comparing the original stage libretto to what Marion Hargrove did with her incredible screenplay, one counts over forty additional scenes or pieces of dialogue that open out and/ or add character to the principals. Her screenplay is such a VAST improvement over the original it is truly what makes the film so special. A number of reviewers on this site loathe the film, but I imagine they would loathe any musical. This is top rate acting, singing, dancing, with fast paced direction and a constantly moving camera for the dance numbers - the absolute best mise en scene I've ever experienced in a filmed musical comedy. (Mind you, musical play adaptations are a different category - I'm talking musical comedies here). Get the letterboxed version if you can as this was beautifully composed for wide screen. I remember seeing it in the balmy summer days of one of our nation's last years of innocence. Everyone was seeing it, talking about it, theaters extending their runs for a number of months to early autumn. It brought together all the nostalgia of what we best remember of another golden era (just before WW I) when America was still basically an agrarian economy. A real gem, this one.


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Anybody know the reason? dmnemaine
I never get tired of this movie Imeowtoo
Question on the Final Scene (Spoliers) acosean
Robert Preston never did any singing before The Music Man? monetvenom
Best acting performance ever TexasJimbo
Favorite Song??? diamond-noir
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