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Lawrence of Arabia (1962)
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Lawrence of Arabia (1962)

PG  |   |  Adventure, Biography, Drama  |  10 December 1962 (UK)
8.4
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Ratings: 8.4/10 from 171,827 users   Metascore: 100/100
Reviews: 540 user | 175 critic | 7 from Metacritic.com

Follows a brilliant, flamboyant and controversial British military figure and his conflicted loyalties during wartime service.

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(writings), (screenplay), 1 more credit »
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Top 250 Movies #85 | Won 7 Oscars. Another 21 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Turkish Bey (as Jose Ferrer)
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I.S. Johar ...
Gamil Ratib ...
Michel Ray ...
John Dimech ...
Zia Mohyeddin ...
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Storyline

An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

The Desert Classic. (1983 Video Release) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

10 December 1962 (UK)  »

Also Known As:

Lawrence de Arabia  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$32,930 (USA) (4 October 2002)

Gross:

$6,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

(RCA Sound Recording) (70 mm prints)| (35 mm prints) (original version)| (magnetic prints) (35 mm) (original version)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Robert Bolt's original writing contract with Sam Spiegel was for three months as he was needed to work on another play. But due his immersion on material, he ended up working for 14 months on the script and totally forgot his work on the play. See more »

Goofs

Contrail over Damascus when Allenby in discussing the Arab Council on his balcony. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Connections

Referenced in The Big Empty (2003) See more »

Soundtracks

The Voice Of The Guns
Music by Kenneth Alford
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The best movie of all motion picture history
24 August 2005 | by (Greece) – See all my reviews

I first watched "Lawrence of Arabia" when I was about 11 years old. Being a big fan of Steven Spielberg at that time, I was sort of awed by the fact that this was his personal favorite (check the "conversation with Steven Spielberg" featurette in the special features disk and you'll really see Spielberg's affection for that film)

Over the years, Lawrence remained among my DVD collection, and I can't say I actually watched it since that first time, when, by the way, I didn't really like it. But "time does things to movies", and when I watched it again last year, I found my eyes to be weeping at the end. It instantly became one of my favorite movies.

Since then I learned a lot about the history of cinema, and I also learned a great deal about the movies of Sir David Lean. I found my self watching films like "Brief Encounter", "The Bridge on the River Kwai", "Doctor Zhivago", "Ryan's Daughter", and the underrated, "A passage to India". Lean became one of my favorite directors, and, just a few months ago, I decided to watch Lawrence with some friends. Although I had seen it a couple of times before, this time it was a different experience altogether: from the starting credits, to the blowing of the match, the crossing of the Nefud dessert, finding Gassim and bringing him back to the camp, the invasion of Aqaba, his torture and rape (?), Lawrence's laugh after the slap by the "outrageaous" guy, his being left alone, to the final gaze to the motorcycle. I sensed something when I watched that film, which leaves my with the undoubted feeling that "Lawrence of Arabia" is the greatest film ever made. For me, this is it. Ever since '62, it's been a downfall. No other film has managed to reach Lawrence in its poetic greatness. Few do come very close (Vertigo for instance).

If we are to classify the two complete different cinematic styles, it would be those of Hitchcock and Ford. Hitch was a very "confined" director. He captured his movies from the point of view of one character. His movies took place, most of the time, in closed spaces. In a sense, Hitchcock's films were a journey in people's emotions and a study in people's characters. On the other hand, Ford was an open director. He wasn't confined to one character, or one location, his films where actual journeys. His basis was mostly on theme, and his main ability was to amaze with his imagery. Thus, these are the two different shooting styles....Well, Lean combines both.

Which is basically why his best film, Lawrence, is the best film of all times. But not only in terms of style. Also, in terms of content. The intelligent script written by Robert Bolt, the powerhouse performances by O'Toole and Shariff (a shame they didn't get the statuette), but also, the ultimately heroic yet tragic figure of T.E. Lawrence, contribute in making this the most visually and emotionally sweeping film of the last 111 years.

Such a shame that Lean retired for 14 years after "Ryan's Daughter", there's no way to know where he would have gotten.


205 of 273 people found this review helpful.  Was this review helpful to you?

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