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A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
Confidence man Harold Hill arrives at staid River City intending to cheat the community with his standard scam of offering to equip and train a boy's marching band, then skip town with the money since he has no music skill anyway. Things go awry when he falls for a librarian he tries to divert from exposing him while he inadvertently enriches the town with a love of music. Written by
Kenneth Chisholm <email@example.com>
The songs "76 Trombones" and "Goodnight My Someone" are the same tune arranged in different time signatures. See more »
Chairs in front of the stage move around during the July 4th celebration in the auditorium. First there are three together with one chair a ways off to the left; then later, as one of the school board members prepares to sit down, the four chairs are in a group. See more »
[On Marion's choosiness when it comes to men]
It's a well-known principle that if you keep the flint in one drawer and the steel in the other, you'll never strike much of a fire.
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The letters in the film's title, in producer-director Morton da Costa's name, and in Meredith Willson's name (the first time it appears onscreen) are formed by a miniaturized, stop-motion animated marching band, who also form themselves into musical instruments on which the rest of the opening credits appear. See more »
Robert Preston brilliantly recreates his Broadway role.
One of the greatest musicals ever put onto film is how I would describe "The Music Man" with its show stopping numbers like "Ya Got Trouble Right Here in River City", "The Sadder But Wiser Girl For Me", "Wells Fargo Wagon", "Seventy Six Trombones" and many more.
Confidence trickster Harold Hill arrives in River City with the intention of setting up a boy's band and taking money for costumes and instruments but intends to leave town with the money before these arrive. Things don't exactly work out to plan when he finds himself falling for the town's librarian and he becomes involved with the lives of many of the River City citizens. Meanwhile, the mayor tries his best to have Hill run out of town but one by one the River City townspeople begin to realise that Hill has actually brought much happiness and contentment to several of them since his arrival. Marian the librarian gradually succumbs to Hill's charms and defends him against the wild accusations of the mayor.
A high class ensemble of players make this a captivating film - in addition to Robert Preston himself (absolutely brilliant as Professor Harold Hill) we have Shirley Jones as Marian Paroo (the librarian), Buddy Hackett as Hill's friend Marcellus Washburn, Harry Hickox as another salesman determined to expose Hill, Paul Ford as Mayor Shinn and Hermione Gingold as Mrs Eulalie Shinn. Paul Ford's excellent portrayal of Mayor Shinn was not that far removed from his role as Colonel Hall in the long running "Sergeant Bilko" TV series. (I half expected to see Phil Silvers turn up in River City with some new gambling scheme on his mind!). Also in the "Music Man" cast was a very young Ron Howard (aged only eight) as Winthrop Paroo who was outstanding in his featured number "Gary, Indiana" which he had to sing with a lisp!! (He is of course now well established as a competent film director). I was surprised to see the talented actor Max Showalter (also known as Casey Adams) only used in one scene at the opening of the film. An actor of his calibre should have had a much larger part I consider. I was delighted to see Percy Helton (albeit briefly), one of my favourite character actors, pop up as the train conductor at the beginning of the film. Percy Helton has appeared in hundreds of films and is instantly recognisable with his distinctive voice and chubby frame. A word of praise is due to "The Buffalo Bills" who provide many delightful musical interludes throughout the film. "The Music Man" was produced and directed by Morton da Costa and I loved his theatrical device when the screen went dark after some of the musical numbers - a fascinating innovation.
Some favourite lines from the film:-
Harry Hickox: "But he doesn't know the territory!".
Robert Preston: "Gentlemen, you intrigue me - I think I'll have to give Iowa a try!".
Paul Ford: "I said all along - get his credentials didn't I?".
Paul Ford: "Where's the band? Where's the band?".
Preston (to the boy's band): "Now think, men, think!".
In 1958 Robert Preston won the prestigious "Tony" Award as Best Actor in a musical (on Broadway) for "The Music Man" but was overlooked by the Academy of Motion Picture Arts and Sciences when it came to the "Oscars". Why Preston wasn't even nominated as "Best Actor" is a mystery to me as this was the perfect role for him having performed it so long on Broadway. He was ideally suited in the part of Harold Hill and played it to perfection. The film was nominated for six Academy Awards (including one for best picture but was beaten by "Lawrence of Arabia").
A fabulous musical with entertaining storyline, noteworthy acting talent, and impeccably photographed in ravishing colour. "The Music Man" is an exceptional musical which can be viewed again and again with increasing enjoyment. 10/10. Clive Roberts.
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