Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
With her infant daughter Margaret Rose in tow, Georgette Thomas pulls up stakes from Tyler, Texas to head to Columbus, Texas to be reunited with her husband, Henry Thomas, who has just been... See full summary »
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
World War II drama where the action centers around a single maneuver by a squad of GIs in retaliation against the force of the German Siegfried line. Reese joins a group of weary GIs unexpectedly ordered back into the line when on their way to a rest area. While most of the men withdraw from their positions facing a German pillbox at the far side of a mine-field, half a dozen men are left to protect a wide front. By various ruses, they manage to convince the Germans that a large force is still holding the position. Then Reese leads two of the men in an unauthorized and unsuccessful attack on the pillbox, in which the other two are killed; and when the main platoon returns, he is threatened with court-martial. Rather that face the disgrace, and in an attempt to show he was right, he makes a one-man attack on the pillbox. Written by
Robert Pirosh was a Master Sergeant during World War II, serving with the 320th Regiment, 35th Division. He fought in the Battle of the Bulge, at Ardennes and in the Rhineland. He commanded a unit in Bastogne during the Battle of the Bulge and was awarded a Bronze Star. His other war films pay homage to the American front-line infantry of World War II--in addition to this film, they are Battleground (1949); Go for Broke! (1951) and the TV series Combat! (1962). See more »
Homer would have been sent to the Polish 2nd Corps to become a soldier. Displaced Poles were picked up and added to the ranks of these units as they marched through Holland and Belgium. At Normandy there were 195,000 Polish Army troops at the war's end there were 237,000 troops under arms. It is said that the Poles recruited from the front. Poles conscripted into the German army was a primary source, but any displaced person would be absorbed. See more »
This World War II film is one of the finest I have seen. It features an allstar cast, great direction, a great script and compelling performances.
Steve McQueen plays an American soldiers who thrives on combat. He gets busted from squad leader to Private when he crashes a jeep. His squad gets sent to the front lines, where he clashes with by-the-book Sergeant Larkin (Harry Guardino). Problems are made worse when the Company pulls out, leaving Larkin's squad to cover a huge section of the front lines. In order to succeed, they trick the Germans in various ways to make them think they're a much larger unit.
The film features a powerful central performance by Steve McQueen. While his lines are short and to the point, his facial expressions and movements are just as important. He makes a very convincing front-line soldier, doing a lot of things many other front-line-combat themed war movies of the time (TO HELL AND BACK, etc) leave out.
Supporting McQueen are Bobby Darin, James Coburn, and Mike Kellin all very young. Their characters were unique at the time but may seem a bit chliched and two-dimensional if you've seen a lot of war pictures.
Also lending a hand if Bob Newhart as a bumbling typist who ends up getting commandeered to help hold the front line position. His telephone monlogue scene is a classic and he makes a very believable scared-stiff REMF, just like Jeremy Davies as Cpl. Upham in SAVING PRIVATE RYAN.
The battle scenes were obviously filmed on a tight budget but are very authentic appearing. They involve soldiers bleeding profusely and screaming in agony -- not something you see in older war films.
All in all, a very well done, realistic and very believable war film. It was apparently based on a true incident.
The DVD is of high quality. It is finally in letterbox format, about a 1.78:1 ratio. The video quality is superb. The sound is mono but very good mono; quite rich. Also included is a widescreen but scratchy and grainy trailer.
I enjoy and admire HELL IS FOR HEROES so much that I am using it as a model for my own WWII home video, BATTLEGROUND.
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