Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
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Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous actor and an older brother who is emotionally unstable and a misfit. The family is reflected by the youngest son, who is a sensitive and aspiring writer. Written by
Marc Andreu <mandreu@mediapark.es>
The Broadway play by Eugene O'Neill opened at the Helen Hayes Theater in New York on November 7, 1956 and ran for 390 performances. The stage production included Florence Eldridge, Fredric March and Katharine Ross and won the 1957 Tony Award for the Best Play and the Pulitzer Prize in Drama in 1957. See more »
Goofs
When James and Mary sit on the swinging bench, James' left hand jumps to his mouth. See more »
Quotes
James Tyrone:
[Edmund has just recited a piece of poetry]
You recite it well... Who wrote it?
Edmund Tyrone:
Baudelaire.
James Tyrone:
[Dismissively]
Never heard of him. Where you get your taste in authors...
James Tyrone:
[Motioning to Edmund's bookshelves]
This damned library of yours: Voltaire and Rousseau and Schopenhauer. And Ibsen... Atheists, fools and madmen! And your poet, this... "Baudelaire." And Swinburne, and Oscar Wilde. Whitman and Poe... Whoremongers and degenerates! When I've got three good sets of Shakespeare there you can read...
Edmund Tyrone:
They...
[...] See more »
This is a typically dark, fine-grained O'Neill work that becomes almost overwhelmed with its own moodiness. Hepburn plumbs some psychological depths here as the drug-addicted mother. Richardson is fine as well, but it is disappointing that double-Oscar winner Fredric March, who won a Tony for the role on Broadway, did not play Tyrone is the screen version. We do get to see Jason Robards recreate his role, and his experience clearly comes through. This is continually penetrating vision of a family that perhaps is not as dysfunctional as "normal" families would like to believe. A disturbing film well worth seeing.
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This is a typically dark, fine-grained O'Neill work that becomes almost overwhelmed with its own moodiness. Hepburn plumbs some psychological depths here as the drug-addicted mother. Richardson is fine as well, but it is disappointing that double-Oscar winner Fredric March, who won a Tony for the role on Broadway, did not play Tyrone is the screen version. We do get to see Jason Robards recreate his role, and his experience clearly comes through. This is continually penetrating vision of a family that perhaps is not as dysfunctional as "normal" families would like to believe. A disturbing film well worth seeing.