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Lolita (1962)

 -  Drama | Romance  -  12 June 1962 (USA)
7.7
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Ratings: 7.7/10 from 58,066 users  
Reviews: 196 user | 95 critic

A middle-aged college professor becomes infatuated with a fourteen-year-old nymphet.

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(screenplay), (novel), 1 more credit »
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Title: Lolita (1962)

Lolita (1962) on IMDb 7.7/10

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Nominated for 1 Oscar. Another 1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Gary Cockrell ...
Richard T. Schiller
Jerry Stovin ...
John Farlow
Diana Decker ...
Jean Farlow
...
Nurse Mary Lore
Cec Linder ...
Physician
Bill Greene ...
George Swine
...
Mrs. Starch
Marianne Stone ...
Vivian Darkbloom
Marion Mathie ...
Miss Lebone
James Dyrenforth ...
Frederick Beale Sr.
Maxine Holden ...
Miss Fromkiss
John Harrison ...
Tom
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Storyline

Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might pursue the woman's 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love, but whose affections shall be thwarted by a devious trickster named Clare Quilty. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

How did they ever make a movie of Lolita?

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

12 June 1962 (USA)  »

Also Known As:

Лолита  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The Edgar Allan Poe poem Humbert reads to Lolita is "Ulalume." According to an ear-witness at a Poe recitation of the poem, the author pronounced the title as "You-la-loom." See more »

Goofs

When the professor visits Lolita and her husband, Dick Schiller, having been told he is her stepfather Schiller addresses him as professor Humbert. Shortly after talking about the opportunity in Alaska he calls him professor Hayes, using Lolita's maiden name. See more »

Quotes

[first lines]
Humbert Humbert: Quilty! Quilty?
Clare Quilty: Ah, wha? Who's there?
Humbert Humbert: Are you Quilty.
Clare Quilty: No, I'm... Spartacus. You come to free the slaves or sumpn?
Humbert Humbert: Are you Quilty?
Clare Quilty: Yeah, yeah, I'm Quilty, yeah, sure.
See more »

Crazy Credits

The credits are played over footage of Lolita's toenails being painted. See more »

Connections

Referenced in Sanford and Son: The Infernal Triangle (1973) See more »

Soundtracks

Polonaise in A major, Op. 40, No. 1
(uncredited)
Written by Frédéric Chopin
Played by Quilty on the piano during the film's opening scene.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the finest films of The Sixties
14 August 2003 | by (Manchester, England) – See all my reviews

8/10

Kubrik's version of Nabokov's tale of a middle-aged professor's self-destructive obsession with a young schoolgirl. Making a film that dealt with underage sex was considered impossible in 1962 due to the strict censorship regulations. Kubrik manages to get round this by merely alluding to sexual encounters and subtle wordplay and symbolism creeps into several scenes. He also raises the girl's age from 12 in the novel to 14 in the film. Lolita is also rich in Kubrik's trademark dark humour.

The three central characters of the novel are all portrayed more than adequately in the film; James Mason as the smitten professor, Shelley Winters as the suburban widow with pretensions of culture and Sue Lyons as the young nymphet. However, it is Sellars' performance as the creepy eccentric Clare Quilty (a relatively minor character in the book) that steals the show and, ultimately, makes the film. The opening scene (which is the ending of the film) is an outstanding testament to his talent and versatility. The said scene gives the film the same "circular structure" used by David Lean in "Brief Encounter".

My favourite moments include; Quilty's re-introduction to the film at the school's summer ball as the camera pans across the dancefloor and subtly reveals a look of comic ambivalence on his face as he dances with his lover, Humbert awkwardly trying to book the only remaining hotel-room at the police convention and Humbert again trying to teach the cynical Lolita the joys of Edgar Allen Poe's poetry.

I thoroughly recommend this film. My only complaint is the length - the final third seemed to drag a bit.


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