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Mafioso (1962)
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Overview
User Rating:
Release Date:
25 October 1962 (Italy) morePlot:
When a good-natured factory supervisor living in Milan with his Northern wife returns to his native Sicily, a decades' old oath forces him to fulfill a nightmarish obligation. full summary | full synopsisAwards:
1 win moreUser Comments:
black and white moreCast
(Credited cast)| Alberto Sordi | ... | Antonio Badalamenti | |
| Norma Bengell | ... | Marta | |
| Gabriella Conti | ... | Rosalia | |
| Ugo Attanasio | ... | Don Vincenzo | |
| Cinzia Bruno | ... | Donatella | |
| Katiuscia | ... | Patrizia (as Katiusca Piretti) | |
| Armando Tine | ... | Dr. Zanchi | |
| Lilly Bistrattin | ... | Dr. Zanchi's Secretary | |
| Michèle Bailly | ... | Young Baroness | |
| Francesco Lo Briglio | ... | Don Calogero | |
| Carmelo Oliviero | ... | Don Liborio | |
| rest of cast listed alphabetically: | |||
| Stefano Benigno | |||
| Paolo Cuccia | |||
| Hugh Hurd | |||
| Vincenzo Norvese | |||
| Giuseppe Stagnitti | |||
| John Topa | |||
| Saverio Turiello | |||
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
105 minCountry:
ItalyLanguage:
ItalianColor:
Black and WhiteAspect Ratio:
1.85 : 1 moreSound Mix:
Mono (Westrex Recording System)Certification:
Argentina:13Fun Stuff
Quotes:
Don Liborio: [passing a street vendor] Now, a nice cap for the gentleman. What color do you want... black or checked?Antonio Badalamenti: Black.
Don Liborio: Want to try it on?
[Nino looks at himself in a mirror.]
Don Liborio: Now you're really one of us.
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I've never seen black and white film look so rich, sensuous and stunningly attractive; Cinematographer Armando Nannuzzi hit the nail on the head, creating a very rich and vibrant looking film. At times my mind naturally filled in the colors due to the crisp clarity of all the images, both of natural, rural scenes, and modern, city/industrial settings.
Art director Carlo Egidi masterfully blends the surrounding background of everyday life with his set designs and costumes so that it is impossible to separate the two; truly a mirrored recreation of the day in the life of a modern Sicilian during mid-60's. Each scene is so thought out, and crafted so well that at times their is an almost alien effect, due to the deep endearing political and social dynamics which has become lost in our culture and films today in the 21st century. This effect at times appears exaggerated due to its robust social nature, yet does the job in creating a warm, stunning and beautiful feel to this film.