Upper class Americans Noel and Meg Johnson have a twenty-six year old daughter named Clara Johnson. Clara suffered a head injury as a child which resulted in her being mentally disabled. ... See full summary »
Rich Hawaiian pineapple grower and US Senatorial candidate Richard Howland tries to control everything and everyone around him, including his headstrong sister, Slone. Howland learns the ... See full summary »
Re-issued in 1964 as "Trouble At Sixteen" by Cinema Associates as part of a double-bill with "Girls Town" (now called "The Innocent and the Damned" and a rather descriptive title ... See full summary »
The trustees of Midwestern University have forced three teachers out of their jobs for being suspected communists. Trustee Ed Keller has also threatened mild mannered English Professor ... See full summary »
Olivia de Havilland,
Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Man about town and First Class cricketer A.J. Raffles keeps himself solvent with daring robberies. Meeting Gwen from his schooldays and falling in love all over again, he spends the weekend... See full summary »
Olivia de Havilland,
Dame May Whitty
Prudence resigns from her teaching position after being criticized for giving a student her copy of a romance novel. She sails for Italy, takes a job at a small bookstore in Rome, and meets... See full summary »
Twelve people are aboard Coast Air Line's flagship the Silver Queen enroute to South America when the airplane encounters a storm and is blown off course. Crashing into jungles known to be ... See full summary »
Upper class Americans Noel and Meg Johnson have a twenty-six year old daughter named Clara Johnson. Clara suffered a head injury as a child which resulted in her being mentally disabled. Clara's mental capacity is equivalent to that of a ten year old. In many social situations, Clara's disability can be passed off as a simple joy of life. The issue of Clara's care has placed a strain between Noel and Meg, the latter who clings to the hope that one day Clara can lead a "normal" life. While on an extended vacation through Italy, Meg and Clara meet a twenty-three year old Italian named Fabrizio Naccarelli in Florence. Fabrizio is instantly smitten with Clara, who returns the affection. Always protecting Clara, Meg initially resists Fabrizio's constant measures to insinuate himself into their lives. But as Meg learns more about Fabrizio and meets his family, Meg begins to believe a marriage between Fabrizio and Clara is Clara's chance for that normal life, all the while not telling the ... Written by
Robert Rietty who has a minor role also dubbed at least 7 other cast members. See more »
When Mrs. Johnson walks around town on her own, just before she decides to go to the US consulate, there is, at one point, a clearly visible crowd of onlookers (and a man trying to keep them back by spreading his arms) in the background. There is nothing about the place or the circumstances that could explain their attitude; they are clearly all watching the shooting of the film. See more »
Nobody with a dream should come to Italy. No matter how dead and buried you think it is, in Italy, it will rise and walk again.
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An intelligent tear-jerker! Now a Tony Award Winning Musical on B'way!
Compared to the other sentimental tear-jerkers of the late 1950s and early 1960s this is way above average. Olivia de Havilland provides another outstanding pivotal performance that brings extraordinary intelligence and credibility that more than compensates for any weaknesses in the story. All of the supporting performances are excellent, including wonderful work by George Hamilton and Yvette Mimieux who seem so natural and unforced, and so unlike most of their other performances. The Italian locations and production are gorgeous! The story is quite original and avoids so many of the clichés of the time. The dialogue is intelligent and unsentimental, allowing the performances to create the pain and joy. De Havilland's role is quite progressive in the portrayal of a mother willing to take risks to allow her retarded daughter to have a chance at happiness.
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