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A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Confidence man Harold Hill arrives at staid River City intending to cheat the community with his standard scam of offering to equip and train a boy's marching band, then skip town with the money since he has no music skill anyway. Things go awry when he falls for a librarian he tries to divert from exposing him while he inadvertently enriches the town with a love of music. Written by
Kenneth Chisholm <firstname.lastname@example.org>
Shirley Jones learned she was pregnant with her son Patrick once the filming of had begun. She met with director Morton DaCosta over lunch to inform him of the situation. Her concern was that she would begin "showing" during its filming. He assured her that they could work through it with costumes and also by filming her from the waist up, if necessary. He did have one request, that she tell no one about it. Robert Preston did figure it out before filming had concluded, when Shirley's character, Marion, and his character, Professor Hill, kissed for the first time in the romantic footbridge scene. He leaned in for the kiss and jumped back, asking her, "What was that?" to which she replied, "That is Patrick Cassidy! Say, 'Hello!' " Years later, her son Patrick had the opportunity to meet Preston. He walked up and introduced himself saying, "Hello. I'm Patrick Cassidy." Preston replied, "Yes, I know. We've already met." See more »
When talking with Marian about rumors, Hill lowers his pointing hand twice. See more »
Oh this is a refined operation son, and I've got it timed down to the last wave of the brakeman's hand on the last train outta town.
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The letters in the film's title, in producer-director Morton da Costa's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »
I remember almost being shocked hearing this film again in the '90s after seeing it for over 30 years. Some of the music almost sounded like today's - or the 1990s - rap music! It's kind of weird.
There are memorable songs in this musical, ones that became pretty darn famous, such as "76 Trombones" and "Trouble In River City." Most of the songs, in fact, on this soundtrack, are pretty lively and interesting.
I enjoyed seeing the Midwest scenery. Having gone to college in Iowa, I've always been a pit partial to that state, and the wonderful small towns there. I am also partial to corny (speaking of Iowa) and sentimental stories to this film gets "props" for providing plenty of that. An extra point goes for the name of the barbershop quartet in this story: "The Buffalo Bills."
Robert Preston, as "Professor Henry Hill," gets center stage, here, and
warning - he can wear you out. Most people love him in this role but,
for others, he can be grating....and I understand that, too. Preston's fast-talking can you give a headache, if you aren't ready for it. However, the man is so convincing in this role, he seems born to play it.
There are so many songs in this movie that the story is almost secondary. It's really a stage show, so don't expect some super story. Frankly, I liked that fact is mainly music. I've read where the new special-edition DVD really brings out the colors in this movie, so I'm anxious to check it out. I haven't seen the film since that VHS viewing a decade ago.
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