Mr. Tako, the chairman of a pharmaceutical company, learns of roma tomato-sized berries that grow on Farou Island, are a miracle cure, and that the natives worship a god called Kingkong who has allegedly grown to giant size from eating the berries. What better way to promote the product, Tako figures, than to bring the creature back to Japan? So he leads an expedition with Sakurai and Furue to get the berries and the monster. Meanwhile, some American pilots discover the chunk of the glacier Godzilla was sealed in back in 1955. Sakurai's sister's boyfriend Kazuo is busy trying to sell an invisible but superstrong wire, which of course no one wants until Kong escapes... Written by
Scott Hutchins <email@example.com>
Godzilla's appearance greatly changed for his 1962 appearance in the first color movie: King Kong vs. Godzilla. King Kong vs. Godzilla was made more as a comedy film than having the "sense of terror" theme in the two previous movies. Because of that, Toho decided to make Godzilla less demeaning. While some American posters of the previous two black and white Godzilla movies showed Godzilla as green, the Kingoji suit revealed Godzilla's true color: charcoal gray. The previous two Godzilla suits were painted brown. On this suit, Godzilla's ears were taken away, and instead of having four toes on each foot, Godzilla had three. The center dorsal fins were englarged and the two side dorsal fins decreased in size. The body of Godzilla was bulkier than the last two suits. The head was made longer, and a slight frown was added to the side the mouth, a feature that would be seen in some later suits. The pupils were enlarged, and the eyes sported a yellow-reddish color. The new features on Godzilla gave him an alligator-like appearance. See more »
When the Kong suit roars, it doesn't open its mouth. See more »
[King Kong is breaking free]
There's no time to argue! Destroy him!
What? King Kong is my responsibility, and you have no right to destroy him!
King Kong could kill us all! You wouldn't care! Publicity's all you want! Publicity!
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In the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka." See more »
Director Ishiro Honda, who first brought The Big G to the screen in the brilliant 1954 film GOJIRA (re-edited in the US as Godzilla King of the Monsters) decided to scrap the heavy messages and themes of the original film when he made King Kong vs. Godzilla, however he does appeared to have had a great deal of fun making this goofy rubber monster classic. Godzilla breaks out of an iceberg he was imprisoned in and heads to knock down Tokyo. Meanwhile, a pharmaceutical company discovers King Kong on an island full of Japanese actors in blackface playing the natives (!) and the flamboyant CEO decides to bring Kong to Japan as a publicity stunt. The government decides to pit the two titans against each other on the top of Mount Fuji in the climatic scene of the movie. Much of this film is film is intentionally goofy, particularly the island scenes. The screenwriters decided that electricity makes King Kong stronger, but it weakens Godzilla (to make sure it would be a fair fight). Honda also put in several homages (parodies) to the original 1933 King Kong. The final battle on Mount Fuji is similar to watching WWF wrestling, except better, because they're wearing monster suits. If you want a film with epic romance and sweeping drama, you should watch Gone With the Wind, but if you're in the mood for campy monsteriffic fun like only the Japanese can do, watch this.
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