Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the ... See full summary »
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »
A surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images that shock the viewers including the slitting open of a woman's eye and a dead ... See full summary »
'la jetée' deconstructs Chris Marker's seminal film. A 16mm film print of La Jetée is viewed on a microfish film viewer, functioning as a shutterless projector. Chris Marker's experiments ... See full summary »
Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airports jetée. Written by
Comprises still shot photography only, except for a shot of the woman opening and blinking her eyes. See more »
He ran toward her. And when he recognized the man who'd trailed him from the camp, he realized there was no escape out of time, and that that moment he'd been granted to see as a child, and that had obsessed him forever after... was the moment of his own death.
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The opening credits do not describe it as a film, but "un photo-roman." See more »
One way movies tend to be memorable is when a certain image they create is so powerful it sticks right into the mind and refuses to leave. This is a film created to do just that, and one method is to remove a level of the motion to create haunting images that stay static on the screen until they're burned on the cornea. Memory, however, is not just visual, and as if the film needed any help, the disturbingly saturated music and sound helps implant everything in this movie until it's not to be forgotten.
A man is haunted throughout his life by the image of a beautiful woman, and the death he witnessed after seeing her. Soon afterward, a bomb hits Paris and sends the survivors scurrying underground to survive nuclear fall-out. A scientist then uses the man's clinging focus on the past memory of the beauty and death to send him through time to try to prevent the bomb.
This is not a movie that needs to be remarked upon by saying, "Every frame is like a photograph!" because every frame is a photograph. However, it keeps away from being considered merely a slide-show by the emotive use of sound and narration and the surreal look into time and memory, a look that's quite adequate for truly representing the sort of imbalance and dizziness that would be created by time-travel. It recreates the sort of objective detail of memories wherein the movement through space and time is certainly recognized as your own, but your inability to control it since it's already been done makes you sort of an outside spectator to your own actions. That, I believe, is the focus that drives this narrative along and it's done so well, it's difficult to imagine anyone not being sucked into it.
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