Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon,... See full summary »
In order to free his best friend Bondi, Jack Burns lets himself be imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased by sheriff Johnson with helicopters and jeeps. Written by
There are clearly two different helicopters used during the filming, and they use their actual registration numbers: N8441E and N8411E. N8411E is a 4-seat Bell 47J-2 Ranger, serial number 1810, built in 1960. N8441E is a 3-seat Bell 47G-3, serial number 2609, also built in 1960.
On July 8th, 1964, N8441E was destroyed near Manson, WA. The accident killed the pilot, the only occupant of the aircraft. The NTSB said that the probable cause for the accident was weather, more specifically updrafts and downdrafts. See more »
When Burns begins to cross the river with Whisky, the background appears to be flat and desolate, but seen from a subsequent angle, many buildings appear in the background. See more »
[to his horse, as he watches jets leave contrails across the sky]
Time we took off, too.
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a powerful portrayal of a man left behind and way out of step with the times
I pity those who cannot, even in a small way, identify with Douglas' character, Jack Burns in this ageless work of art. This is a self described 'lonely man,' of no use to his true love( who has married his old friend) because he cannot share his life with anyone. He acknowledges that he is of no use to anyone. Rather he is a constant threat to whatever social order he encounters. The one time he makes a commitment, to his horse no less, he loses his edge. And probably his freedom. What a wonderful movie this is.It steeps itself in the fading of the West. While much of it is seemingly allegorical, there is also a truthfulness, and a tenderness in Burns search for escape over the mountains. Someone else has commented on the similarities between Burns and Bogart's rendition of Roy Earle in HIGH SIERRA. Surely any thoughtful movie goer has experienced that rush to the mountains, that sense that time has passed you by and you are not of this place.
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