Tells the story of the D-Day invasion of Normandy in WWII. There are dozens of characters, some seen only briefly, who together weave the story of five separate invasion points that made up the operation. Written by
John Vogel <firstname.lastname@example.org>
Just before shooting began in Corsica, Darryl F. Zanuck was approached by a man stating he represented the beach owners. He insisted on a $15,000 payment or else they would drive modern cars along the beach. Zanuck paid the money, but it was later discovered to be a scam as there were no private beaches in Corsica. Zanuck eventually won damages after an eight-year lawsuit. See more »
When the French first attack the casino there is barbed wire, but when they run from the hotel to the casino there is none. See more »
[Coded radio message to the French Resistance]
There is fire at the travel agency.
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Although the end credits begin with the phrase "in alphabetical order", John Wayne is listed last even though he is not last alphabetically (although he was "nearly" last). See more »
The last good WW2 film made by people "who were there"
This is perhaps one of the most ambitious, epic WW2 films to have been made; certainly it is the last of the classic B&W films made about the subject. Featuring an all-star cast (John Wayne, Richard Burton, Kurt Jurgens... even a cameo by Sean Connery!), it comprehensively details the build-up and execution of the Normandy landings in 1944, taking care to show how the event was perceived by Allied and Axis soldiers and commanders, as well as the Free French resistance. This is a film that takes great care in documenting the events of the day, without lapsing into sickly sentimentalism or getting distracted with fictional characters' personal lives (a failing of many WW2 movies since about 1970), or over-emphasising any one nation's importance in the operation (although, admittedly, Canadians may feel a little short-changed).
Classic moments abound, notably the landing at St.Mere-Eglise and the soldier who gets caught in the church steeple, the frustrations of the front-line German commanders and fighters, and the numerous cameos for film nerds to keep track of.
If you want a wartime romance, or an appearance by Matt Damon or Ben Affleck, or long, loving shots of the Stars & Stripes in slo-mo, or a gritty blood'n'guts fest, you'll be disappointed. This film has broader concerns, and was made with much more thoroughness. There is no agenda at work here, pro-war or anti-. It is solely concerned with documenting Operation "Overlord" for the film-going public, and succeeds brilliantly; a shame then, that it has not made the top 50 war films list.
A must-see for any fan of war films.
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