7.6/10
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Lolita (1962)

Approved | | Crime, Drama, Romance | September 1962 (UK)
A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

Director:

Writers:

(screenplay), (novel)
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Nominated for 1 Oscar. Another 2 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Richard T. Schiller
Jerry Stovin ...
John Farlow
Diana Decker ...
Jean Farlow
...
Nurse Mary Lore
...
Physician
Bill Greene ...
George Swine
...
Mrs. Starch
Marianne Stone ...
Vivian Darkbloom
Marion Mathie ...
Miss Lebone
James Dyrenforth ...
Frederick Beale Sr.
Maxine Holden ...
Miss Fromkiss
John Harrison ...
Tom
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Storyline

Humbert Humbert forces a confrontation with a man, whose name he has just recently learned, in this man's home. The events that led to this standoff began four years earlier. Middle aged Humbert, a European, arrives in the United States where he has secured at job at Beardsley College in Beardsley, Ohio as a Professor of French Literature. Before he begins his post in the fall, he decides to spend the summer in the resort town of Ramsdale, New Hampshire. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer. He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend. Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

For Persons Over 18 Years Of Age See more »

Genres:

Crime | Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

| | |

Release Date:

September 1962 (UK)  »

Also Known As:

Лолита  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

According to Elstree Studios records, Lolita was filmed from Nov 1960 to Feb 1961. The studio charged £34,000 for the sound stage rentals. Sadly, the sound stages used for the film were demolished to make way for a Tesco store. See more »

Goofs

When Humbert reaches into the backseat to feel her face for a fever, as he reaches he has a Band-Aid on his right thumb. However, a second later as he actually touches her face, the thumb bandage is gone. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

The credits are played over footage of Lolita's toenails being painted. See more »

Connections

Referenced in Fahrenheit 451 (1966) See more »

Soundtracks

Put Your Dreams Away
(uncredited)
By Paul Mann
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Masterwork of Translation
8 March 1999 | by (United States) – See all my reviews

A significant part of Stanley Kubrick's genius was his ability to translate a literary style into a visual one. It is demonstrated nowhere more brilliantly than in LOLITA and A CLOCKWORK ORANGE.

LOLITA is perhaps the more stunning accomplishment, in that Nabokov's style is complex and multi-layered. Yet Kubrick captures the effect of it in camera angles and movements, in timing and point of view.

The broadest layer of Nabokov's novel, the parable of the aging culture of Europe trying to revivify itself by debauching the seductive young culture of America, is really missing in the film. But everything else is there, despite the fact that the film departs from the exact events of the novel.

Not to say that the film depends on the novel. It stands by itself quite easily. But it succeeds brilliantly in conveying the ideas and feelings that are the core of the novel, and it does so in completely cinematic terms. If films are to be based on works of literature, this is the way to do it, and the way it is almost never done.


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