Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind. Written by
Jeremy Perkins <firstname.lastname@example.org>
Rose says Herbie, as Uncle Jocko, gets, "Six girls, semi-talented." However, there are definitely more than six girls who run out as the Toreadorables, and possibly two more as the Bull. See more »
Louise "Gypsy Rose Lee" Hovick:
Let me entertain you, Let me make you smile, Let me do a few tricks, Some old and then some new tricks, I'm very versatile, And if you're real good, I'll make you feel good, I want your spirits to climb, So let me entertain you, And we'll have a real good time; Yes, sir!, We'll have a real good time.
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Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it. See more »
Rosalind Russell, a true world-class actress, brought perfect line readings and comic timing and delivery, along with a nice patrician air, to the role of Rose, and no one has matched her -- before or since. I've seen every Mama Rose -- Merman, Peters, Midler, Lansbury, Betty Buckley, Andrea McArdle, Mary McCarty, Joanne Worley and Giselle MacKenzie -- and none of them touches Russell in the role, certainly not in the kind of nuanced humanity she brought to it. (There have been a lot of caricaturing, mugging and over-acting in this role.) And Natalie Wood is the only actress I've seen to do anything remotely three-dimensional with the underwritten role of Louise/Gypsy. Bravo to both!
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