A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
Setting off on a journey to the west in the 1830s, the Prescott family run into a man named Linus, who helps them fight off a pack of thieves. Linus then marries daughter Eve Prescott (Carroll Baker), and 30 years later goes off to fight in the Civil War with their son, with bloody results. Eve's sister, Lily, heads farther west and has adventures with a professional gambler, stretching all the way to San Francisco and into the 1880s. Written by
Stuntman Bob Morgan was seriously injured, and almost died, while performing a stunt in this picture. Toward the end of the film, there is a gunfight on a moving train between the sheriff and a gang of train robbers. Morgan was one of the stuntmen playing a robber and was crouched next to a pile of logs on a flatcar. The chains holding the logs together snapped, and Morgan was crushed by the falling logs. He was so badly hurt it took him five years to recover to the point where he was able to move by himself and walk unaided. See more »
During the last sequence in the rapids, when the raft disappears under water, there is a sharp edit cut to make it look like the raft never resurfaced. You can tell, as the waves and spray suddenly change. See more »
[as the camera pans over the Rocky Mountains]
This land has a name today, and is marked on maps. But, the names and the marks and the maps all had to be won, won from nature and from primitive man.
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Opening credits: Except for historical events and characters, the events and characters depicted in this photoplay are fictitious and any similarity to actual persons or events is purely coincidental. See more »
I'm not a fan of westerns in particular, but this magnificent epic is an exception for me because it has all the wonderful elements of a sprawling historical epic that only Hollywood could do so wonderfully in the 50s and 60s. And yes, I embrace it for holding to a perspective that today's PC revisionists who see evil in everything associated with the rise of America as a great nation are always so quick to condemn. While this is by no means a flawless look at history, it is only those who dare to liken the American pioneers with "Nazis" as one reviewer did who end up "creating history" more than a film like this does.
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