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Lolita (1962)

 -  Drama | Romance  -  12 June 1962 (USA)
7.7
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Ratings: 7.7/10 from 58,031 users  
Reviews: 195 user | 95 critic

A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

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(screenplay), (novel), 1 more credit »
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Title: Lolita (1962)

Lolita (1962) on IMDb 7.7/10

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Nominated for 1 Oscar. Another 1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Gary Cockrell ...
Richard T. Schiller
Jerry Stovin ...
John Farlow
Diana Decker ...
Jean Farlow
...
Nurse Mary Lore
Cec Linder ...
Physician
Bill Greene ...
George Swine
...
Mrs. Starch
Marianne Stone ...
Vivian Darkbloom
Marion Mathie ...
Miss Lebone
James Dyrenforth ...
Frederick Beale Sr.
Maxine Holden ...
Miss Fromkiss
John Harrison ...
Tom
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Storyline

Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might pursue the woman's 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love, but whose affections shall be thwarted by a devious trickster named Clare Quilty. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

How did they ever make a movie of Lolita?

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

12 June 1962 (USA)  »

Also Known As:

Лолита  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The famous heart-shaped sunglasses that Lolita wears appear only in publicity photos taken by Bert Stern; Lolita wears cat eye sunglasses in the movie. See more »

Goofs

When Humbert is considering shooting Charlotte while she supposedly taking a bath, he uncorks and drinks from a liquor bottle, tossing the cork onto the end table. Seconds later he is shown with the same cork in his left hand, which he then places on the end table. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

The credits are played over footage of Lolita's toenails being painted. See more »

Connections

Referenced in Eyes Wide Shut (1999) See more »

Soundtracks

Theme from Lolita
by Bob Harris
Orchestrated by Gil Grau
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Whispering, Loudly
7 April 2007 | by (New Zealand) – See all my reviews

A riveting transposition from page to screen. The accomplices are two giants in both fields. Nabokov adapts his own infamous novel for the screen and Kubrick, no less, translates it into images in a way that makes it unique, unforgettable and transcendental without ever putting himself in front of the camera. A Kubrick film can't be recognized by its style. Kubrick never made two films alike but there is something that, unquestionable, makes them stand out. In "Lolita"'s case the mere idea of touching the controversial novel with its taboo subject at its very core seem like a provocation from the word go. Pornography for the thinking man in which the only explicit act is the intention written in the character's eyes. Nothing is excessive and nothing is pulled back. James Mason - villain or victim - is monumental, mo-nu-men-tal! The unspeakable truth never leaves his brow. He is the most civilized man trapped in the lowest echelon of his own psyche. So aware, that it is painful to watch. Shelley Winters goes for it, taking her Mrs Hayes for all its worth and dives into the void of a desperate housewife, craving for sex. It is one of the most entertaining, shattering human spectacles, I've ever seen. But unlike Mason, she's not aware of it. There is a horrible innocence attached to her sickness. Peter Sellers's character from hell, the torturer comes in three riveting characterizations and Sue Lyon's temptress, the child, is the devil incarnate in a performance that defies description. None of them were nominated for Oscars and the film was condemned by every moral group in America and beyond. As film experiences go, this is one of the most provocative, enthralling, disgusting, entertaining and satisfying I've ever been through. Yep, I really mean that.


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