Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if means driving his wife insane.
Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
Major Ben Marco is an intelligence officer in the U.S. Army. He served valiantly as a captain in the Korean war and his Sergeant, Raymond Shaw, even won the Medal of Honor. Marco has a major problem however: he has a recurring nightmare, one where two members of his squad are killed by Shaw. He's put on indefinite sick leave and visits Shaw in New York. Shaw for his part has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw Iselin. She is a red-baiter, accusing anyone who disagrees with her right-wing reactionary views of being a Communist. Raymond hates her, not only for how she's treated him but equally because of his step-father, the ineffectual U.S. Senator John Iselin, who is intent on seeking higher office. When Marco learns that others in his Korean War unit have nightmares similar to his own, he realizes that something happened to all of them in Korea and that Raymond Shaw is the focal point. Written by
When Marco and Rosie are talking on the train, the camera occasionally switches to close ups and we only see one head. Both are lit so a strong shadow is on one side of the head and a weaker one is on the other. In Marco's case the strong shadow is on the left as we look; which means Rosie's strong shadow should be on the right as we look, for she stands opposite Marco. However, the shadows are the same for both people, as if they stood on the same spot in relation to the lights' positions. See more »
Benjamin K. Arthur:
Nor would I ask of any fellow American, in defense of his freedom, that which I would not gladly give myself: my life before my liberty!
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There are parts of The Manchurian Candidate that are so perceptive and prophetic that it can be shocking. The satire of political campaigns and the influence of political wives feels very fresh. The film is also an excellent spy thriller and foretells the many political assassinations in the 60's. There are many fine performances in the film and Angela Lansbury plays one of the best film villains I have seen. Also, the directing, cinematography and editing are terrific.
My problems with the film mainly stem from its dialogue. The script repeats lines from the book the film was based upon. The result is that the actor's lines are very often stilted and not believable. Other less important problems involve Lawrence Harvey who while he gives a fine performance needed a dialogue coach. He begins the film with an American accent and slowly takes on a English one. The Janet Leigh character is also troubling. It seems she is a Soviet agent but this is not explained. Her character is too subtle and clashes with the very straight forward presentation of the rest of the film.
The flaws of The Manchurian Candidate would sink a lesser film. But when this movie hits its stride it is so powerful that it rises above its drawbacks and remains a classic spy thriller.
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