The Manchurian Candidate (1962)

Director:

John Frankenheimer

Writers:

Richard Condon (novel)
George Axelrod (screenplay)

Release Date:

24 October 1962 (USA)

Genre:

Drama | Mystery | Thriller

Tagline:

When you've seen it all, you'll swear there's never been anything like it!

Plot:

A former Korean War POW is brainwashed by Communists into becoming a political assassin. But another former prisoner may know how to save him.

Plot Keywords:

Korean War | Army | Nightmare | Korea | Dream

Awards:

Nominated for 2 Oscars. Another 6 wins & 4 nominations

Cast

Frank Sinatra	...	Maj. Bennett Marco
Laurence Harvey	...	Raymond Shaw
Janet Leigh	...	Eugenie Rose Chaney
Angela Lansbury	...	Mrs. Iselin
Henry Silva	...	Chunjin
James Gregory	...	Sen. John Yerkes Iselin
Leslie Parrish	...	Jocelyn Jordan
John McGiver	...	Sen. Thomas Jordan
Khigh Dhiegh	...	Dr. Yen Lo
James Edwards	...	Cpl. Allen Melvin
Douglas Henderson	...	Col. Milt
Albert Paulsen	...	Zilkov
Barry Kelley	...	Secretary of Defense
Lloyd Corrigan	...	Holborn Gaines
Madame Spivy	...	Female Berezovo

Runtime:

126 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System) | Dolby SR | Dolby Digital

Certification:

Finland:(Banned) (1964) (cut) | Finland:(Banned) (1964) (uncut) | Finland:K-16 (1989) (uncut) | UK:A (1962) (cut) | West Germany:16 (f) | South Korea:15 | Australia:M | Norway:15 (re-rating) | Norway:16 (original rating) | Sweden:15 | UK:15 | USA:Approved (original rating) | USA:PG-13

Filming Locations:

67 Riverside Drive, Manhattan, New York City, New York, USA

Company:

M.C. Productions

Trivia:

Angela Lansbury was thirty-six at the time of filming, only three years older than Laurence Harvey, who played her son.

Goofs:

Factual errors: The presidential convention, where the assassination is supposed to take place, is held in 1954. 1954 was not a presidential nomination year. The correct date would be 1956.

Quotes:

Mrs. Iselin: [cordially, at a party the Iselins are giving] How good of you to come, Tom.
Sen. Thomas Jordan: [matter-of-fact, rather than cordial] I've explained to your husband why I'm here.
Mrs. Iselin: Tom, I know you have strong, personal feelings about Johnny and about me. But, what I would like to find out is, how strong they really are. To put it as simply as possible, If Johnny's name were to be put forward at the convention next week, would you attempt to block him?
Sen. Thomas Jordan: [taken slightly aback] You're joking, of course?
Mrs. Iselin: Mr. Stevenson makes jokes, I do not.
[...]

Movie Connections:

References The Man Who Knew Too Much (1956)

Soundtrack:

The Twelve Days of Christmas

A political and social thriller/drama ahead of its time.

John Frankenheimer's surrealistic direction and George Axelrod's adaptation of the 1959 book by the same name offer Laurence Harvey a career defining role.

Set in 1950's, A Korean War veteran Raymond Shaw(Harvey) returns home to a medal of honor for rescuing his POW platoon from behind Chinese lines and back to safety. One of the returning soldiers, (played effectively by Frank Sinatra) however, has recurring dreams of his platoon being brainwashed and Shaw committing acts of murder.

He eventually convinces army brass that Shaw is still a puppet of his Communist-Marxist operators.

Angela Lansbury, (although barely a few years older than Harvey was at the time) plays his mother in a tour de force role. She absolutely captivates and steals every scene she is in, playing a very complex role that needs to convince the viewer of many things without much dialogue.

There's a rich cast of characters, including Janet Leigh, Henry Silva, James Edwards, and a painfully accurate James Gregory. Each character weaves through the methodical subplots and tapestry of Frankenheimer's masterful "Hitchcockian" pace.

I won't give away the plot, but dear readers, allow me to sat that this one is really worth watching--until the nail-biting and chilling conclusion.

There are many undertones in this film -- political, sexual, class and power, and social. You will want to view this film several times to approach it from different perspectives.