The Man Who Shot Liberty Valance (1962)

User Rating:

8.0/10   

Director:

John Ford

Writers:

Dorothy M. Johnson (short story)
James Warner Bellah (screenplay) ...

Release Date:

22 April 1962 (USA)

Genre:

Drama | Romance | Western

Tagline:

Together For The First Time - James Stewart - John Wayne - in the masterpiece of four-time Academy Award winner John Ford

Plot:

A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

Plot Keywords:

Senator | Funeral | Outlaw | Lawyer | Stagecoach

Awards:

Nominated for Oscar. Another 3 wins & 2 nominations

US Showtimes:

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Cast

John Wayne	...	Tom Doniphon
James Stewart	...	Ransom Stoddard
Vera Miles	...	Hallie Stoddard
Lee Marvin	...	Liberty Valance
Edmond O'Brien	...	Dutton Peabody
Andy Devine	...	Marshal Link Appleyard
Ken Murray	...	Doc Willoughby
John Carradine	...	Maj. Cassius Starbuckle
Jeanette Nolan	...	Nora Ericson
John Qualen	...	Peter Ericson
Willis Bouchey	...	Jason Tully - Conductor
Carleton Young	...	Maxwell Scott
Woody Strode	...	Pompey
Denver Pyle	...	Amos Carruthers
Strother Martin	...	Floyd

Runtime:

123 min | Brazil:124 min | West Germany:113 min (cut version)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Spain:T | Canada:PG (Ontario) | Australia:PG | Sweden:15 | USA:Approved | Netherlands:12 | Brazil:12 | Argentina:13 | Finland:K-16 | Norway:16 | South Korea:12 | UK:U | West Germany:12 (w)

Filming Locations:

California, USA

Company:

Paramount Pictures

Trivia:

Tom Doniphon (John Wayne) refers to Valance as "... the toughest man south of the Picketwire," then adds, "next to me!" The Picketwire is not a wire fence dividing line; it was slang for the Purgatoire River, which flows into the Arkansas.

Goofs:

Continuity: When Tom arrives drunk at the dream house and staggers in, his shirt is light gray. Once he's inside and lights the lantern, his shirt is black. Then in the scene where Pompey rescues Tom from the burning house, when he first lays Tom on the buckboard, Tom's shirt is light gray again. When Tom tells Pompey to get the horses, it's clearly light gray. Then after Pompey frees the horses and the camera cuts back to Tom in the back of the buckboard, his shirt is clean and black once again.

Quotes:

[first lines]
Ransom Stoddard: [descending from railway carriage and consulting pocket watch] Thanks, Jason. On time.

Movie Connections:

Referenced in "Monty Python's Flying Circus: Salad Days (#3.7)" (1972)

John Ford's Meditation On The Passing Of The Wild West

Based on a short story by Dorothy M. Johnson, THE MAN WHO SHOT LIBERTY VALANCE tells the story of Ransom Stoddard, an eastern attorney who has the misfortune to be victimized by notorious outlaw Liberty Valance during a stagecoach robbery. Left for dead, Stoddard is rescued by rancher Tom Doniphon and brought to the small town of Shinbone. Disgusted by the lawlessness of the area, he determines to use not a gun but the law itself to end Valance's reign of terror.

Released in 1962, VALANCE was among the last films directed by John Ford, who was more closely associated with the Western than any other Hollywood director--and in one sense it certainly has the classic "good guy vs. bad guy" plot one expects from from a western classic. But Ford was not a superficial artist, and VALANCE is a remarkably multi-layered film that plays much deeper than you might expect.

Tom Doniphon is all that is right about the west; Liberty Valance is all that is wrong. But both are part and parcel of the same code, a society in which law and order are merely words on the lips of a cowardly marshal, a world where a man either dominates through fear or is dominated by it. It is a world that is coming to an end--and Rance Stoddard is in the vanguard of the new civilization. Both Doniphon and Liberty must fall before Stoddard if the worst of the west is to be tamed.

The cast is superior. James Stewart (Stoddard) and John Wayne (Doniphon) have unexpected chemistry on screen, and Lee Marvin (Valance) is easily one of the most unpleasant black-hats you could ever want to see in a western, vicious to the point of being psychotic. Supporting players Vera Miles, Andy Devine, Edmund O'Brien, and Woody Strode are equally fine. Although the script is occasionally a shade overwrought, it is laced with a very fine irony and sense of loss, and John Ford brings all the various pieces together without beating the viewer to death in the process.

GFT, Amazon Reviewer