Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
In order to free his best friend Bondi, Jack Burns lets himself be imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased by sheriff Johnson with helicopters and jeeps. Written by
There is a possible goof regarding the helicopter's numbers. The numbers on the ship's belly were said to be N8411E, which are the numbers on the craft's tailfin, but when the belly numbers are actually seen, they are N8441E, indicating that either two different helicopters were used in the film or that, for plot reasons, the wrong numbers were mistakenly given--it's not clear which is the case. See more »
The helicopter pilot reported that Burns fired at his tail rotor (to allow him to land safely). However, without actually seeing the trajectory of the bullet, angle of the rifle, or the impact (it missed), the pilot had absolutely no way of knowing Burns' intentions. See more »
[to his horse, as he watches jets leave contrails across the sky]
Time we took off, too.
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I just couldn't let the previous review stand as the only review of this film. Based upon The Brave Cowboy, by Edward Abbey, Lonely Are The Brave is a very good screen adaptation of that classic work. Ed Abbey excelled at demonstrating the loss of the West, either in the environmental impacts that devastate vast areas (The Monkey Wrench Gang, Hayduke Lives), or the loss of individuality and freedom (Fire on the Mountain, The Brave Cowboy). Ed Abbey understood that the character of America survived-until recent times-upon rugged individualism that could unite with others in times of trouble. Jack Burns is an individualist who wants to live his own way, yet he had fought in WWII, and was coming to the aid of a friend. Burns does not try to make others live as he does or make them believe as he does, he simply wants to be left alone in a rapidly shrinking world with his sense of frontier dignity intact. Walter Matthau plays the sheriff who understands his adversary too well; his is the character that has lost the faith and become a collaborator. Matthau's bumbling deputies represent the federal government who stumble over themselves in order to crush Burns' freedom. Kirk Douglas considers this one of his most important films. Ed Abbey approved of the film and even makes a walk-on appearance.
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