Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Middle-aged middle-manager Jim Fry, with the same company for fifteen years, is in a comfortable rut. But life becomes less predictable when he doesn't receive an invitation to an important... See full summary »
Dempsey Rae, a cowboy with no clear aim in life, winds up working on a spread with a hard lady owner just arrived from the East. She needs a tough new top hand and uses all her means of ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
A cop quits the force after too much disappointment in the system. He becomes a bodyguard of a rich recent widow. She is on trial for her husband's murder. He decides to help her clear her name... and get over her husband.
In order to free his best friend Bondi, Jack Burns lets himself be imprisoned only to find out that Bondi does not want to escape. Thus Burns breaks out on his own and is afterwards being chased by sheriff Johnson with helicopters and jeeps. Written by
Regarding the numbers on the Helicopter. It was mentioned that the numbers on the belly of the helicopter were clearly visible as N8411E which is definitely what is depicted on the tail fin but the numbers on the belly were actually N8441E so one would have to guess that perhaps two different helicopters were used in the movie. Hopefully someone can substantiate that fact. See more »
During the scene when the Sheriff is facing the hovering helicopter and talking to the pilot by radio, on Matthau's closeups, the shadow of the helicopter has been positioned behind him. Only the sun is behind the Sheriff and the helicopter's shadow would be way in front of the jeep, not behind. See more »
[to his horse, as he watches jets leave contrails across the sky]
Time we took off, too.
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I agree with Douglas in considering this his best film, in my opinion together with Man Without a Star. He is a lonely cowboy, living a meaningless life, beginning to realize his mistake about the way he lived. When he goes for his last stand, there is something desperate about it. At a certain moment we see Douglas running away from the police in the mountains, together with his horse Whiskey, when they see a wild cat (jaguar?, puma?). It is a memorable scene, because the three of them look sad, surpassed by the times, represented by the highway that is near. This film probably was made in Albuquerque, NM, I think I can recognize the Sandia Mountains on the background.
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