Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the ... See full summary »
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along ... See full summary »
'la jetée' deconstructs Chris Marker's seminal film. A 16mm film print of La Jetée is viewed on a microfish film viewer, functioning as a shutterless projector. Chris Marker's experiments ... See full summary »
Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airports jetée. Written by
Jean Négroni is known to have been the French narrator. But the English version is supposed to have been voiced by William Klein, the "man from the future." See more »
When the man is holding the arm of the woman in the park near the middle of the movie, his hand is visible between her arm and her body, but his arm is not visible. Only the background can be seen between them. See more »
They begin again. The man doesn't die, nor does he go mad. He suffers. They continue.
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In the opening titles it states "Avec la participation du Service de la Recherche de la R.T.F.". For one frame, this changes into "Avec la participation du Service de la Trouvaille de la R.T.F.". See more »
"La jetée" is a million years ahead of its time. To make a movie in 1962 about World War III, time traveling and a distant future that is still genuinely disturbing and not in the least outdated comes close to a miracle.
Here's a short synopsis of the story: After World War III Paris is lying in tatters. The earth has been contaminated and survivors of the war have to live underground imprisoned by the victorious nation (it's never said explicitly which nation that is, but they are talking German). Scientists are looking for a way to secure the survival of mankind by exploring the possibilities of time traveling. In the process one of the prisoners, who has a strong connection to the past because of a recurring dream of his childhood, serves as their guinea pig. As the experiments go on the time traveler falls in love with a woman from the past and comes face to face with the childhood memory he's been obsessed with all his life.
The story might have a familiar ring to you. It's basically the same story Terry Gilliam used in "12 Monkeys". But while "12 Monkeys" is a great movie, ultimately it will be "La jetée" that will stand the test of time (no pun intended). Director/screenwriter Chris Marker's approach is amazingly clever and effective. His movie is a sequence of beautiful black and white photographs with somebody narrating the story. The pictures and the perfect music make the whole thing seem like a documentary on World War II and give the movie a disturbingly realistic feel. Marker never makes the mistake to show too much. The destruction of Paris, the experiments and the future are all hinted at rather vaguely in the pictures and in the narration. A lot is left to our imagination and when The Man, as the main character is simply called, drifts through time it almost seems like a feverish dream to the viewer, too. What's more concrete is the relationship of The Man and The Woman and the contrast between the short untroubled moments The Man spends in the past and his enslavement in the present. Marker concentrates on those aspects and almost shrugs the time traveling off as a negligibility and the result is nothing short of amazing.
With its 26 minutes running time "La jetée" accomplishes more than some epic trilogies do. It remains a classy work of art that looks fresher than any other movie from the 60's that I've ever seen and in 50 years from now it will not have lost any of its appeal, either.
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