2 items from 2016
If you have been living and routinely interacting with other human beings over the last month, you’ve probably heard one or two words involving this year’s Academy Awards and the heated controversy over the startling lack of both films and people of color among the nominees. Personally, I think that the real focus of concern ought to be less on the back end-- awards handed out for films which were financed and/or studio-approved, scheduled for production and filmed perhaps as much as two or three years ago-- and more on addressing the lack of cultural and intellectual and experiential diversity among those who have the power to make the decisions as to what films get made in the first place. This is no sure-fire way to ensure that there will be a richer and more consistent representation of diverse creative voices when it comes time for Hollywood »
- Dennis Cozzalio
We recently saw the release of the trailer for 10 Cloverfield Lane, which started life as an independent film unrelated to Cloverfield but was rewritten as a sequel (of sorts). This got us thinking about other films that were conceived as original projects but were altered by studios to become sequels to existing franchises.
When 10 Cloverfield Lane started out, it was an independent film called The Cellar, about a young woman (Mary Elizabeth Winstead) who wakes up injured and locked in the bunker-like cellar of a man (John Goodman) she’s never met before. The strange man tells her that he found after an accident and brought her there to minister to her wounds but then a cataclysmic disaster ravaged the surface world and she has to stay there. She doesn’t believe him and spends the rest of the film trying to escape, while her memories of the night of her accident slowly return. »
- firstname.lastname@example.org (Rob Young)
2 items from 2016
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