Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Confidence man Harold Hill arrives at staid River City intending to cheat the community with his standard scam of offering to equip and train a boy's marching band, then skip town with the money since he has no music skill anyway. Things go awry when he falls for a librarian he tries to divert from exposing him while he inadvertently enriches the town with a love of music. Written by
Kenneth Chisholm <email@example.com>
As the anvil salesman is getting onto the train at the beginning of the movie, it can be seen that the train's wheels are just painted on. See more »
[Marian and Winthrop are urging the Professor to leave before the crowd arrives]
I can't go, Winthrop.
Well, for the first time in my life, I got my *foot* caught in the door.
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The letters in the film's title, in producer-director Morton da Costa's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »
The BEST adaptation of a Broadway musical to film.
I will go on record to say that THE MUSIC MAN is the BEST film adaptation of a Broadway musical. Unlike MY FAIR LADY (another fine acievement) which was translated almost verbatim from the stage libretto to film, THE MUSIC MAN is NOT that great a musical comedy on stage. In fact, it's pretty mediocre. Comparing the original stage libretto to what Marion Hargrove did with her incredible screenplay, one counts over forty additional scenes or pieces of dialogue that open out and/ or add character to the principals. Her screenplay is such a VAST improvement over the original it is truly what makes the film so special. A number of reviewers on this site loathe the film, but I imagine they would loathe any musical. This is top rate acting, singing, dancing, with fast paced direction and a constantly moving camera for the dance numbers - the absolute best mise en scene I've ever experienced in a filmed musical comedy. (Mind you, musical play adaptations are a different category - I'm talking musical comedies here). Get the letterboxed version if you can as this was beautifully composed for wide screen. I remember seeing it in the balmy summer days of one of our nation's last years of innocence. Everyone was seeing it, talking about it, theaters extending their runs for a number of months to early autumn. It brought together all the nostalgia of what we best remember of another golden era (just before WW I) when America was still basically an agrarian economy. A real gem, this one.
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