Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
It's 1933, and eight young women are friends and members of the upper- class group at a private girl's school, about to graduate and start their own lives. The film documents the years ... See full summary »
Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »
A TV producer who is the mistress of her boss, tries to have him make their relationship more permanent, and begins a relationship with a younger man. When her boss hears of this, he tries ... See full summary »
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous actor and an older brother who is emotionally unstable and a misfit. The family is reflected by the youngest son, who is a sensitive and aspiring writer. Written by
Marc Andreu <firstname.lastname@example.org>
At one point during rehearsals, Sidney Lumet felt that Ralph Richardson wasn't really getting the proper measure of his character, James Tyrone. Lumet took the actor aside and launched into a 45 minute lecture about his character's motivations. Richardson finally stopped him by saying "I see what you mean, dear boy, a little more cello, a little less flute". Lumet confessed to being enormously impressed with this way of expressing it. See more »
As Edmund and James drink, Edmund picks up the bottle, but in the next shot it is back on the table. See more »
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Never heard of him. Where you get your taste in authors...
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
[...] See more »
Let me elaborate a little on this title - I don't think any of the four major players failed to do an exceptional work on this film, I just happen to think Katharine Hepburn's portrayal of Mary Tyrone's character does Eugene O'Neil's play most justice and herself an outstanding tragedienne's performance on film, a reason enough for all of us to be thankful!
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