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Lolita (1962)

 -  Drama | Romance  -  12 June 1962 (USA)
7.7
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Ratings: 7.7/10 from 55,589 users  
Reviews: 195 user | 94 critic

A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

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(screenplay), (novel), 1 more credit »
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Title: Lolita (1962)

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Nominated for 1 Oscar. Another 1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Gary Cockrell ...
Richard T. Schiller
Jerry Stovin ...
John Farlow
Diana Decker ...
Jean Farlow
...
Nurse Mary Lore
Cec Linder ...
Physician
Bill Greene ...
George Swine
...
Mrs. Starch
Marianne Stone ...
Vivian Darkbloom
Marion Mathie ...
Miss Lebone
James Dyrenforth ...
Frederick Beale Sr.
Maxine Holden ...
Miss Fromkiss
John Harrison ...
Tom
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Storyline

Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might pursue the woman's 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love, but whose affections shall be thwarted by a devious trickster named Clare Quilty. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

How did they ever make a movie of Lolita?

Genres:

Drama | Romance

Certificate:

TV-14 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

12 June 1962 (USA)  »

Also Known As:

Лолита  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Stanley Kubrick's first choice for composing the score was Bernard Herrmann, but the composer balked at having to use Bob Harris' "Theme from Lolita" in his score. See more »

Goofs

When the blow out happens, the shots immediately afterward show the car is on a long, straight stretch of road. However, in the shot immediately before this, Humbert was steering the car through numerous corners, and had only just finished straightening the car out when the blow out happened. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

and introducing Sue Lyon See more »

Connections

Referenced in Color Me Kubrick (2005) See more »

Soundtracks

There's No You
(uncredited)
By Tom Adair and Hal Hopper
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A delicious, adult meditation on youth, obsession and sex.
16 August 2005 | by (Atlanta, Georgia) – See all my reviews

This film remains my all-time favorite. It's a delicious, adult meditation on youth, obsession and sex. While not entirely faithful to the novel, it captures the book's spirit and is nonetheless a masterpiece on its own terms. To fully appreciate what Kubrick has done, compare this version to Adrian Lyne's anemic remake.

Kubrick chose his cast wisely for the most part. James Mason conveys both the tormented inner soul and the outwardly polite gentleman with such charm that you simply can't despise him for his treachery. Shelley Winters was never better as the shrill, man-hungry shrew. Sue Lyon is enormously credible in a complex role - physically attractive, childish at times in her behavior, but quietly calculating and manipulative. The weakest link is Peter Sellers, who Kubrick found amusing enough to let him run on too long. Sellers was a brilliant performer, but just not right for this film. As Quilty, he's fine. When masquerading as others, he's mostly intrusive and tends to alter the tone of what's going on.

The need to tread carefully around the censors in 1962 actually works in the film's favor. There's a sophisticated subtlety that counterbalances the lurid subject matter. In fact, I even prefer the edited-for-television version of the scene in which Humbert and Lolita first have sex. Here she merely whispers in his ear before a suggestive fade-out. In the complete version of the film, the scene continues with them discussing a silly game played at summer camp. The less said, the better.

"Lolita" has aged remarkably well. Its topic is relevant today, and the careful craftsmanship that went into this production holds up beautifully. I think it's Kubrick's best film - they tended to get more self-indulgent as time went on. This one's a gem. Not to be overlooked are the aptly provocative title sequence and Nelson Riddle's luscious piano score.


62 of 79 people found this review helpful.  Was this review helpful to you?

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