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The Miracle Worker (1962)

 -  Biography | Drama  -  28 July 1962 (USA)
8.1
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Ratings: 8.1/10 from 10,261 users  
Reviews: 79 user | 27 critic

The story of Anne Sullivan's struggle to teach the blind and deaf Helen Keller how to communicate.

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(screenplay), (based upon the stage play by), 1 more credit »
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Title: The Miracle Worker (1962)

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Won 2 Oscars. Another 9 wins & 9 nominations. See more awards »

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Cast

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Kathleen Comegys ...
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Storyline

Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution. Her inability to communicate has left her frustrated and violent. In desperation, her parents seek help from the Perkins Institute, which sends them a "half-blind Yankee schoolgirl" named Annie Sullivan to tutor their daughter. Through persistence and love, and sheer stubbornness, Annie breaks through Helen's walls of silence and darkness and teaches her to communicate. Written by Christina Dunigan <minstrel@wf.net>

Plot Summary | Plot Synopsis

Taglines:

An emotional earthquake! See more »

Genres:

Biography | Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

28 July 1962 (USA)  »

Also Known As:

Ana de los milagros  »

Box Office

Budget:

$500,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (DVD)

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

William Gibson took Helen Keller's story to Broadway in 1959, but it was performed for the first time not on Broadway but on live television in a 1957 episode of "Playhouse 90": Playhouse 90: The Miracle Worker (1957). The two leads were Teresa Wright and 11-year-old Patty McCormack. On the Broadway stage and in the film they were Anne Bancroft and 16-year-old Patty Duke. Arthur Penn directed both the TV version and the 1962 film. See more »

Goofs

At the beginning of the dinnertime confrontation, Helen's position changes; she is kneeling at Annie, and begins to stand, but in the next cut she is kneeling again. See more »

Quotes

Kate Keller: What are you saying to her?
Annie Sullivan: Oh, I was just making conversation. Telling her it was a sewing card.
Kate Keller: Does that mean that to her?
Annie Sullivan: Oh, no, she won't know what spelling is till she knows what a word is.
Kate Keller: The captain says it's like spelling to a fence post.
Annie Sullivan: Does he now? It's how I watch you talk to your baby.
Kate Keller: The baby?
Annie Sullivan: Any baby. It's gibberish. Grown-up gibberish. Baby-talk gibberish. Do they understand one word of it to start? Somehow they begin to if they hear it. I'm letting Helen hear it.
Kate Keller: Other ...
[...]
See more »

Connections

Referenced in Clerks II (2006) See more »

Soundtracks

Hush, Little Baby
(uncredited)
Traditional Southern lullaby
Music adapted by Don Costa
Lyrics by Arthur Siegel
Sung by Anne Bancroft
Also played in the score
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An Exceptional Movie That Appeals to the Imagination
21 December 2004 | by (Ohio) – See all my reviews

With two terrific leading performances, an absorbing and thought-provoking story, and many well-conceived touches by Arthur Penn and his production team, this classic version of "The Miracle Worker" is an exceptional movie that appeals to the imagination and that has much to say about humanity. The story itself is so good that even the lesser remakes have been worth seeing, but there is really no reason at all to look any further than this nearly flawless filming of the story.

As Annie Sullivan and Helen Keller, Anne Bancroft and Patty Duke could not have been better. The battle of wills and wits between the two is engrossing, becoming quite involved and very interesting. The lengthy dining room struggle alone would make any movie worth watching - it is worthwhile even beyond the interesting action itself, as it brings out aspects of human nature and human learning that go beyond even Helen's own trials.

There is a great deal of substance to the movie that goes beyond the immediate issues and confrontations, and a significant reason for the greatness of the film is the way that Bancroft and Duke tap into the imagination of the viewer. The concept of seeing an unseen world (and the challenge of helping someone to see it) is brought out in ways that are profound yet accessible.

The two leads carry almost the whole picture, as the other characters are there primarily for Annie and Helen to play off of. Accordingly, the supporting cast keep their characters more simple, and their performances stylized and almost exaggerated, which allows Bancroft and Duke to have most of the moments of significance. The production also enhances the picture through simple but well-conceived settings, use of lighting, and other features that nicely complement the main action.

It's always rather unfortunate that movies like this one, which take a little effort to appreciate fully, are not given more attention. If you stop to consider what Helen Keller had to face in life, it is a situation far more terrifying than facing any of the cartoonish, artificial movie villains that gain so much notoriety. And if you consider the job that Annie Sullivan had to do, her accomplishment is far more impressive and worthwhile than almost any scientific discovery, feat of athletics, or military exploit.

That this movie is able to convey such themes makes it a memorable classic that is much more worthwhile than many movies that have received far more acclaim.


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