Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous actor and an older brother who is emotionally unstable and a misfit. The family is reflected by the youngest son, who is a sensitive and aspiring writer. Written by
Marc Andreu <firstname.lastname@example.org>
Marlon Brando was offered the role of Jamie Tyrone in the film, but turned it down after walking out of the play halfway through a performance. See more »
Mary's hands change position as she stands, showing them to Kathleen. See more »
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Never heard of him. Where you get your taste in authors...
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
[...] See more »
This film version of the great American play is powerful and devastating. The cast is excellent. Hepburn is able to show the alterations in her character with subtle horror.
This story is a study in how humans lose themselves in the fog of drugs, alcohol, sex, disease, and other escapes from reality. None of the characters is willing to take responsibility for what is happening, and therefore they drift deeper and deeper into the night. The real horror is the fact that they could save themselves, but they never come out of the past or the fog long enough to take the first step.
The emotional impact of the play is incredibly powerful even as it is underplayed. This is one of the few films of a play that really works well and translates the emotions of the stage onto the screen without losing the depth and the catharsis.
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