Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed ...
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A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her ... See full summary »
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
A young doctor kills himself after a medical committee terminates his research into human embryos, considering it too inhumane. His wife then seeks revenge on those who drove her husband to... See full summary »
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices. Written by
Christo Hoffmania <firstname.lastname@example.org>
Director Cameo (Jesus Franco): Man playing piano in bar. See more »
In the English-dubbed version a female witness said about the perpetrator that "he walked like a robot". The story was set in 1912, and the word "robot" first appeared in a Czech science fiction play in 1921. The writer was Karel Capek. See more »
I saw this, one of Franco's first films, late at night and although it was creepy and at times rather surreal, there is little to approach the weirdness of Vampiros Lesbos et al. But instead we have a well-crafted gothic fantasy reminding one of Universal or Hammer horrors, but ultimately surpassing these in terms of suspense and scares. There is also very little of the violence or nudity that characterises his later work (although I did see a slightly trimmed version). This is probably Franco's most accessible film and, although he has himself remade it at least 4 times, this still remains the ultimate version. And unlike just about anything else by Franco, it stays the right side of cheese throughout, relying on Franco's skill as a director rather than cheap nudity thrills. Definitely recommended for fans of euro-gothic horror, although fans of Franco's later more whacked-out work would have to prepare themselves for something making a little more sense than normal.
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