Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, ... See full summary »
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind. Written by
Jeremy Perkins <email@example.com>
One of the many posters hanging on Tessie Tura's dressing room wall is a caricature of Ethel Merman, who created the role of Rose in the Broadway musical version of "Gypsy". See more »
When Rose, Baby June, Louise, and their grandfather enter the grandfather's house in Seattle, the number on the front of the house reads "3801." In the very next shot, when Herbie is filling out a telegram to Rose (who is still staying at the grandfather's house), the address on the telegram is "733." See more »
Louise "Gypsy Rose Lee" Hovick:
Little cat, little cat, why do you look so blue? Did somebody paint you to look like that, or is it your birthday, too? Little lamb, little lamb, I wonder how old I am.
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Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it. See more »
Everything's coming up roses because I CERTAINLY let it entertain me!
I have LOVED this musical for about seven years... and seen both Roz & Bette's versions... now, I know most people prefer Bette... but I don't. I mean... I've read reviews where people said "Forget the '62 version... go rent Bette's!" Maybe I'm crazy... I mean, I adore Bette Midler to death, but I think Roz did a better job of actually PLAYING the part. Sure, she may not have the vocal talents of Midler and Merman... but who does?! She's more of what I imagined the real Rose Hovick to be... and she's just so... I don't know. The way she delivered her lines... it was perfection. She also made me feel just a tad sorry for Rose... now I never saw Ethel Merman play the part, but Bette never made me feel sorry for Rose. Roz does. And that's a great talent whenever you can play a part where you have people hating and yet, at the same time, feeling sorry for the character. She was absolutely brilliant in the part and I don't see how people cannot recognize this! I also enjoyed Karl Malden in the role of Herbie better than Peter Reigert (I believe that was his name). He brought such life to the role. And although Cynthia Gibb did a good job of playing Louise... Natalie Wood... I mean, who can top THAT? Natalie Wood was GREAT!!!! She was perfect as the sort of quiet, shy child that grew up into a glamorous queen of the striptease. Diane Pace who played Louise as a child did a FINE job too! Cute little girl. And then... Morgan Brittany (who is billed as Suzanne Cupito) and Ann Jillian as Baby and Dainty June... how awesome is that?! Who knew that Ann Jillian could SING? I sure didn't. Paul Wallace was awesome as Tulsa... lots of talent. It's a GREAT movie, even if it WAS a bit altered from the Broadway play... but hey, the play was a bit altered from the true life story so... what does it matter?! A GREAT MOVIE, HIGHLY RECOMMENDED!!!!!
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