| Videos (see all 2) |
| Richard Beymer | ... | Nick Adams | |
| Diane Baker | ... | Carolyn | |
| Corinne Calvet | ... | Contessa | |
| Fred Clark | ... | Mr. Turner | |
| Dan Dailey | ... | Billy Campbell | |
| James Dunn | ... | Telegrapher | |
| Juano Hernandez | ... | Bugs | |
| Arthur Kennedy | ... | Dr. Adams | |
| Ricardo Montalban | ... | Major Padula | |
| Paul Newman | ... | The Battler | |
| Susan Strasberg | ... | Rosanna | |
| Jessica Tandy | ... | Mrs. Adams | |
| Eli Wallach | ... | John | |
| Edward Binns | ... | Brakeman | |
| Philip Bourneuf | ... | City Editor | |
| Tullio Carminati | ... | Rosanna's Father | |
| Marc Cavell | ... | Eddy Boulton | |
| Charles Fredericks | ... | Mayor | |
| Simon Oakland | ... | Joe Boulton | |
| Michael J. Pollard | ... | George (as Michael Pollard) | |
| rest of cast listed alphabetically: | |||
| Whit Bissell | ... | Ludstrum (scenes deleted) | |
| Lillian Adams | ... | Indian Woman (uncredited) | |
| Walter Baldwin | ... | Conductor (uncredited) | |
| Peter Brocco | ... | Headwaiter (uncredited) | |
| Laura Cornell | ... | Burlesque Queen (uncredited) | |
| Miriam Golden | ... | Indian Mid-Wife (uncredited) | |
| Pitt Herbert | ... | Bartender (uncredited) | |
| Pat Hogan | ... | Billy Tabeshaw (uncredited) | |
| Baruch Lumet | ... | Morris (uncredited) | |
| Burt Mustin | ... | Old Soldier (uncredited) | |
| Sherry Staiger | ... | Burlesque Queen (uncredited) | |
| Sharon Tate | ... | Burlesque Queen (uncredited) | |
| Alfredo Varelli | ... | Father Ben (uncredited) | |
| Mel Welles | ... | Italian Sergeant (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| A.E. Hotchner | (screenplay) | |
| Ernest Hemingway | (stories) | |
Produced by | |||
| Peter Nelson | .... | associate producer | |
| Jerry Wald | .... | producer | |
Original Music by | |||
| Franz Waxman | |||
Cinematography by | |||
| Lee Garmes | |||
Film Editing by | |||
| Hugh S. Fowler | |||
Art Direction by | |||
| Paul Groesse | |||
| Jack Martin Smith | |||
Set Decoration by | |||
| Robert Priestley | |||
| Walter M. Scott | |||
Costume Design by | |||
| Donfeld | (as Don Feld) | ||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Eli Dunn | .... | assistant director | |
Sound Department | |||
| Warren B. Delaplain | .... | sound | |
| E. Clayton Ward | .... | sound | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Emil Kosa Jr. | .... | special photographic effects | |
Music Department | |||
| Leonid Raab | .... | orchestrator | |
| Franz Waxman | .... | conductor | |
Other crew | |||
| Ralph M. Leo | .... | production accountant (uncredited) | |
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| Seabiscuit | Peyton Place | Angela's Ashes | Pearl Harbor | Factory Girl |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This was one of my favorite films when I was an adolescent and I hadn't seen it in forty years until I recently purchased it on DVD. It is a very sad, very bittersweet exploration into Hemingway's semi-autobiographical Nick Adams stories with many guest star cameos. I know now I identified with Nick- wanting to escape a dull life, wanting to be a writer, having an ineffectual father and an over-bearing mother. I can see also why it failed to find an audience and is all but forgotten.
It is very laid back, very loosely woven together, with very few points of high excitement. Had a director like Richard Brooks been at the helm, this might have turned out quite differently.
It is Richard Beymer's finest performance and he carries the film well. Superlative cameos are delivered from: Paul Newman as the "Battler" - a punch drunk has-been fighter whose brain has turned to mush - Newman is almost unrecognizable behind the make-up and gives a stellar character turn; Dan Dailey as Billy, a perpetually drunk alcoholic who berates 'the wages of gin' and serves as the front man for a burlesque troupe; Eli Wallach and Ricardo Montalban as Nick's Italian compatriots; and most memorably, Arthur Kennedy as Nick's put-upon father, Henry Adams.
The women fare less well. Jessica Tandy as Nick's mother is one-note harsh and cold, Susan Strassberg as Rosanna is just plain dull, and Corinne Calvert and Diane Baker have one unmemorable scene each. Then again, Hemingway did not understand women and did not write indelible female characters. Even his most memorable, Catherine in A FAREWELL TO ARMS, is a man's version of femininity.
The real star here is Franz Waxman's gorgeous but brief musical score - quite similar to his Copland-esque score for PEYTON PLACE, it is full of lush strings, harp glissandos, and plaintive oboe/flute themes. I listen to it and I cry - it is so full of feeling, of desire, of loss. Next to PEYTON PLACE, it is my favorite of all of Waxman's work.
This is recommended, not highly, but it is something that quietly impresses and that, obviously, stays with one if seen at an impressionable early age.