Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Major Ben Marco is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw, even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin. She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin, who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that Raymond Shaw is the focal point. Written by
United Artists chief Arthur Krim initially wanted nothing to do with the film, calling it "irresponsible an too incendiary." Sinatra then went to President Kennedy, whose 1960 campaign had benefited from the two million dollars Sinatra had reportedly raised. The Chief Executive had loved the book and was interested in who had been cast as the mother. With Kennedy's blessing, Krim withdrew his objections and United Artists agreed to release the film. However, after ten tears full release rights would revert back to the production company, M.C. Productions. See more »
Long shots of the convention floor use stock footage from different conventions, with delegates' placards sometimes white, sometimes black. See more »
[to her husband]
I keep telling you not to think! You're very, very good at a great many things, but thinking, hon', just simply isn't one of them.
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There are parts of The Manchurian Candidate that are so perceptive and prophetic that it can be shocking. The satire of political campaigns and the influence of political wives feels very fresh. The film is also an excellent spy thriller and foretells the many political assassinations in the 60's. There are many fine performances in the film and Angela Lansbury plays one of the best film villains I have seen. Also, the directing, cinematography and editing are terrific.
My problems with the film mainly stem from its dialogue. The script repeats lines from the book the film was based upon. The result is that the actor's lines are very often stilted and not believable. Other less important problems involve Lawrence Harvey who while he gives a fine performance needed a dialogue coach. He begins the film with an American accent and slowly takes on a English one. The Janet Leigh character is also troubling. It seems she is a Soviet agent but this is not explained. Her character is too subtle and clashes with the very straight forward presentation of the rest of the film.
The flaws of The Manchurian Candidate would sink a lesser film. But when this movie hits its stride it is so powerful that it rises above its drawbacks and remains a classic spy thriller.
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