Tells the story of the D-Day invasion of Normandy in WWII. There are dozens of characters, some seen only briefly, who together weave the story of five separate invasion points that made up the operation. Written by
John Vogel <firstname.lastname@example.org>
During shooting in Ste. Mère-Eglise, traffic was stopped, stores were closed and the power was shut down in order not to endanger the paratroopers who were unused to night drops in populated areas. Still, the lights and staged fire proved too difficult to work around, and only one or two jumpers managed to land in the square - with several suffering minor injuries. One of the initial jumpers broke both legs in landing. Ultimately, plans to use authentic jumps were abandoned, opting instead for rigged jumps from high cranes. See more »
In the film, the helmets worn by the 2nd Rangers at Pointe-du-Hoc have no markings. In reality, Ranger helmets had an orange diamond on the back, with a number indicating battalion. See more »
The last good WW2 film made by people "who were there"
This is perhaps one of the most ambitious, epic WW2 films to have been made; certainly it is the last of the classic B&W films made about the subject. Featuring an all-star cast (John Wayne, Richard Burton, Kurt Jurgens... even a cameo by Sean Connery!), it comprehensively details the build-up and execution of the Normandy landings in 1944, taking care to show how the event was perceived by Allied and Axis soldiers and commanders, as well as the Free French resistance. This is a film that takes great care in documenting the events of the day, without lapsing into sickly sentimentalism or getting distracted with fictional characters' personal lives (a failing of many WW2 movies since about 1970), or over-emphasising any one nation's importance in the operation (although, admittedly, Canadians may feel a little short-changed).
Classic moments abound, notably the landing at St.Mere-Eglise and the soldier who gets caught in the church steeple, the frustrations of the front-line German commanders and fighters, and the numerous cameos for film nerds to keep track of.
If you want a wartime romance, or an appearance by Matt Damon or Ben Affleck, or long, loving shots of the Stars & Stripes in slo-mo, or a gritty blood'n'guts fest, you'll be disappointed. This film has broader concerns, and was made with much more thoroughness. There is no agenda at work here, pro-war or anti-. It is solely concerned with documenting Operation "Overlord" for the film-going public, and succeeds brilliantly; a shame then, that it has not made the top 50 war films list.
A must-see for any fan of war films.
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