Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the ... See full summary »
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along ... See full summary »
'la jetée' deconstructs Chris Marker's seminal film. A 16mm film print of La Jetée is viewed on a microfish film viewer, functioning as a shutterless projector. Chris Marker's experiments ... See full summary »
Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world's fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airports jetée. Written by
Jean Négroni is known to have been the French narrator. But the English version is supposed to have been voiced by William Klein, the "man from the future." See more »
When the man is holding the arm of the woman in the park near the middle of the movie, his hand is visible between her arm and her body, but his arm is not visible. Only the background can be seen between them. See more »
He ran toward her. And when he recognized the man who'd trailed him from the camp, he realized there was no escape out of time, and that that moment he'd been granted to see as a child, and that had obsessed him forever after... was the moment of his own death.
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The opening credits do not describe it as a film, but "un photo-roman." See more »
I first saw "La Jetee" in an introductory journalism class in the spring of 1973. The class was large, so large, in fact, that it was held in an auditorium rather than a conventional classroom. But when the film ended, there was about 30 seconds of stone-silence before the murmuring began. I sat slack-jawed and stunned and looked at Mary Ann, a girl who sat next to me and who I was slowly becoming friends with, to check her reaction. She looked equally stunned.
Thirty years have passed and I have occasionally revisited that moment. Despite wanting to know Mary Ann better, I was too timid and never saw her again after that semester ended and despite being stunned by the film, for some reason, I had lost track of its title. All I remembered was a haunting scene at an airport with a guy wearing glasses. That was it.
Just the other day and for no reason at all, I remembered the title "La Jetee" out of the blue. The name just popped into my head. And, even stranger, when I was checking the TV listings earlier today, I found that "La Jetee" was being shown on the Sundance Channel later.
I just finished watching it and I am as slack-jawed and stunned as I was thirty years ago. I guess the next logical thing will be to hear from Mary Ann. Just so long as I don't have to meet her at the airport.
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