Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed ...
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A young doctor kills himself after a medical committee terminates his research into human embryos, considering it too inhumane. His wife then seeks revenge on those who drove her husband to... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs and tries to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices. Written by
Christo Hoffmania <email@example.com>
Director Cameo (Jesus Franco): Man playing piano in bar. See more »
In the English-dubbed version a female witness said about the perpetrator that "he walked like a robot". The story was set in 1912, and the word "robot" first appeared in a Czech science fiction play in 1921. The writer was Karel Capek. See more »
I'll admit I'm not a fan of director Jess Franco or his movies, but "The Awful Dr. Orloff" is an old-fashioned, black-and-white surprise. Orloff (Howard Vernon, of "Zombie Lake") and his bug-eyed henchman Morpho kidnap lovely damsels to use their skin in an attempt to reconstruct the scarred face of the doctor's daughter. Granted, the movie is long on talk, but the black-and-white photography creates a genuinely spooky atmosphere, and some of the Gothic images are worthy of Bergman. Franco does a good job of building a suspenseful third act, thereby redeeming the movie.
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