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| Peter O'Toole | ... | T.E. Lawrence | |
| Alec Guinness | ... | Prince Feisal | |
| Anthony Quinn | ... | Auda Abu Tayi | |
| Jack Hawkins | ... | General Lord Edmund Allenby | |
| Omar Sharif | ... | Sherif Ali | |
| José Ferrer | ... | Turkish Bey (as Jose Ferrer) | |
| Anthony Quayle | ... | Colonel Brighton | |
| Claude Rains | ... | Mr. Dryden | |
| Arthur Kennedy | ... | Jackson Bentley | |
| Donald Wolfit | ... | General Murray | |
| I.S. Johar | ... | Gasim | |
| Gamil Ratib | ... | Majid | |
| Michel Ray | ... | Farraj | |
| John Dimech | ... | Daud | |
| Zia Mohyeddin | ... | Tafas | |
| Howard Marion-Crawford | ... | Medical Officer (as Howard Marion Crawford) | |
| Jack Gwillim | ... | Club Secretary | |
| Hugh Miller | ... | R.A.M.C. Colonel | |
| rest of cast listed alphabetically: | |||
| John Barry | ... | MP in Map Room (uncredited) | |
| Bruce Beeby | ... | Captain at Officer's Club (uncredited) | |
| Fred Bennett | ... | Sergeant at Cairo Headquarters (uncredited) | |
| John Bennett | ... | (uncredited) | |
| Steve Birtles | ... | Motor Bike Rider (uncredited) | |
| Robert Bolt | ... | Officer with Pipe Gazing at Lawrence (uncredited) | |
| Peter Burton | ... | Sheik in Arab Council (uncredited) | |
| Tim Clutterbuck | ... | Turkish Pilot (uncredited) | |
| Barbara Cole | ... | Nurse (uncredited) | |
| Captain John Crewdson | ... | Turkish Pilot (uncredited) | |
| Basil Dignam | ... | Cavalry General at Field Briefing (uncredited) | |
| Peter Dukelow | ... | Driver in Cairo (uncredited) | |
| Kenneth Fortescue | ... | Allenby's Aide (uncredited) | |
| Harry Fowler | ... | William Potter (uncredited) | |
| Mohamed Habachi | ... | Talal (uncredited) | |
| Jack Hedley | ... | Reporter at Lawrence's Funeral (uncredited) | |
| Rafael Hernández | ... | (uncredited) | |
| Bert Holliday | ... | Driver (uncredited) | |
| Noel Howlett | ... | Vicar at St. Paul's (uncredited) | |
| Cher Kaoiu | ... | Khitan of Aleppo (uncredited) | |
| Patrick Kavanagh | ... | Staff Major - Murray's Aide (uncredited) | |
| David Lean | ... | Motorcyclist by Suez Canal (uncredited) | |
| Ian MacNaughton | ... | Michael George Hartley (uncredited) | |
| Clive Morton | ... | Artillery General at Field Briefing (uncredited) | |
| Daniel Moynihan | ... | Officer in Officer's Club (uncredited) | |
| Henry Oscar | ... | Reciter (uncredited) | |
| George Plimpton | ... | Bedouin (uncredited) | |
| Bryan Pringle | ... | Driver (uncredited) | |
| Kamal Rashid | ... | Auda's Son (uncredited) | |
| Robert Rietty | ... | Majid (voice) (uncredited) | |
| John Robinson | ... | Infantry General at Field Briefing (uncredited) | |
| Norman Rossington | ... | Corporal Jenkins (uncredited) | |
| John Ruddock | ... | Elder Harith (uncredited) | |
| Fernando Sancho | ... | Turkish Sergeant (uncredited) | |
| Stuart Saunders | ... | Regimental Sergeant Major (uncredited) | |
| Cyril Shaps | ... | Bartender in Officer's Club (uncredited) | |
| Roy Stevens | ... | Truck Driver (uncredited) | |
| Barry Warren | ... | Two British Officers / Arab Sheik (uncredited) | |
Directed by | |||
| David Lean | |||
Writing credits(WGA) | ||
| T.E. Lawrence | (writings) | |
| Robert Bolt | (screenplay) and | |
| Michael Wilson | (screenplay) originally uncredited: credit restored in 1978 by WGA | |
Produced by | |||
| Robert A. Harris | .... | producer (1989 reconstruction and restoration) | |
| David Lean | .... | producer (as The Sam Spiegel-David Lean Production of Lawrence of Arabia) | |
| Jim Painten | .... | produced by (1989 restoration) | |
| Sam Spiegel | .... | produced by | |
Original Music by | |||
| Maurice Jarre | (music composed by) | ||
Cinematography by | |||
| Freddie Young | (director of photography) (as F.A. Young) | ||
Film Editing by | |||
| Anne V. Coates | |||
Casting by | |||
| Maude Spector | |||
Production Design by | |||
| John Box | |||
Art Direction by | |||
| John Stoll | |||
| Anthony Masters | (uncredited) | ||
Set Decoration by | |||
| Dario Simoni | (uncredited) | ||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Charles E. Parker | .... | make up (as Charles Parker) | |
| A.G. Scott | .... | hairdresser | |
Production Management | |||
| John Palmer | .... | production manager | |
| R.L.M. Davidson | .... | production manager (uncredited) | |
| Tadeo Villalba | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Noël Howard | .... | second unit director (as Noel Howard) | |
| André Smagghe | .... | second unit director (as Andre Smagghe) | |
| Roy Stevens | .... | assistant director | |
| Bryan Coates | .... | second assistant director (uncredited) | |
| André De Toth | .... | second unit director (uncredited) | |
| Benchekroun Larbi | .... | assistant director (uncredited) | |
| Michael Stevenson | .... | second assistant director (uncredited) | |
| David Tringham | .... | second assistant director (uncredited) | |
Art Department | |||
| Fred Bennett | .... | construction assistant | |
| Peter Dukelow | .... | construction manager | |
| Eddie Fowlie | .... | property master | |
| Terence Marsh | .... | assistant art director (as T. Marsh) | |
| George Richardson | .... | assistant art director (as G. Richardson) | |
| Tony Rimmington | .... | assistant art director (as A. Rimmington) | |
| Roy Rossotti | .... | assistant art director (as R. Rossotti) | |
| Dario Simoni | .... | set dresser | |
| José Algueró | .... | assistant art director: Spain (uncredited) | |
| Charles Bishop | .... | sketch artist (uncredited) | |
| David Fowlie | .... | assistant property master (uncredited) | |
| John Graysmark | .... | draughtsman (uncredited) | |
| Edward Rodrigo | .... | production buyer (uncredited) | |
| Wallis Smith | .... | assistant art director (uncredited) | |
| Peter Spencer | .... | chargehand props (uncredited) | |
| Roy Stannard | .... | draughtsman (uncredited) | |
| Roy Walker | .... | draughtsman (uncredited) | |
Sound Department | |||
| Richard L. Anderson | .... | sound consultant (1989 restoration) | |
| John Cox | .... | sound dubbing | |
| Paddy Cunningham | .... | sound recordist | |
| Gregg Landaker | .... | rerecording mixer (1989 restoration) | |
| Winston Ryder | .... | sound editor | |
| Malcolm Cooke | .... | dialogue editor (uncredited) | |
| Beryl Mortimer | .... | foley artist (uncredited) | |
| Stan Phillips | .... | boom operator (uncredited) | |
| Terry Sharratt | .... | boom operator (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Cliff Richardson | .... | special effects | |
| Wally Veevers | .... | special effects (uncredited) | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Geoffrey Last | .... | stunt pilot (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| John Sullivan | .... | stunt double: Peter O'Toole (uncredited) | |
| Dan Wilmott | .... | stunt pilot (uncredited) | |
| D.J. Wimott | .... | stunt pilot (uncredited) | |
Camera and Electrical Department | |||
| Archie Dansie | .... | chief electrician | |
| Ernest Day | .... | camera operator | |
| Skeets Kelly | .... | photography: second unit | |
| Peter Newbrook | .... | photography: second unit | |
| Nicolas Roeg | .... | photography: second unit | |
| Ronald Anscombe | .... | clapper loader (uncredited) | |
| Steve Birtles | .... | gaffer (uncredited) | |
| Kenneth Danvers | .... | still photographer (uncredited) | |
| Ceri Davies | .... | camera operator (uncredited) | |
| Mike Fox | .... | focus puller: second unit (uncredited) | |
| Ginger Gemmel | .... | camera operator (uncredited) | |
| Mark Kaufman | .... | still photographer (uncredited) | |
| Kevin Kavanagh | .... | focus puller (uncredited) | |
| Tim Murphy | .... | rigging gaffer (uncredited) | |
| Dick Savery | .... | grip (uncredited) | |
| Bob Stilwell | .... | clapper loader (uncredited) | |
| Alex Thomson | .... | camera operator: second unit (uncredited) | |
| Mike Tomlin | .... | clapper loader (uncredited) | |
| Les Wiggins | .... | camera technician (uncredited) | |
| Mervyn Wilson | .... | focus puller (uncredited) | |
| Kenneth J. Withers | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| John Wilson-Apperson | .... | wardrober | |
| Charles Guerin | .... | wardrobe assistant (uncredited) | |
| Jose Luis de la Heras | .... | wardrobe assistant (Spain) (uncredited) | |
Editorial Department | |||
| Anne V. Coates | .... | editorial consultant (1989 restoration) | |
| Norman Savage | .... | associate editor (uncredited) | |
| Aidan Stanford | .... | color timer (2002 restoration) (uncredited) | |
Music Department | |||
| Adrian Boult | .... | music conductor (as Sir Adrian Boult) | |
| London Philharmonic Orchestra | .... | musician (as The London Philharmonic Orchestra) | |
| Gerard Schurmann | .... | orchestrations (as Gerard Schurmann) | |
| Lawrence Ashmore | .... | orchestrations (uncredited) | |
| Maurice Jarre | .... | conductor (uncredited) | |
| Morris Stoloff | .... | music coordinator (uncredited) | |
Transportation Department | |||
| Peter Middlemiss | .... | transportation manager (uncredited) | |
Other crew | |||
| Barbara Cole | .... | continuity | |
| Maggie Field | .... | assistant (1989 restoration) | |
| Robert A. Harris | .... | 1989 reconstruction and restoration | |
| Joanne Lawson | .... | assistant (1989 restoration) | |
| Jude Schneider | .... | assistant (1989 restoration) | |
| Douglas Twiddy | .... | location manager | |
| Nicole Apoteker | .... | production secretary: Morocco (uncredited) | |
| Raif Asharif | .... | veterinarian (uncredited) | |
| Barbara Back | .... | production secretary: Morocco (uncredited) | |
| Peter Beale | .... | office runner (uncredited) | |
| John Breslin | .... | dialect advisor (uncredited) | |
| Marie Budberg | .... | researcher (uncredited) | |
| Jock Dalgleish | .... | liaison officer (uncredited) | |
| John Dunkley | .... | office runner (uncredited) | |
| Richard Ford | .... | mechanic: Rolls Royce (uncredited) | |
| Josie Fulford | .... | assistant continuity (uncredited) | |
| Hamdan Hamid | .... | riding instructor (uncredited) | |
| Noreen Hipwell | .... | production secretary (uncredited) | |
| Philip Hobbs | .... | location caterer (uncredited) | |
| Bert Holliday | .... | mechanic (uncredited) | |
| Lt. Col. R.C. Hutt | .... | military advisor (uncredited) | |
| Mildred McCarger | .... | production representative (uncredited) | |
| Grace McCorrey | .... | production secretary (uncredited) | |
| Jean Menz | .... | secretary: Mr. Spiegel (uncredited) | |
| Hugh Miller | .... | dialogue coach (uncredited) | |
| Eva Monley | .... | location manager (uncredited) | |
| Eva Monley | .... | production assistant (uncredited) | |
| Pat Moon | .... | production secretary (uncredited) | |
| Pamela Moore | .... | production secretary (uncredited) | |
| Anthony Nutting | .... | technical advisor (uncredited) | |
| L.E.M. Perowne | .... | military advisor (uncredited) | |
| Otto Plaschkes | .... | production assistant (uncredited) | |
| Martin Scorsese | .... | presenter (1989 restoration) (uncredited) | |
| Eustace Shipman | .... | medical doctor (uncredited) | |
| Norman Spencer | .... | assistant: Mr. Lean (uncredited) | |
| Steven Spielberg | .... | presenter (1989 restoration) (uncredited) | |
| John Sullivan | .... | wrangler (uncredited) | |
| Jeremy Taylor | .... | horse master (uncredited) | |
| Lew Thornburn | .... | representative: London (uncredited) | |
| Lee Turner | .... | script supervisor: second unit (uncredited) | |
| David White | .... | production accountant (uncredited) | |
| Maureen Whitty | .... | production secretary (uncredited) | |
| John R. Woolfenden | .... | unit publicist (uncredited) | |
Thanks | |||
| Jon Davison | .... | special thanks (1989 restoration) | |
| David Lean | .... | special thanks (1989 restoration) (as Sir David Lean) | |
| Martin Scorsese | .... | special thanks (1989 restoration) | |
| Steven Spielberg | .... | special thanks (1989 restoration) | |
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| Michael Collins | La battaglia di Algeri | Capitaine Conan | The Lighthorsemen | Major Dundee |
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Sweeping, epic and literate version of British adventurer and soldier T E Lawrence's experiences in Arabia during the First World War. Lawrence, miraculously well played by Peter O'Toole, "went native" when sent into the desert to find Alec Guinness's Prince Feisal. Before long he was striking out himself against the Turkish Ottoman Empire, which still held sway in the region at the beginning of the last century. Lawrence's efforts to unify the various Arab factions are particularly prescient.
Lawrence became an inspirational warlord whose neutral presence amongst the Arab tribes, lead by Omar Sharif and Anthony Quinn, amongst others, served to glue together shifting and uneasy alliances. As well as wrestling with himself, with his own demons, and with the cruel desert environment, the Englishman was also faced with culture clashes which pitted not only the imperialists against the indigenous populations, but also the mercenary practices of the Arab guerillas against the discipline of the British army. In the end, Lawrence himself does not know which side he is on, nor which party he belongs to. Set against a backdrop of the Arabian desert, the nomadic allies under Lawrence's direction, attack and disrupt the Turks' efforts to maintain control of the territory, whilst the elephant - the British army and its heavy guns under General Jack Hawkins - pushes ever deeper into the area: not until his job is done does Lawrence learn that the French and British governments have carved up the middle-east between them and that the battle-lines for the 21st century are already being drawn.
Scripted by the inimitable Robert Bolt and directed by David Lean, Lawrence of Arabia is one of those films without a weakness, despite drawing complaints for its near four hour length. The dialogue, cinematography, soundtrack and especially direction are superlative; likewise the supporting actors. But it is O'Toole at his charismatic best who steals the show in his starring debut; he never looked back. It may take an effort to watch this movie, but is well worth the ride and will, by the bye, provide some insight into the fractious and volatile world of Arab politics.
One of the best films ever made.