Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret which he will do anything to protect, even if that means driving his wife insane.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Major Ben Marco is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw, even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin. She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin, who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that Raymond Shaw is the focal point. Written by
Prior to the commissioning of the book as a movie, Arthur Krim, then President of United Artists and Finance Chairman of the Democratic Party, is known to have felt uneasy about its subject matter. President John F. Kennedy, as a favor to his friend Frank Sinatra, called Krim to let him know that he had no objection to a film version being made. See more »
When Dr. Yen Lo makes his little "yak dung" joke he parodies the famous advertising jingle "(Winston) tastes good like a cigarette should". This cigarette and its advertising slogan weren't introduced until 1954, a year after the end of the Korean War, so Yen Lo couldn't have made the joke. This error is copied from the novel. See more »
My dear girl, have you ever noticed that the human race is divided into two distinct and irreconcilable groups: those that walk into rooms and automatically turn television sets on, and those that walk into rooms and automatically turn them off. The trouble is that they end up marrying each other.
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Still one of the finest movies of its genre, this original film version of "The Manchurian Candidate" features excellent atmosphere, memorable characters, and a first-rate cast. John Frankenheimer's direction shows a very good understanding of the material and its potential, and indeed it is a rare example of a top quality movie being made from an average novel, rather than the other way around.
Frank Sinatra and Laurence Harvey carry the bulk of the movie, as former members of the same military unit in Korea, who slowly learn the truth about their shared past. Both give fine performances, with Sinatra's character perpetually nervous and fearful of what he will find, yet compelled to get at the truth, while Harvey as Sergeant Shaw is coldly self-composed, and contemptuous of anyone else's weakness.
The supporting cast is also excellent. Angela Lansbury's icy presence as Shaw's mother is unforgettable, Janet Leigh makes an intriguing woman of mystery, and James Gregory is flawless as a pestilential, brainless Senator. Khigh Dhiegh also has some fine moments of refined cruelty as evil mastermind Yen Lo.
Some of the finest scenes come from the dream sequences, which are crafted very well from a technical viewpoint, and which also ring true with the story as it comes out. They produce some chilling moments, as well as making the plot concept - which in itself is pretty far- fetched - seem more believable.
With the passage of time and the dissolution of Cold War tensions, it's now possible to watch this without any political baggage, and to allow the excellent production to stand on its own high quality, rather than on any contemporary sentiments.
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