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Lawrence of Arabia (1962)

PG  |   |  Adventure, Biography, Drama  |  10 December 1962 (UK)
8.4
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Ratings: 8.4/10 from 170,029 users   Metascore: 100/100
Reviews: 539 user | 174 critic | 7 from Metacritic.com

Follows a brilliant, flamboyant and controversial British military figure and his conflicted loyalties during wartime service.

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(writings), (screenplay), 1 more credit »
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Title: Lawrence of Arabia (1962)

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Top 250 #86 | Won 7 Oscars. Another 21 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Turkish Bey (as Jose Ferrer)
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I.S. Johar ...
Gamil Ratib ...
Michel Ray ...
John Dimech ...
Zia Mohyeddin ...
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Storyline

An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

The Desert Classic. (1983 Video Release) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

10 December 1962 (UK)  »

Also Known As:

Lawrence de Arabia  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$32,930 (USA) (4 October 2002)

Gross:

$6,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (1970 re-release) | (original) | (premiere) | (restored roadshow)

Sound Mix:

(RCA Sound Recording) (70 mm prints)| (35 mm prints) (original version)| (magnetic prints) (35 mm) (original version)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

The character of Jackson Bentley is based on the real-life journalist and travel expert Lowell Thomas, whose writings first brought Lawrence to public attention. See more »

Goofs

Further to the change of the shadow position during the "drifting" scene, this shot is of an apparent evening/dusk period where the shadow is almost directly under the camel, revealing it to be a "day-for-night" shot which must therefore have taken place near noon. See more »

Quotes

[first lines]
Colonel Brighton: He was the most extraordinary man I ever knew.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
Vicar at St. Paul's: Well nil nisi bonum. But did he really deserve a place here?
See more »

Crazy Credits

The opening credits read: Introducing Peter O'Toole as T.E. Lawrence. However, O'Toole had already played very noticeable roles in two feature-length films, the Disney 1960 version of Kidnapped (1960), and The Day They Robbed the Bank of England (1960). See more »


Soundtracks

That Is The Desert
Music by Maurice Jarre
Performed by London Philharmonic Orchestra
Conducted by Maurice Jarre
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Vision that Defines Itself
4 October 2001 | by (Virginia Beach) – See all my reviews

A man has an inner drive that makes him peculiar and intense. He goes to the desert and falls in love with it and its people. Gaining powerful sponsors, he has a grand vision that he accomplishes by inspiring and directing thousands. But in a very short time, that grand work is compromised and disassembled by fat cats in offices who are concerned with different values.

True of both Lawrence and Lean. The legacy of Lawrence is still in violent disarray (I write this a short time after the Sept 11 attacks on New York). But Lean's vision was saved, and what a vision! Of this picture, it can be said that it is perfect if only because it is so visionary that it defines its own rules.

Lean's vision is also lean, with vast zones of sonic and visual silence -- several meditations on the unperceived. Though there is a story (who are you?) this is really a film of TE's 'Seven Pillars,' which creates a romantic vision of sculpted natural forces. So powerful a depiction that Islam experienced a faddish attraction in the West, a place now enjoyed by Tibetan Buddhism. That was before.

See here the original Obiwan, every intonation, movement and dress. See here Peter O'Toole's personality become completely entwined with the character, who is as fictionalized by our eye as by Lowell's. See the most expressive, anthropomorphic train wreck in history.

Watch a particularly interesting brand of acting by the 'Arabs.' Macho men are acting anyway, so an actor can play an actor when he lands such a role.

The star of the film is the clever eye of God, not the clockmaker or judge of the west but the chess player of the mirage. Its face is clearest in my mind when the Turk holds TE down for torture and smiles. Its hand in the creaking of Feisal's tent -- who would ever imagine the wind acting? (Kurosawa's 'Ran' at the beginning is the only other example I know.)

I have a few films I admire for various. mostly intellectual qualities. But in the direct matter of visual storytelling, this one tops my list.


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