Lawrence of Arabia (1962)

Director:

David Lean

Writers (WGA):

T.E. Lawrence (writings)
Robert Bolt (screenplay) ...
(more)

Release Date:

30 January 1963 (Canada)

Genre:

Adventure | Biography | Drama | History | War

Tagline:

The Desert Classic. (1983 Video Release)

Plot:

Epic rumination on a flamboyant and controversial British military figure and his conflicted loyalties during wartime service.

Plot Keywords:

Desert | Arab | Turk | Army | Ottoman Empire

Awards:

Won 7 Oscars. Another 20 wins & 12 nominations

Cast

Peter O'Toole	...	T.E. Lawrence
Alec Guinness	...	Prince Feisal
Anthony Quinn	...	Auda Abu Tayi
Jack Hawkins	...	General Allenby
Omar Sharif	...	Sherif Ali
José Ferrer	...	Turkish Bey (as Jose Ferrer)
Anthony Quayle	...	Colonel Brighton
Claude Rains	...	Mr. Dryden
Arthur Kennedy	...	Jackson Bentley
Donald Wolfit	...	General Murray
I.S. Johar	...	Gasim
Gamil Ratib	...	Majid
Michel Ray	...	Farraj
John Dimech	...	Daud
Zia Mohyeddin	...	Tafas
Howard Marion-Crawford	...	Medical Officer (as Howard Marion Crawford)
Jack Gwillim	...	Club Secretary
Hugh Miller	...	R.A.M.C. Colonel
rest of cast listed alphabetically:
John Barry	...	MP in Map Room (uncredited)
Bruce Beeby	...	Captain at Officer's Club (uncredited)
Fred Bennett	...	Sergeant at Cairo Headquarters (uncredited)
John Bennett	...	(uncredited)
Steve Birtles	...	Motor Bike Rider (uncredited)
Robert Bolt	...	Officer with Pipe Gazing at Lawrence (uncredited)
Peter Burton	...	Sheik in Arab Council (uncredited)
J.R.M. Chapman	...	Extra (uncredited)
Tim Clutterbuck	...	Turkish Pilot (uncredited)
Barbara Cole	...	Nurse (uncredited)
John Crewdson	...	Turkish Pilot (uncredited)
Basil Dignam	...	Cavalry General at Field Briefing (uncredited)
Peter Dukelow	...	Driver in Cairo (uncredited)
Kenneth Fortescue	...	Allenby's Aide (uncredited)
Harry Fowler	...	William Potter (uncredited)
Mohamed Habachi	...	Talal (uncredited)
Jack Hedley	...	Reporter at Lawrence's Funeral (uncredited)
Rafael Hernández	...	Turkish Soldier (uncredited)
Bert Holliday	...	Driver (uncredited)
Noel Howlett	...	Vicar at St. Paul's (uncredited)
Cher Kaoiu	...	Khitan of Aleppo (uncredited)
Patrick Kavanagh	...	Staff Major - Murray's Aide (uncredited)
David Lean	...	Motorcyclist by Suez Canal (uncredited)
Ian MacNaughton	...	Michael George Hartley (uncredited)
Clive Morton	...	Artillery General at Field Briefing (uncredited)
Daniel Moynihan	...	Officer in Officer's Club (uncredited)
Henry Oscar	...	Reciter (uncredited)
George Plimpton	...	Bedouin (uncredited)
Bryan Pringle	...	Driver (uncredited)
Kamal Rashid	...	Auda's Son (uncredited)
Robert Rietty	...	Majid (voice) (uncredited)
John Robinson	...	Infantry General at Field Briefing (uncredited)
Norman Rossington	...	Corporal Jenkins (uncredited)
John Ruddock	...	Elder Harith (uncredited)
Fernando Sancho	...	Turkish Sergeant (uncredited)
Stuart Saunders	...	Regimental Sergeant Major (uncredited)
Cyril Shaps	...	Bartender in Officer's Club (uncredited)
Roy Stevens	...	Truck Driver (uncredited)
Barry Warren	...	Two British Officers / Arab Sheik (uncredited)

Directed by
David Lean

Writing credits (WGA)
T.E. Lawrence		(writings)
Robert Bolt		(screenplay) and
Michael Wilson		(screenplay) originally uncredited: credit restored in 1978 by WGA

Produced by
Robert A. Harris	....	producer (1989 reconstruction and restoration)
Jim Painten	....	producer (1989 restoration)
Sam Spiegel	....	producer
David Lean	....	producer (uncredited)

Original Music by
Maurice Jarre

Cinematography by
Freddie Young		(director of photography) (as F.A. Young)

Film Editing by
Anne V. Coates

Casting by
Maude Spector

Production Design by
John Box

Art Direction by
John Stoll
Anthony Masters		(uncredited)

Set Decoration by
Dario Simoni		(uncredited)

Costume Design by
Phyllis Dalton

Makeup Department
Charles E. Parker	....	makeup (as Charles Parker)
A.G. Scott	....	hairdresser

Production Management
John Palmer	....	production manager
R.L.M. Davidson	....	production manager (uncredited)
Tadeo Villalba	....	unit production manager (uncredited)

Second Unit Director or Assistant Director
Noël Howard	....	second unit director (as Noel Howard)
André Smagghe	....	second unit director (as Andre Smagghe)
Roy Stevens	....	assistant director
Bryan Coates	....	second assistant director (uncredited)
André De Toth	....	second unit director (uncredited)
Benchekroun Larbi	....	assistant director (uncredited)
Michael Stevenson	....	second assistant director (uncredited)
David Tringham	....	second assistant director (uncredited)

Art Department
Fred Bennett	....	construction assistant
Peter Dukelow	....	construction manager
Eddie Fowlie	....	property master
Terence Marsh	....	assistant art director (as T. Marsh)
George Richardson	....	assistant art director (as G. Richardson)
Tony Rimmington	....	assistant art director (as A. Rimmington)
Roy Rossotti	....	assistant art director (as R. Rossotti)
Dario Simoni	....	set dresser
José Algueró	....	assistant art director: Spain (uncredited)
Charles Bishop	....	sketch artist (uncredited)
David Fowlie	....	assistant property master (uncredited)
John Graysmark	....	draughtsman (uncredited)
Edward Rodrigo	....	production buyer (uncredited)
Wallis Smith	....	assistant art director (uncredited)
Peter Spencer	....	chargehand props (uncredited)
Roy Stannard	....	draughtsman (uncredited)
Roy Walker	....	draughtsman (uncredited)

Sound Department
Richard L. Anderson	....	sound consultant (1989 restoration)
John Cox	....	sound dubbing
Paddy Cunningham	....	sound recording
Gregg Landaker	....	sound re-recording mixer (1989 restoration)
Winston Ryder	....	sound editor
Malcolm Cooke	....	dialogue editor (uncredited)
Beryl Mortimer	....	foley artist (uncredited)
Stan Phillips	....	boom operator (uncredited)
Terry Sharratt	....	boom operator (uncredited)
Don Wortham	....	boom operator (uncredited)

Special Effects by
Cliff Richardson	....	special effects
Wally Veevers	....	special effects (uncredited)

Stunts
Ken Buckle	....	stunts (uncredited)
Geoffrey Last	....	stunt pilot (uncredited)
Joe Powell	....	stunts (uncredited)
Nosher Powell	....	stunts (uncredited)
John Sullivan	....	stunt double: Peter O'Toole (uncredited)
Dan Wilmott	....	stunt pilot (uncredited)
D.J. Wimott	....	stunt pilot (uncredited)
Terry Yorke	....	stunts (uncredited)

Camera and Electrical Department
Archie Dansie	....	chief electrician
Ernest Day	....	camera operator
Skeets Kelly	....	second unit photography
Peter Newbrook	....	second unit photography
Nicolas Roeg	....	second unit photography
Ronald Anscombe	....	clapper loader (uncredited)
Steve Birtles	....	gaffer (uncredited)
Peter Carey	....	gaffer (uncredited)
Kenneth Danvers	....	still photographer (uncredited)
Ceri Davies	....	camera operator (uncredited)
Mike Fox	....	focus puller: second unit (uncredited)
Ginger Gemmel	....	camera operator (uncredited)
Mark Kaufman	....	still photographer (uncredited)
Kevin Kavanagh	....	focus puller (uncredited)
Tim Murphy	....	rigging gaffer (uncredited)
Dick Savery	....	grip (uncredited)
Bob Stilwell	....	clapper loader (uncredited)
Alex Thomson	....	camera operator: second unit (uncredited)
Mike Tomlin	....	clapper loader (uncredited)
Les Wiggins	....	camera technician (uncredited)
Mervyn Wilson	....	focus puller (uncredited)
Kenneth J. Withers	....	focus puller (uncredited)

Costume and Wardrobe Department
John Wilson-Apperson	....	wardrobe
Charles Guerin	....	wardrobe assistant (uncredited)
Jose Luis de la Heras	....	wardrobe assistant (Spain) (uncredited)

Editorial Department
Anne V. Coates	....	editorial consultant (1989 restoration)
John Dowdell	....	hd colorist (uncredited)
Norman Savage	....	associate editor (uncredited)
Aidan Stanford	....	color timer (2002 restoration) (uncredited)

Music Department
Adrian Boult	....	conductor (as Sir Adrian Boult)
Gerard Schurmann	....	orchestrations
Lawrence Ashmore	....	orchestrations (uncredited)
Maurice Jarre	....	conductor (uncredited)
Morris Stoloff	....	music coordinator (uncredited)
Lucie Svehlova	....	orchestra leader (Tadlow re-recording ) (uncredited)

Transportation Department
Peter Middlemiss	....	transportation manager (uncredited)

Other crew
Barbara Cole	....	continuity
Maggie Field	....	assistant (1989 restoration)
Robert A. Harris	....	1989 reconstruction and restoration
Joanne Lawson	....	assistant (1989 restoration)
Jude Schneider	....	assistant (1989 restoration)
Douglas Twiddy	....	location manager
Nicole Apoteker	....	production secretary: Morocco (uncredited)
Raif Asharif	....	veterinarian (uncredited)
Barbara Back	....	production secretary: Morocco (uncredited)
Peter Beale	....	office runner (uncredited)
John Breslin	....	dialect advisor (uncredited)
Marie Budberg	....	researcher (uncredited)
Jock Dalgleish	....	liaison officer (uncredited)
John Dunkley	....	office runner (uncredited)
Richard Ford	....	mechanic: Rolls Royce (uncredited)
Josie Fulford	....	assistant continuity (uncredited)
Hamdan Hamid	....	riding instructor (uncredited)
Noreen Hipwell	....	production secretary (uncredited)
Philip Hobbs	....	location caterer (uncredited)
Bert Holliday	....	mechanic (uncredited)
R.C. Hutt	....	military advisor (uncredited)
Mildred McCarger	....	production representative (uncredited)
Grace McCorrey	....	production secretary (uncredited)
Jean Menz	....	secretary: Mr. Spiegel (uncredited)
Hugh Miller	....	dialogue coach (uncredited)
Eva Monley	....	location manager (uncredited)
Eva Monley	....	production assistant (uncredited)
Pat Moon	....	production secretary (uncredited)
Pamela Moore	....	production secretary (uncredited)
Anthony Nutting	....	technical advisor (uncredited)
L.E.M. Perowne	....	military advisor (uncredited)
Otto Plaschkes	....	production assistant (uncredited)
Martin Scorsese	....	presenter (1989 restoration) (uncredited)
Eustace Shipman	....	medical doctor (uncredited)
Norman Spencer	....	assistant: Mr. Lean (uncredited)
Steven Spielberg	....	presenter (1989 restoration) (uncredited)
John Sullivan	....	wrangler (uncredited)
Jeremy Taylor	....	horse master (uncredited)
Lew Thornburn	....	representative: London (uncredited)
Lee Turner	....	script supervisor: second unit (uncredited)
David White	....	production accountant (uncredited)
Maureen Whitty	....	production secretary (uncredited)
John R. Woolfenden	....	unit publicist (uncredited)

Thanks
Jon Davison	....	special thanks (1989 restoration)
David Lean	....	special thanks (1989 restoration) (as Sir David Lean)
Martin Scorsese	....	special thanks (1989 restoration)
Steven Spielberg	....	special thanks (1989 restoration)

Production Companies

• Columbia Pictures
• Horizon Pictures (II) (as Horizon Pictures {G.B.} Ltd. London, England)

Distributors

• Columbia Pictures (1962) (USA) (theatrical) (released through) (as Columbia Pictures Corporation)
• Columbia Film (1963) (Sweden) (theatrical)
• Columbia Film-Verleih (1963) (West Germany) (theatrical)
• Columbia Films (1963) (France) (theatrical)
• Columbia Pictures (1971) (USA) (theatrical) (re-release)
• American Broadcasting Company (ABC) (1973) (USA) (TV) (pan/scan)
• RCA/Columbia Pictures Home Video (1983) (USA) (video) (laserdisc)
• Columbia TriStar Films (1989) (France) (theatrical) (restored version)
• RCA/Columbia Pictures Home Video (1989) (USA) (VHS) (widescreen)
• Columbia TriStar Film (1990) (Germany) (theatrical) (restored version)
• RCA/Columbia Pictures International Video (1991) (Germany) (VHS)
• Columbia TriStar Home Video (1992) (UK) (video) (laserdisc)
• RCA/Columbia Pictures Home Video (1992) (USA) (video) (laserdisc)
• Columbia TriStar Home Video (1993) (Germany) (video) (laserdisc)
• Columbia TriStar Home Video (1993) (USA) (video) (laserdisc)
• Columbia TriStar Home Video (1994) (USA) (video) (laserdisc)
• Egmont Film (1996) (Sweden) (VHS)
• LK-TEL (1999) (Argentina) (VHS)
• Bontonfilm (2001) (Czech Republic) (DVD)
• Columbia TriStar Home Video (2001) (USA) (DVD)
• Columbia TriStar Home Video (2001) (USA) (VHS)
• Nordisk Film (2001) (Sweden) (DVD)
• Columbia TriStar Home Video (2003) (UK) (DVD)
• Columbia TriStar Home Video (2003) (USA) (DVD)
• Columbia TriStar Home Video (2004) (USA) (video) (laserdisc)
• Universal Pictures Nordic (2004) (Sweden) (DVD)
• Columbia TriStar Home Entertainment (2003) (USA) (DVD)
• Sony Pictures Home Entertainment (2008) (USA) (DVD)
• Columbia TriStar Home Entertainment (????) (Brazil) (DVD)
• Columbia Tristar Television Distribution (199?) (USA) (TV) (a Sony Pictures Entertainment company)
• Criterion Collection, The (19??) (USA) (video) (laserdisc)
• LK-TEL Vídeo (19??) (Brazil) (VHS)

Other Companies

• Chapman/Leonard Studio Equipment  cranes and dollies (uncredited)
• Goldwyn Sound Facility  rerecorded at (as Goldwyn Sound Facilities) (1989 restoration)
• London Philharmonic Orchestra  music played by (as The London Philharmonic Orchestra)
• Mayflower Recording  adr recording (uncredited)
• Royal Government of Morocco, The  the producers gratefully acknowledge the co-operation extended to them by (as The Royal Government of Morocco)
• Royal Hashemite Government of Jordan, The  the producers gratefully acknowledge the co-operation extended to them by (as The Royal Hashemite Government of Jordan)

Also Known As:

Runtime:

216 min | UK:228 min (director's cut) | UK:187 min (1970 re-release) | UK:210 min (original version) | UK:222 min (premiere version) | USA:227 min (restored roadshow version)

Country:

UK

Language:

English | Arabic | Turkish

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (RCA Sound Recording) (70 mm prints) | Dolby SR (35 mm prints) (restored version) | Mono (35 mm prints) (original version) | 4-Track Stereo (magnetic prints) (35 mm) (original version) | DTS 70 mm (70mm restored version)

Certification:

Hong Kong:IIA | USA:Approved (original rating) | USA:G (re-rating) (1971) | Iceland:12 | Portugal:M/12 | Canada:A (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Netherlands:12 (DVD rating) | South Korea:12 | Brazil:14 | USA:PG (edited for re-rating) (1988) | West Germany:12 (f) | Japan:G (2009) | UK:A (original rating: 222m) (passed with cuts) | USA:TV-14 | Argentina:Atp | Australia:M (Special Edition DVD) | Australia:PG | Chile:TE | Finland:K-16 | France:U | Ireland:PG | Norway:15 (director's cut) | Norway:16 | Singapore:PG | Spain:18 | Sweden:15 | UK:PG

Filming Locations:

Ait Benhaddou, Ouarzazate, Morocco

Company:

Columbia Pictures

Trivia:

[June 2008] Ranked #1 on the American Film Institute's list of the 10 greatest films in the genre "Epic".

Goofs:

Crew or equipment visible: When Gasim is walking through the sun's anvil after falling off his camel, he begins to shed various items. During a reverse tracking shot, the dolly tracks are clearly visible in the sand.

Quotes:

[first lines]
Colonel Brighton:He was the most extraordinary man I ever knew.
Vicar at St. Paul's:Did you know him well?
Colonel Brighton:I knew him.
Vicar at St. Paul's:Well nil nisi bonum. But did he really deserve a place here?

Movie Connections:

Referenced in "The Critic: Eyes on the Prize (#1.6)" (1994)

Soundtrack:

The Man Who Broke the Bank at Monte Carlo

Majesty in the Desert

The moment David Lean makes you aware you are in the hands of a master comes early on in "Lawrence of Arabia." Lawrence (Peter O'Toole) holds a lit match close to his lips and with one quick puff of air blows it out. Before the action is even completed, however, Lean has cut to a shot of a desert vista, with the sun slowly rising over the lip of the horizon. It's one of the most famous elliptical edits in cinema history, second maybe only to the bone/spaceship cut in "2001: A Space Odyssey." And it's only the first of countless memorable moments in "Lawrence of Arabia." The appeal of David Lean epics has always been his ability as a director to maintain an equilibrium between the scope of his films and the characters in them. Character development is never sacrificed to massive set pieces or knock-your-socks-off action sequences. "Lawrence of Arabia" has these elements too, but at heart it's a character study of one remarkable man. Lean seemed to understand that impressive landscapes alone are not inherently interesting; but if you place a fascinating character among those impressive landscapes, you can have movie magic.

"Lawrence" feels unlike other historical epics of its time. In most "big" films--I'm thinking of movies like "Ben-Hur," "Spartacus," "Cleopatra," all movies that premiered roughly around the same time as "Lawrence"--one gets the sense that directors framed compositions based on how much they were able to fit into their widescreen lenses. One rarely sees characters filmed from anything closer than a medium shot, and usually the background is stuffed to overflowing with garish art direction. Everything feels static and wooden. But in "Lawrence," Lean keeps his frames constantly alive by juxtaposing huge landscape shots with extreme close-ups of actor faces. In one especially brutal scene, after a battle that results in the slaughter of many people, the action cuts to a close-up of O'Toole, looking panicked and crazed, gripping a bloody knife in his hand as if he's reluctant to drop it, obviously both disturbed and titillated by the carnage he just witnessed. It's moments like that---not just an impressive battle scene but a character's reactions to the results of that scene---that set "Lawrence" apart from other standard epics.

And of course, I have to reserve space in my review for the performance of Mr. O'Toole. He is perhaps my favorite actor, not one of the most prolific, but certainly one of the most unpredictable. He has a flair for choosing eccentric characters that give him almost unlimited room in which to perform. He carries "Lawrence of Arabia" almost singlehandedly on his slim shoulders. That's not to say the supporting cast isn't great, but O'Toole towers above them all. O'Toole understands that the most influential figures in history could also be the most difficult and ruthless when they needed to be, and he gives Lawrence an incredibly complex characterization, leaving his audience in doubt as to whether he should be worshiped or feared, or perhaps both.

Lean would never direct an equal to "Lawrence of Arabia" again. His later films are certainly more than watchable, and "A Passage to India" is even quite remarkable in its own way, but we would never get another "Lawrence." Even more reason to appreciate it now.

My Grade: A+