Major Ben Marco (Frank Sinatra) is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw (Laurence Harvey), even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin (Angela Lansbury). She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin (James Gregory), who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that ... Written by
It took a full week to film the opening dream sequence. Director John Frankenheimer rushed a rough edit of the sequence to Frank Sinatra, then decided to keep the cut in the final movie unchanged. See more »
The shadow of the boom mic is visible upon the face of the guy who requests Shaw be tested first before being release to an American operator. See more »
Poor Raymond. Poor friendless, friendless Raymond. He was wearing his medal when he died.
[reads from a book of U.S Army citations]
You should read some of the citations sometime. Just read them. Taken, eight prisoners, killing four enemy in the process while one leg and one arm was shattered and he could only crawl because the other leg had been blown off - Edwards. Wounded five times, dragged himself across the direct fire of three enemy machine guns to pull two of his wounded men ...
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Manchurian Candidate is, quite simply, the best political thriller of all time. I can't think of another that keeps me on the edge of my seat, even on the tenth viewing. The incredible script, Angela Lansbury's Dearest Mommy, the effective use of black & white film for a movie about issues that were anything but black & white--I could go on and on.
I know that most people rave about Ms. Lansbury above all the other cast members, but--for me--Frank Sinatra wins the prize hands down. His disbelief, and then his disillusionment, and then his despair are perfectly portrayed. There were really two Sinatras, the singer AND the great actor.
In watching The Manchurian Candidate again and again, I never cease to be amazed at its prescient theme, the danger of the combination of fanaticism and patriotic fervor. Goldwater's famous quote comes to mind, "Extremism in the defense of virtue is no vice". In my opinion, this film just gets better with age.
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