Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution. Her inability to communicate has left her frustrated and violent. In desperation, her ... See full summary »
A documentary on the amazing life of Helen Keller, in 1882, aged 19 months she fell ill with what was termed "brain fever" (now believed to be scarlet fever or meningitis) which left her ... See full summary »
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Former football player and present private detective Harry Moseby gets hired on to what seems a standard missing person case, as an aging Hollywood actress whose only major roles came ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
The true story of Helen Keller, who lost her vision and hearing at the age of two, was considered a hopeless case, but who through the diligent aid of teacher Anne Sullivan became a ... See full summary »
Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution. Her inability to communicate has left her frustrated and violent. In desperation, her parents seek help from the Perkins Institute, which sends them a "half-blind Yankee schoolgirl" named Annie Sullivan to tutor their daughter. Through persistence and love, and sheer stubbornness, Annie breaks through Helen's walls of silence and darkness and teaches her to communicate. Written by
Christina Dunigan <email@example.com>
Several actors in studio records/casting call lists did not appear or were not identifiable in this movie. These were (with their character names): Diane Bryan (Martha at Age 5), Donna Bryan (Martha at Age 7), Peggy Burke (II) (Helen at Age 7), Keith Moore (I) (Percy at Age 6), Mindy Sherwood (Helen at Age 5), and Walter Wright Jr. (Percy at Age 8) See more »
In the breakfast scene where Annie is wrestling with Helen it shows a candle cover knocked down from a table against the wall. Seconds later, when Annie somersaults out of Helen's grip- it shows it back upright in it's original position. As Annie pulls Helen back to get her spoon, the cover in on the floor again. See more »
[after a breakthrough with Helen]
Now all I have to teach you is one word - everything.
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MW: One one of the reasons I fell in love with film as art
Although I am a long-time Patty Duke admirer, and thus far from objective, this film still stands the test of time. This is the kind of filmmaking that prompted me to fall in love with the movies. Brilliantly inspired writing by William Gibson, from his equally inspired play. Intelligent, austere direction by Arthur Penn (one of the true gentlemen and masters of the American cinema); Penn had the sense to retain the inate artistry and grit of the original stage play and simply allow the camera to capture the actors' intuitive - albeit, well rehearsed, performances, recreating their stage roles which generated an unheard-of 19 curtain calls when it first graced the stage in its Philadephia opening. The film, in stark, black and white, speaks total reality to the film audience of 1962 - and, of course, well beyond that year. Finally, one would be hard pressed to think of another film that so exquisitely defines the term "2-character" study. Bancroft and Duke deliver A-plus, no bones about it, top-drawer, performances. It is a film about the undaunted human spirit and our need to communicate. Although much has been written about 11-minute breakfast donneybrook, which is certainly wonderful cinema to behold, the entire film is breathtaking from opening credits to the final scenes. I dare anyone to even breathe during the climactic water pump scene when teacher Annie Sullivan finally "connects" and communicates with her "unreachable" charge, the deaf, blind, young Helen Keller. It's an absolutely astonishing, "can't take your eyes off it," moment of celluloid. Duke, Bancroft and Penn worked beatifully to create this incredibly touching masterpiece of dramatic filmmaking, which is not without its moments of "comedy," as all fine dramas are capable of conveying. It is a film which breathes life - and it is especially brought to life by two of the best actresses America has ever produced. The Miracle Worker is a story and film portraying real human courage, patience and individual, personal will. It continues to live in my memory as a work of art that has rarely been equalled before - or since - on screen.
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