During an evacuation in the waning days of the Korean War, three American soldiers retrieve an enemy airman and take him prisoner aboard the civilian ship returning them to their lines. ... See full summary »
Robert Walker Jr.,
Dempsey Rae, a cowboy with no clear aim in life, winds up working on a spread with a hard lady owner just arrived from the East. She needs a tough new top hand and uses all her means of ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
In order to free his best friend Bondi, Jack Burns lets himself be imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased by sheriff Johnson with helicopters and jeeps. Written by
Twentieth Century Fox composer Alfred Newman had admired Jerry Goldsmith's work on the TV series Thriller (1960) and recommended that the young composer be hired. It proved the first major credit in what would become a long and productive career as a film composer. See more »
During the scene when the Sheriff is facing the hovering helicopter and talking to the pilot by radio, on Matthau's closeups, the shadow of the helicopter has been positioned behind him. Only the sun is behind the Sheriff and the helicopter's shadow would be way in front of the jeep, not behind. See more »
[to his horse, as he watches jets leave contrails across the sky]
Time we took off, too.
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Kirk Douglas has said often enough that Lonely Are The Brave is his favorite among the films he's done. I think of it the same way that Bette Davis says about Dark Victory that the role of Judith Traherne is 98% of me.
Like the film's Jack Burns Kirk Douglas has charted his own way through life in Hollywood the way Jack Burns does. Burns's problem is that he's a man born a century too late.
Run another of Kirk Douglas's classic westerns Man Without A Star side by side. Dempsey Rae in that film isn't too much different from Jack Burns, in fact they have opinions on certain subjects almost identical.
But the frontier that Dempsey dealt with in that film has changed, it just doesn't exist any more. But Burns won't recognize it. I'm also not so sure how much film and television have influenced 1962's Jack Burns in the way a cowboy should behave.
Kirk is returning to his home town from God knows what and meets up with Gena Rowlands who is married to his best friend Michael Kane. Kane's in jail for helping illegal immigrants cross the US/Mexican border. What to do but be a cowboy hero and bust him from jail. So Kirk gets himself in a nasty bar fight with one armed Bill Raisch and gets tossed in sheriff Walter Matthau's jail. While there Deputy George Kennedy works him over.
So when Kirk's ready to bust jail, Kane refuses to go to his surprise. But that doesn't stop Kirk who breaks loose and the chase is on.
The non-conformist part of Jack Burns certainly must have appealed to Kirk Douglas. He invests so much of himself in Burns it's hard to tell where Kirk leaves off and Burns begins. And he's one of the most appealing of all the roles Kirk Douglas has. You root for this law breaking maverick every step of the way.
Mention must also go to Walter Matthau as the wise and laconic sheriff who really does understand Douglas's mentality as no one else really does. In a lot of ways it's like the Charles Bronson classic Death Hunt where Mountie Lee Marvin truly is sorry he's on this particular job. Of course if Douglas had actually killed someone in eluding the law, Matthau's duty would have been clear.
The ending is truly an ironic one as the cowboy loses that part of him that makes him a unique American icon.
Absolutely don't miss Lonely Are The Brave when it is broadcast, especially fans of Kirk Douglas.
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