Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
In the 1920s, enterprising Louise Randall is determined to succeed in a man's world. She enrolls at business college but her plans for a career change when she falls in love with handsome ... See full summary »
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, ... See full summary »
Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind. Written by
Jeremy Perkins <firstname.lastname@example.org>
Among the details eliminated from the musical was the fact that Gypsy Rose Lee had her teeth straightened out by a dentist owned by a gangster by the name of Waxey Gordon. The surgery may have improved her career prospects. See more »
During the birthday party scene, when the landlord comes in the shadow of a boom mike is visible on the wall. See more »
Louise "Gypsy Rose Lee" Hovick:
Little cat, little cat, why do you look so blue? Did somebody paint you to look like that, or is it your birthday, too? Little lamb, little lamb, I wonder how old I am.
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Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it. See more »
Rosalind Russell, a true world-class actress, brought perfect line readings and comic timing and delivery, along with a nice patrician air, to the role of Rose, and no one has matched her -- before or since. I've seen every Mama Rose -- Merman, Peters, Midler, Lansbury, Betty Buckley, Andrea McArdle, Mary McCarty, Joanne Worley and Giselle MacKenzie -- and none of them touches Russell in the role, certainly not in the kind of nuanced humanity she brought to it. (There have been a lot of caricaturing, mugging and over-acting in this role.) And Natalie Wood is the only actress I've seen to do anything remotely three-dimensional with the underwritten role of Louise/Gypsy. Bravo to both!
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