Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
Documentary film-maker Bob Sanders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, the... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind. Written by
Jeremy Perkins <email@example.com>
Opening credits are superimposed on a closed stage curtain, below which is an orchestra and conductor, performing the film's overture. The overture has been truncated from the stage version's original overture, but is otherwise quite faithful to it. See more »
This is a terrific filmization of the 1959 Broadway show which starred Ethel Merman. Although some may argue that Rosalind Russell is not effective in the role of Mama Rose, I can't see how anyone could complain. Russell is excellent in the role, she's funny, entertaining, and sincere. Although I understand her singing voice was dubbed, it still sounds more pleasant to me then the loud, brash singing of Merman that I heard from the Broadway soundtrack album.
As for the others, Karl Malden is great in his role, as is Ann Jillian as June. The real star here, to me, is Natalie Wood who is both believable in her role as the neglected Louise, and stunning in her transformation to Gypsy Rose Lee. The moment where she looks in the mirror prior to her first solo performance ("I'm pretty!"), is one of the best screen moments ever.
The songs and musical scenes here are all wonderful too, "If Mama Was Married" is a great duet between June and Louise, "Everything's Coming Up Roses" is terrific too, as is "Rose's Turn" and most of the others. If there is one complaint to be made about this film, it's that the wonderful "Together, Wherever We Go" number was cut out. Worse then that, no prints with that number intact seem to exist on 35mm. Other then that, though, it is a great film with excellent Technicolor photography and excellent music. If you love musicals, see it, and be sure to see it in the wide screen version.
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