Mr. Tako, the chairman of a pharmaceutical company, learns of roma tomato-sized berries that grow on Farou Island, are a miracle cure, and that the natives worship a god called Kingkong who has allegedly grown to giant size from eating the berries. What better way to promote the product, Tako figures, than to bring the creature back to Japan? So he leads an expedition with Sakurai and Furue to get the berries and the monster. Meanwhile, some American pilots discover the chunk of the glacier Godzilla was sealed in back in 1955. Sakurai's sister's boyfriend Kazuo is busy trying to sell an invisible but superstrong wire, which of course no one wants until Kong escapes... Written by
Scott Hutchins <email@example.com>
Special effects director Eiji Tsuburaya deliberately gave King Kong a semi-comical personality, because he did not want Kong to frighten young children, and wanted the general audience to root for Kong over the more frightening Godzilla. See more »
The arm extensions used for Kong appear and disappear throughout the film, especially when Kong has to pick something up, or when he grabs Godzilla's tail and such in the fight at the end. See more »
[Arriving on Faro island]
Uh, Sakurai, I'm scared!
See more »
In the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka." See more »
Any insults and accusations hurled against this beloved movie will fall on deaf ears with me. Admittedly, I am somewhat biased in favor of this entertaining monster romp because it was a regular television staple all during my childhood while I was growing up. It's one of the most enjoyable giant monster movies Toho Studios ever made, and it's certainly one of the best Godzilla films of all. It can be silly, it can be jokey, and it's also a hell of a lot of fun.
I have seen both the U.S. Version and the Japanese Version, and I'll have to confess that while this review will be based on the proper Asian edition, I also have a nostalgic fondness for the American Cut, which actually benefits from some added jokes ("When you and the monster meet, be sure to tell him all about your corn problems!") and the exciting Universal stock music which compliments much of the action.
Godzilla was still a bad guy at this point in time, and I'm among the group who considers his costume here my personal favorite (it was very much like the Aurora model kit, or maybe it was the other way around). It's not very original to bash the obvious awful King Kong suit, so I'll say that while it's definitely kind of ragged, I actually think it's appealing in its unusual weirdness. Kong is more or less painted as the heroic one of these two, and I have to tell you that I absolutely love that native song of worship which is chanted at him by the island dwellers who dance and pray on his home turf. I appreciate it even more when it's used as the title credits music in the Toho version.
The story is silly and simple, but it works. Godzilla is back in town after awakening from the iceberg he froze in at the conclusion of GODZILLA RAIDS AGAIN, and so a frustrated pharmaceutical advertiser decides to send a couple of his zany cronies to King Kong's Island to capture and bring back his own monster to give Godzilla some competition. Humor is very well used here, and it works well alongside the usual rampages and city stompings.
The touted "battle of the giants" has been unfairly maligned as looking too much like a "wrestling match," but I don't see how else these creatures are supposed to tangle with one another unless they opted to stare each other down for ten minutes. Not much fun there, I'm afraid! Their climactic fight is well worth the wait and fulfills all expectations. *** out of ****
23 of 26 people found this review helpful.
Was this review helpful to you?