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Lolita (1962)
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Overview
User Rating:
Director:
Writers:
Release Date:
13 June 1962 (USA)
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Tagline:
How did they ever make a movie of Lolita?
Plot:
A middle-aged college professor becomes infatuated with a 14-year-old nymphet. full summary | full synopsis
Awards:
Nominated for Oscar.
Another 7 nominations
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NewsDesk:
(16 articles)
Martin Amis on Vladimir Nabokov's work
(From The Guardian - Film News. 13 November 2009, 4:06 PM, PST)
Official Posters for ‘The Road’ and ‘Youth In Revolt’ Released
(From The Flickcast. 22 October 2009, 8:00 AM, PDT)
(From The Guardian - Film News. 13 November 2009, 4:06 PM, PST)
Official Posters for ‘The Road’ and ‘Youth In Revolt’ Released
(From The Flickcast. 22 October 2009, 8:00 AM, PDT)
User Comments:
A Masterwork of Translation
more (152 total)
Cast
(Cast overview, first billed only)| James Mason | ... | Prof. Humbert Humbert | |
| Shelley Winters | ... | Charlotte Haze | |
| Sue Lyon | ... | Lolita | |
| Gary Cockrell | ... | Richard T. Schiller | |
| Jerry Stovin | ... | John Farlow | |
| Diana Decker | ... | Jean Farlow | |
| Lois Maxwell | ... | Nurse Mary Lore | |
| Cec Linder | ... | Dr. Keegee | |
| Bill Greene | ... | George Swine | |
| Shirley Douglas | ... | Mrs. Starch | |
| Marianne Stone | ... | Vivian Darkbloom | |
| Marion Mathie | ... | Miss Lebone | |
| James Dyrenforth | ... | Frederick Beale Sr. | |
| Maxine Holden | ... | Miss Fromkiss | |
| John Harrison | ... | Tom |
Additional Details
Parents Guide:
Runtime:
152 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
USA:Approved (PCA #20000) |
Canada:AA (Ontario) |
Canada:G (Quebec) |
Canada:R (Manitoba/Nova Scotia) |
Norway:16 |
France:Unrated |
Brazil:12 |
Argentina:Atp (re-rating) |
USA:TV-14 |
Argentina:16 |
Australia:M |
Finland:K-15 (re-rating) |
Finland:K-16 (original rating) |
Hong Kong:III |
Ireland:15 |
Italy:VM14 |
Japan:R-15 |
Singapore:PG |
South Korea:18 |
Spain:13 |
Sweden:15 |
UK:15 (video rating) (1999) |
UK:X (original rating) |
West Germany:12 |
Portugal:M/12
Filming Locations:
Company:
Fun Stuff
Trivia:
Tuesday Weld was considered for the title role.
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Goofs:
Continuity: The car Humbert parks at the service station has a lamp attached to the front grille, and carries number plate 17459. A few minutes later when he has the blowout (which seems to leave all four tires intact) the lamp is missing and the number plate reads AC629.
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Quotes:
Clare Quilty:
Listen, didn't you... didn't you have a daughter? Didn't you have a daughter with a lovely name? Yeah! A lovely... What was it now? A lovely, lyrical, lilting name, like, uh... uh...
Charlotte Haze: Lo-li-ta!
Clare Quilty: Lolita, that's right, Lolita. Diminutive of Dolores, "The Tears and the Roses."
Charlotte Haze: Wednesday she's going to have a cavity filled by your Uncle Ivor.
Clare Quilty: Yes. Hahahahaha... Yes.
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Charlotte Haze: Lo-li-ta!
Clare Quilty: Lolita, that's right, Lolita. Diminutive of Dolores, "The Tears and the Roses."
Charlotte Haze: Wednesday she's going to have a cavity filled by your Uncle Ivor.
Clare Quilty: Yes. Hahahahaha... Yes.
more
Soundtrack:
Theme from Lolita
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FAQ
How much sex, violence, and profanity are in this movie?What was the horror movie that Lolita and Humbert were watching?
Any recommendations for other movies about nymphets?
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more (152 total)
Message Boards
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A significant part of Stanley Kubrick's genius was his ability to translate a literary style into a visual one. It is demonstrated nowhere more brilliantly than in LOLITA and A CLOCKWORK ORANGE.
LOLITA is perhaps the more stunning accomplishment, in that Nabokov's style is complex and multi-layered. Yet Kubrick captures the effect of it in camera angles and movements, in timing and point of view.
The broadest layer of Nabokov's novel, the parable of the aging culture of Europe trying to revivify itself by debauching the seductive young culture of America, is really missing in the film. But everything else is there, despite the fact that the film departs from the exact events of the novel.
Not to say that the film depends on the novel. It stands by itself quite easily. But it succeeds brilliantly in conveying the ideas and feelings that are the core of the novel, and it does so in completely cinematic terms. If films are to be based on works of literature, this is the way to do it, and the way it is almost never done.