Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
Tells the story of the D-Day invasion of Normandy in WWII. There are dozens of characters, some seen only briefly, who together weave the story of five separate invasion points that made up the operation. Written by
John Vogel <email@example.com>
When cost overruns on Cleopatra (1963) threatened to force 20th Century Fox to shut down production of this film, Darryl F. Zanuck flew to New York to save his project. After an impassioned speech to Fox's board, Zanuck regained control of the company he founded, ultimately finishing this picture and getting the production of "Cleopatra" under control. See more »
During the shelling at the beginning of the invasion the French farmers mirror breaks and its position shifts. In doing so a stage light is clearly seen. See more »
[to his generals, observing the English Channel]
Field Marshal Erwin Rommel:
Just look at it, gentlemen. How calm... how peaceful it is. A strip of water between England and the continent... between the Allies and us. But beyond that peaceful horizon... a monster waits. A coiled spring of men, ships, and planes... straining to be released against us. But, gentlemen, not a single Allied soldier shall reach the shore. Whenever and wherever this invasion may come, gentlemen... I shall destroy the enemy there, at the water's ...
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Although the end credits begin with the phrase "in alphabetical order", John Wayne is listed last even though he is not last alphabetically (although he was "nearly" last). See more »
The last good WW2 film made by people "who were there"
This is perhaps one of the most ambitious, epic WW2 films to have been made; certainly it is the last of the classic B&W films made about the subject. Featuring an all-star cast (John Wayne, Richard Burton, Kurt Jurgens... even a cameo by Sean Connery!), it comprehensively details the build-up and execution of the Normandy landings in 1944, taking care to show how the event was perceived by Allied and Axis soldiers and commanders, as well as the Free French resistance. This is a film that takes great care in documenting the events of the day, without lapsing into sickly sentimentalism or getting distracted with fictional characters' personal lives (a failing of many WW2 movies since about 1970), or over-emphasising any one nation's importance in the operation (although, admittedly, Canadians may feel a little short-changed).
Classic moments abound, notably the landing at St.Mere-Eglise and the soldier who gets caught in the church steeple, the frustrations of the front-line German commanders and fighters, and the numerous cameos for film nerds to keep track of.
If you want a wartime romance, or an appearance by Matt Damon or Ben Affleck, or long, loving shots of the Stars & Stripes in slo-mo, or a gritty blood'n'guts fest, you'll be disappointed. This film has broader concerns, and was made with much more thoroughness. There is no agenda at work here, pro-war or anti-. It is solely concerned with documenting Operation "Overlord" for the film-going public, and succeeds brilliantly; a shame then, that it has not made the top 50 war films list.
A must-see for any fan of war films.
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