Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ...
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Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous actor and an older brother who is emotionally unstable and a misfit. The family is reflected by the youngest son, who is a sensitive and aspiring writer. Written by
Marc Andreu <email@example.com>
According to Hepburn biographer Charles Higham, the actress became so upset with Dean Stockwell when he showed up o the first day of shooting with a bottle of vodka, she almost struck him. When she discovered he found the set very cold, she bought him a coat, which he later found in his dressing room. See more »
After Mary spills her glass at lunch (back to camera), the liquid soaks the table cloth hanging several inches over the edge of the table. In the next shot, she's blotting the stain (face to camera), and there's a good inch of dry tablecloth between the stain and the edge of the table. See more »
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Never heard of him. Where you get your taste in authors...
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
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This film version of the great American play is powerful and devastating. The cast is excellent. Hepburn is able to show the alterations in her character with subtle horror.
This story is a study in how humans lose themselves in the fog of drugs, alcohol, sex, disease, and other escapes from reality. None of the characters is willing to take responsibility for what is happening, and therefore they drift deeper and deeper into the night. The real horror is the fact that they could save themselves, but they never come out of the past or the fog long enough to take the first step.
The emotional impact of the play is incredibly powerful even as it is underplayed. This is one of the few films of a play that really works well and translates the emotions of the stage onto the screen without losing the depth and the catharsis.
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