| Rosanna Schiaffino | ... | Anna Maria (segment "Illibatezza") | |
| Bruce Balaban | ... | Joe (segment "Illibatezza") | |
| Maria Pia Schiaffino | ... | Air hostess (segment "Illibatezza") | |
| Jean-Marc Bory | ... | Husband (segment "Il nuovo mondo") (as Jean Marc Bory) | |
| Alexandra Stewart | ... | Alexandra (segment "Il nuovo mondo") | |
| Orson Welles | ... | The 'Director' (segment "La ricotta") | |
| Mario Cipriani | ... | Stracci / Good Thief (segment "La ricotta") | |
| Laura Betti | ... | The 'Diva' (segment "La ricotta") | |
| Edmonda Aldini | ... | Another diva (segment "La ricotta") | |
| Ettore Garofolo | ... | Angel (segment "La ricotta") | |
| Ugo Tognazzi | ... | Togni (segment "Il pollo ruspante") | |
| Lisa Gastoni | ... | Togni's wife (segment "Il pollo ruspante") | |
| Ricky Tognazzi | ... | The son (segment "Il pollo ruspante") (as Riky Tognazzi) | |
| Antonella Taito | ... | The daughter (segment "Il pollo ruspante") | |
| rest of cast listed alphabetically: | |||
| Maria Bernardini | ... | Stripteaser (segment "La ricotta") (uncredited) | |
| Elsa De Giorgi | ... | Productor's Wife (segment "La ricotta") (uncredited) | |
| Michel Delahaye | ... | (segment "Il nuovo mondo") (uncredited) | |
| Rossana Di Rocco | ... | Stracci's Daughter (segment "La ricotta") (uncredited) | |
| Jean-André Fieschi | ... | (segment "Il nuovo mondo") (uncredited) | |
| Vittorio La Paglia | ... | The Journalist (segment "La ricotta") (uncredited) | |
| André S. Labarthe | ... | (segment "Il nuovo mondo") (voice) (uncredited) | |
| Tomas Milian | ... | Centurione (segment "La ricotta") (uncredited) | |
| Franca Pasut | ... | Visitor (segment "La ricotta") (uncredited) | |
| Gianrico Tedeschi | ... | The psichiatrist (segment "Illibatezza") (uncredited) | |
| Carlo Zappavigna | ... | Carlo - Anna-Maria's boyfriend (segment "Illibatezza") (uncredited) | |
Directed by | |||
| Jean-Luc Godard | (segment "Il nuovo mondo") | ||
| Ugo Gregoretti | (segment "Il pollo ruspante") | ||
| Pier Paolo Pasolini | (segment "La ricotta") | ||
| Roberto Rossellini | (segment "Illibatezza") | ||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | segment "Il nuovo mondo" | |
| Ugo Gregoretti | segment "Il pollo ruspante" | |
| Pier Paolo Pasolini | segment "La ricotta" | |
| Roberto Rossellini | segment "Illibatezza" | |
Produced by | |||
| Alberto Barsanti | .... | producer | |
| Alfredo Bini | .... | producer | |
| Angelo Rizzoli | .... | producer | |
Original Music by | |||
| Carlo Rustichelli | |||
Cinematography by | |||
| Mario Bernardo | (segment "Pollo ruspante, Il") | ||
| Tonino Delli Colli | (segment "La ricotta") | ||
| Jean Rabier | (segment "Nuovo mondo, Il") | ||
| Luciano Trasatti | (segment "Illibatezza") | ||
Film Editing by | |||
| Nino Baragli | (segment "La ricotta") | ||
| Agnès Guillemot | (segment "Il nuovo mondo") | ||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Maria Teresa Corridoni | .... | key hair stylist | |
Production Management | |||
| Eliseo Boschi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles L. Bitsch | .... | assistant director (as Charles Bitsch) | |
| Sergio Citti | .... | assistant director | |
| Carlo Di Carlo | .... | assistant director | |
| Renzo Rossellini | .... | assistant director | |
Other crew | |||
| Flavio Mogherini | .... | film set | |
| Giorgio Bassani | .... | voice dubbing: Orson Welles (uncredited) | |
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| Day of the Wacko | Thank You for Smoking | 8½ | I'm Not There. | Irma Vep |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
In all, RoGoPaG is not a great film, but Pier Paolo Pasolini's segment, "La ricotta", is one of the controversial Italian director's best film alogside his "Momma Roma", "Accatone", "Teorema", and (many others will disagree and appalled with this) "Salo". It works as a parody on Hollywood-styled religious epics, false religious faith, harsh life of the lower class, and revelation on the bitterness of life as an outsider (with Orson Welles playing a director and with his reading of Pasolini's poem from "Momma Roma" to a reporter who cared nothing but useless interviews). It's a multi-layered film, but is also enjoyable. (As a footnote, the segment was condemned by the Italian Catholic church and the entire film was held from release until the segment was edited slightly. It is not, however, in any way, blasphemous.)