Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away ... See full summary »
The story of three racing drivers and three women, who constantly have to worry for the lives of their boyfriends. Jim Loomis and Mike Marsh drive for Pat Cassarian. Jim expects his fiancée... See full summary »
Sam and George strike gold in Alaska. George sends Sam to Seattle to bring George's fiancée back to Alaska. Sam finds she is already married, and returns instead with Angel. Sam, after ... See full summary »
In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years... See full summary »
John Wayne and his ensemble cast cavort over the African landscape filling orders from zoos for wild animals. Bruce Cabot plays "the Indian", a womanizing sharpshooter who is gored by a rhino in the opening scenes of the film. This becomes a running theme through the movie; their bad luck in catching rhinos, and provides the climactic ending chase. While Bruce is in the hospital, Elsa Martinelli shows up as a woman photographer from a Swiss zoo, and John wants to send her packing. She strongarms the Duke into letting her stay by promising that her zoo will buy most of their animals this season if she's allowed to go along on the hunts and take photos. Hardy Kruger, Gerard Blain, Michelle Girardon and Valentin de Vargas round out the group. They traipse over the African landscape capturing animals; Elsa also has a running gag where she collects baby elephants as the movie goes along. In the end she's acquired three of them. Written by
Marta Dawes <firstname.lastname@example.org>
According to director Howard Hawks, all the animal captures in the picture were performed by the actual actors; no stuntmen or animal handlers were substituted onscreen. The rhino really did escape, and the actors really did have to recapture it - and Hawks included the sequence for its realism. See more »
Pockets grip on and placement of his beer bottle keeps changing. In the scene where Dallas and he have their first "heart to heart", he sometimes switches his hand hold on the bottle from one shot to the next or has the bottle above the arm rest then suddenly below. The cigarette pack he takes out of his breast pocket a second time and holds in his left hand? That too, is back in the pocket come the cut. See more »
HATARI! may be the most enjoyable of the Howard Hawks/John Wayne collaborations (their other pairings produced the classics RED RIVER and RIO BRAVO, and the RIO BRAVO 'remakes' EL DORADO and RIO LOBO), and is exceptional in several ways; at 157 minutes (2 hours, 37 minutes), it may be one of the longest 'buddy' films ever made; nearly all of the animal 'chase and capture' sequences involved the actual cast members (professional handlers serving as stunt doubles were only rarely used); and the filming began with virtually no script (which was written based on the 'on location' footage in Africa, after the cast returned to California). At 65, director Hawks was still in top form, and the risks he took paid off...HATARI!, despite it's length, is never boring!
The story focuses on a season with a team of professional hunter/trappers, capturing animals for zoos and circuses. With a breathtaking opening scene of a rhino chase, costing them the use of veteran driver, 'Indian' (legendary actor Bruce Cabot), the 'family' dynamic is quickly established, with rugged Sean Mercer (Wayne) both boss and father-figure to the group. As he and the rest of the 'family' (Red Buttons, Hardy Krüger, Valentin de Vargas, and Michèle Girardon) meet 'Indian's' replacement, 'Chips' (Gérard Blain), Mercer has an even bigger headache to deal with; beautiful photographer Anna Maria 'Dallas' D'Allesandro (Elsa Martinelli) has arrived, to shoot a magazine spread. A 'traditional' Hawks leading lady, 'Dallas' is feisty, sultry, and attracted to Mercer, and the older man, uncomfortable with the ease by which she fits into the group, as well as his own stirrings, tries to make it clear that romance has no place on his agenda (in much the same manner as he did with Angie Dickinson in RIO BRAVO...and with the same results).
While some elements of the story are dated and politically incorrect (shooting a baby African elephant, even as a 'mercy killing', would be a major offense, today, as it is an endangered species), the combination of spectacular 'hunt' sequences, and the warmth and easy camaraderie of the cast in the subplots make HATARI! a rich, rewarding experience.
A major plus for the film is a very atypical Henry Mancini score, combining tense, African-influenced themes for the chases, and the very funny 'Elephant Walk' to punctuate 'Dallas's' relationship with her adopted pachyderm 'children'. The baby elephant scenes are film highlights, as is the rocket capture of a tree filled with monkeys, and both rhino chases (which clearly shows Wayne in some real danger!)
From the opening rhino sequence to the closing 'Honeymoon' scene, HATARI! is a grand entertainment, and escapism at it's best!
27 of 31 people found this review helpful.
Was this review helpful to you?