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Lawrence of Arabia (1962)
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Lawrence of Arabia (1962)

PG  |   |  Adventure, Biography, Drama  |  14 December 1962 (UK)
8.4
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Ratings: 8.4/10 from 172,275 users   Metascore: 100/100
Reviews: 542 user | 175 critic | 7 from Metacritic.com

Follows a brilliant, flamboyant and controversial British military figure and his conflicted loyalties during wartime service.

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(writings), (screenplay), 1 more credit »
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Title: Lawrence of Arabia (1962)

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Top 250 Movies #85 | Won 7 Oscars. Another 21 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Turkish Bey (as Jose Ferrer)
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I.S. Johar ...
Gamil Ratib ...
Michel Ray ...
John Dimech ...
Zia Mohyeddin ...
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Storyline

An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

An Epic Masterpiece As You've Never Seen It Before! (1992 Restored Video Release) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

14 December 1962 (UK)  »

Also Known As:

Lawrence de Arabia  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$32,930 (USA) (4 October 2002)

Gross:

$6,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

(RCA Sound Recording) (70 mm prints)| (35 mm prints) (original version)| (magnetic prints) (35 mm) (original version)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Peter O'Toole feared he was having a nervous breakdown, due to the harsh terrain and the pressure enforced on him by David Lean. He begged his wife to come and raise his spirits: "Here, you have to be a little mad to be sane". See more »

Goofs

In his interview of Feisal, Jackson Bentley mentions that "certain influential men" in America want their country to join World War I. However, this conversation occurs after the fall of Aqaba, which was in July 1917; by that time, the US had already been in the war for several months. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »

Connections

Referenced in From Dusk Till Dawn: Place of Dead Roads (2014) See more »

Soundtracks

Brining Gasim Into Camp
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a memento from the days when they made real movies
15 June 1999 | by See all my reviews

It is, in a way, depressing to watch this movie today. One winds up contrasting it with the sort of technologically slick and aesthetically shallow spectacles, like "Titanic", that garner the sort of adulation that a truly great movie like "Lawrence" received in its day, and one realizes how far we have fallen.

Ignore David Lean's painterly technique, the way he fills the screen like a canvas. Ignore Freddie Young's stunning cinematography in fulfillment of Lean's vision. Ignore the fabulous score by Maurice Jarre. Ignore the stupendous cast. Ignore the topnotch script.

What we have, beyond all this, is an absolutely gripping and psychologically perplexing character study of a uniquely enigmatic individual that keeps us on the edge of our seats for the full length of the movie. "Lawrence", at over 200 minutes, goes by faster than many a movie of half its length, due to Lean's brilliant pacing and direction, and superb acting all around. To make a comparison in the world of music, this movie, like Mahler's 8th symphony, is a universe contained within itself.

Of course, it is an exercise in self-denial and philistinism to watch this movie in anything other than the wide-screen - or "letterbox" - format, due to Lean's complete use of every inch of the wide screen. To watch it otherwise is to miss half of Lean's intention.

To use a hackneyed phrase, they simply don't make 'em like this anymore.


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