Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if means driving his wife insane.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Major Ben Marco is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw, even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin. She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin, who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that Raymond Shaw is the focal point. Written by
Famous for his use of innovative camera angles, director John Frankenheimer was widely acclaimed for a shot that is slightly out of focus. John Frankenheimer said that rather than the shot being evidence of inspiration, it was an accident and merely the best take for actor Frank Sinatra. See more »
As Shaw arrives at the airport at the beginning of the film, several discrepancies on his uniform coat can be seen: he has two overseas bars at the bottoms of both sleeves (should be only on the left sleeve); he wears no three-year service stripes, even though he has obviously been in the service longer than three years; and he wears no ribbons for the National Defense Service Medal, the United Nations Service Medal, or for World War II service (his age and rank indicate he would also have served during that war). See more »
[Shaw has been conditioned to obey when seeing the queen of diamonds; Marco has brought a special deck of all queens of diamonds]
They can make me do anything, Ben, can't they? Anything.
We'll see, kid. We'll see what they can do and we'll see what we can do. So the red queen is our baby. Well, take a look at this, kid...
[fans deck and keeps holding up the cards]
52 of them! Take a good look at 'em, Raymond, look at 'em, and while you're looking, listen. This is me, Marco, talking. 52 red queens...
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A political and social thriller/drama ahead of its time.
John Frankenheimer's surrealistic direction and George Axelrod's adaptation of the 1959 book by the same name offer Laurence Harvey a career defining role.
Set in 1950's, A Korean War veteran Raymond Shaw(Harvey) returns home to a medal of honor for rescuing his POW platoon from behind Chinese lines and back to safety. One of the returning soldiers, (played effectively by Frank Sinatra) however, has recurring dreams of his platoon being brainwashed and Shaw committing acts of murder.
He eventually convinces army brass that Shaw is still a puppet of his Communist-Marxist operators.
Angela Lansbury, (although barely a few years older than Harvey was at the time) plays his mother in a tour de force role. She absolutely captivates and steals every scene she is in, playing a very complex role that needs to convince the viewer of many things without much dialogue.
There's a rich cast of characters, including Janet Leigh, Henry Silva, James Edwards, and a painfully accurate James Gregory. Each character weaves through the methodical subplots and tapestry of Frankenheimer's masterful "Hitchcockian" pace.
I won't give away the plot, but dear readers, allow me to sat that this one is really worth watching--until the nail-biting and chilling conclusion.
There are many undertones in this film -- political, sexual, class and power, and social. You will want to view this film several times to approach it from different perspectives.
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