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La Jetée (1962)

La jetée (original title)
Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the ... See full summary »

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Cast

Complete credited cast:
Jean Négroni ...
Narrator (voice)
Hélène Chatelain ...
The Woman
Davos Hanich ...
The Man
Jacques Ledoux ...
The Experimenter
André Heinrich
Jacques Branchu
Pierre Joffroy
Étienne Becker
Philbert von Lifchitz
Ligia Branice ...
A woman from the future (as Ligia Borowczyk)
Janine Klein ...
A woman from the future
William Klein ...
A man from the future (as Bill Klein)
Germano Facetti ...
(as Germano Faccetti)
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Storyline

Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airports jetée. Written by Cinema_Fan

Plot Summary | Add Synopsis

Genres:

Short | Drama | Romance | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

16 February 1962 (France)  »

Also Known As:

A Pista  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

When the man is holding the arm of the woman in the park near the middle of the movie, his hand is visible between her arm and her body, but his arm is not visible. Only the background can be seen between them. See more »

Quotes

[last lines]
Narrator: He ran toward her. And when he recognized the man who'd trailed him from the camp, he realized there was no escape out of time, and that that moment he'd been granted to see as a child, and that had obsessed him forever after... was the moment of his own death.
See more »

Crazy Credits

In the opening titles it states "Avec la participation du Service de la Recherche de la R.T.F.". For one frame, this changes into "Avec la participation du Service de la Trouvaille de la R.T.F.". See more »

Connections

Referenced in Twelve Monkeys (1995) See more »

Soundtracks

Vastness of Space
(uncredited)
Music by Trevor Duncan
Plays during the time travel scene near the end
Boosey & Hawkes Ltd
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Timeless work of art
7 February 2006 | by (Austria, Vienna) – See all my reviews

"La jetée" is a million years ahead of its time. To make a movie in 1962 about World War III, time traveling and a distant future that is still genuinely disturbing and not in the least outdated comes close to a miracle.

Here's a short synopsis of the story: After World War III Paris is lying in tatters. The earth has been contaminated and survivors of the war have to live underground imprisoned by the victorious nation (it's never said explicitly which nation that is, but they are talking German). Scientists are looking for a way to secure the survival of mankind by exploring the possibilities of time traveling. In the process one of the prisoners, who has a strong connection to the past because of a recurring dream of his childhood, serves as their guinea pig. As the experiments go on the time traveler falls in love with a woman from the past and comes face to face with the childhood memory he's been obsessed with all his life.

The story might have a familiar ring to you. It's basically the same story Terry Gilliam used in "12 Monkeys". But while "12 Monkeys" is a great movie, ultimately it will be "La jetée" that will stand the test of time (no pun intended). Director/screenwriter Chris Marker's approach is amazingly clever and effective. His movie is a sequence of beautiful black and white photographs with somebody narrating the story. The pictures and the perfect music make the whole thing seem like a documentary on World War II and give the movie a disturbingly realistic feel. Marker never makes the mistake to show too much. The destruction of Paris, the experiments and the future are all hinted at rather vaguely in the pictures and in the narration. A lot is left to our imagination and when The Man, as the main character is simply called, drifts through time it almost seems like a feverish dream to the viewer, too. What's more concrete is the relationship of The Man and The Woman and the contrast between the short untroubled moments The Man spends in the past and his enslavement in the present. Marker concentrates on those aspects and almost shrugs the time traveling off as a negligibility and the result is nothing short of amazing.

With its 26 minutes running time "La jetée" accomplishes more than some epic trilogies do. It remains a classy work of art that looks fresher than any other movie from the 60's that I've ever seen and in 50 years from now it will not have lost any of its appeal, either.


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