2 items from 2017
The Museum of Modern Art (MoMA) kicks off its 16th annual Doc Fortnight on Thursday, a 10-day festival that includes 20 feature-length non-fiction films and 10 documentary shorts. This year’s lineup includes four world premieres and a number of North American and U.S. premieres.
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy, »
- Chris O'Falt and Graham Winfrey
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question: In dubious honor of “Sleepless,” a new Jamie Foxx vehicle that’s been adapted from Frederic Jardin’s “Sleepless Night,” what is the best American remake of a foreign-language film?
Joshua Rothkopf (@joshrothkopf), Time Out New York
Long before I knew and appreciated Jean Renoir, I was in love with “Down and Out in Beverly Hills,” a 1986 comedy based on “Boudu Saved from Drowning” that peppered the flow with some truly eye-opening ideas for Hollywood: class warfare, unequal police treatment, a neurotic dog with its own therapist. The movie holds up beautifully — it’s one of Nick Nolte’s quietest performances, and one »
- David Ehrlich
2 items from 2017
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