Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »
A TV producer who is the mistress of her boss, tries to have him make their relationship more permanent, and begins a relationship with a younger man. When her boss hears of this, he tries ... See full summary »
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Lizzie Curry is on the verge of becoming a hopeless old maid. Her wit and intelligence and skills as a homemaker can't make up for the fact that she's just plain plain! Even the town ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous actor and an older brother who is emotionally unstable and a misfit. The family is reflected by the youngest son, who is a sensitive and aspiring writer. Written by
Marc Andreu <firstname.lastname@example.org>
Filmed entirely in sequence after three weeks of rehearsal. See more »
In the very beginning of the film, when James sits, his cigar jumps from the left to the right hand. See more »
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Never heard of him. Where you get your taste in authors...
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
[...] See more »
It takes patience to sit through a 3-hour long movie, even if it is a re-creation of the greatest work of drama written in this country during the 20th century. I personally took a break in the middle of this film, ate dinner, and then came back and watched the rest of it. But Act IV I saw intact. Thank God. It was one of the most intense and insightful moments I have ever seen in a movie, revealing exactly how the present is inextricably bound up with the past. The lives of the characters are representative of OUR lives. Ralph Richardson and Jason Robards were powerful and shattering. Dean Stockwell was also quietly intense, and only Katharine Hepburn struck an incongruous note with her grotesque performance. Then again, in the context of the film, it makes sense for her character to be split off from the others. Have patience with this film - it takes a _long_ time to get to where it's going, but once it gets there, it has the potential to change the way you look at the world. Andre Previn's brief but haunting piano theme is incredibly effective; Sidney Lumet's direction is stagebound but competent. While it is true that O'Neill may never have written this masterpiece if he weren't a dissolute drunkard, think how many masterpieces he could have written if he'd been sober!
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