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Harakiri (1962)
"Seppuku" (original title)

 -  Action | Drama  -  4 August 1964 (USA)
8.6
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Ratings: 8.6/10 from 14,678 users  
Reviews: 179 user | 62 critic

An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.

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Title: Harakiri (1962)

Harakiri (1962) on IMDb 8.6/10

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Cast

Cast overview, first billed only:
...
Akira Ishihama ...
...
Tetsurô Tanba ...
Hikokuro Omodaka
Masao Mishima ...
Tango Inaba
Ichirô Nakatani ...
Hayato Yazaki
Kei Satô ...
Masakazu
Yoshio Inaba ...
Jinai Chijiiwa
Hisashi Igawa ...
Retainer
Tôru Takeuchi ...
Retainer
Yoshirô Aoki ...
Umenosuke Kawabe
Tatsuo Matsumura
Akiji Kobayashi
Kôichi Hayashi
Ryûtarô Gomi ...
(as Katsuo Gomi)
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Storyline

Peace in 17th-century Japan causes the Shogunate's breakup of warrior clans, throwing thousands of samurai out of work and into poverty. An honorable end to such fate under the samurai code is ritual suicide, or hara-kiri (self-inflicted disembowelment). An elder warrior, Hanshiro Tsugumo (Tatsuya Nakadai) seeks admittance to the house of a feudal lord to commit the act. There, he learns of the fate of his son-in-law, a young samurai who sought work at the house but was instead barbarically forced to commit traditional hara-kiri in an excruciating manner with a dull bamboo blade. In flashbacks the samurai tells the tragic story of his son-in-law, and how he was forced to sell his real sword to support his sick wife and child. Tsugumo thus sets in motion a tense showdown of revenge against the house. Written by Kevin Rayburn <kprayb01@homer.louisville.edu>

Plot Summary | Plot Synopsis

Plot Keywords:

samurai | suicide | hara kiri | ronin | poverty | See more »

Genres:

Action | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

4 August 1964 (USA)  »

Also Known As:

Harakiri  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Stage-trained actor Tatsuya Nakadai and older film actor Rentarô Mikuni could not agree on an acceptable speaking voice while sharing the film stage. Nakadai spoke loudly and Mikuni spoke softly each citing their related acting experiences for their choice. They strongly disagreed with each other. The director, Masaki Kobayashi, halted filming and stated that he would not resume until both the actors came to an agreement. They did; stopping the shooting for three days! See more »

Quotes

Hanshiro Tsugumo: After all, this thing we call samurai honor is ultimately nothing but a facade.
See more »

Connections

Referenced in Hero (2002) See more »

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User Reviews

 
Disharmony of Sword and Pen
21 March 2007 | by (Virginia, USA) – See all my reviews

I've said it once about another movie, incidentally by the other great Japanese director as well and I want to repeat my words in regard to "Harakiri": "There are good, very good, and even great movies. But among them there are just a few that go beyond great. They belong to the league of their own". Masaki Kobayashi's "Harakiri" aka "Seppuku" is one of them. The film of rare power and humanism, of highest artistic achievements, profoundly moving, tragic like the best Shakespeare's plays, universal and timeless even if it takes place in the faraway country of 1630, by the words of one of the reviewers "Harakiri" "is to cinema as the Sistine Chapel is to painting. Unsurpassable!"

The film grabbed me from the very first shot, from its opening credits with their perfect harmony of kanji (I believe it is a correct word to describe the writings) characters, with the unusual disturbing score and with the dark beauty of the images. And then the story begins that centers on Hanshiro Tsugumo (Tatsuya Nakadai), one of hundreds or maybe even thousands unemployed lord less samurais, ronin, that in the blessed times of peace had not many choices to adjust to new life and often preferred to commit a ritual suicide, hara-kiri or seppuku on the property of the wealthy estate owners. According to Bushido, the way of the samurai, "One who is a samurai must before all things keep constantly in mind, by day and by night . . . the fact that he has to die. That is his chief business."

At the same time, samurai and anti-samurai film, "Harakiri" offers the masterfully screened scenes of sword-fights, not plentiful but exquisitely choreographed, perfectly paced and unbearably intense but the film is much more than that. It is also a gripping court drama where the truth is unfolded in the flashbacks. The viewers are allowed to look closer at the noble Samurai code of behavior and to reflect on how its abuse impacts the fate of an individual and the society in general. Compelling, poetic, and tragic, the movie has one of the most pessimistic endings ever that makes you wonder how the history is made, how the historical events are interpreted and who decides what would be written in the chronicles and important documents and what would be left out.

A Masterpiece, one of the best movies ever made, "Harakiri" deserves all its praise. It is not in my nature to force my opinion on anyone but if you call yourself a movie buff or a movie lover, you MUST see this film.


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